Wandi

SHORTLISTED FOR THE CHILDREN'S AWARD, INDIE BOOK AWARDS 2022 LONGLISTED FOR BOOK OF THE YEAR FOR YOUNGER CHILDREN, ABIA AWARDS 2022 A young cub is snatched from his family and home by a giant eagle, then dropped, injured and alone, in a suburban garden. This is where he meets his first Human, and begins his long journey to becoming the most famous dingo in the world. He will never see his mountain home again, or his family. But it is his destiny to save alpine dingoes from extinction, and he dreams of a time when all cubs like him can live in the wild in safety, instead of facing poison and bullets and hatred. A children's literary classic in-the-making from one of Australia's most-loved authors.

IFILIMO Amashiwi ya Ntanshi 1. Bushe ni Ncito Nshi Ishi Mikate Ishinono ne Sabi Fingabomba ku Bantu Abengi? (Yohane 6:1-15) 2. Ukutetekela muli Wene Uo Lesa Asalile E Mulimo wa Kwa Lesa (Yohane 6:16-29) 3. Bombeleni Ica kulya Iciikalilila ku Mweo wa Muyayaya (Yohane 6:16-40) 4. Ikalileni Umwalola Umupashi (Yohane 6:26-40) 5. Bombeleni Ica kulya Icishonaika Pano Calo (Yohane 6:26-59) 6. Tufwile Ukulya Umukate Uwafuma ku Muulu ku Citetekelo Mu Mbilansuma ya Menshi No Mupashi (Yohane 6:28-58) 7. Yesu Kristu, Uyo Uwaishileba Umukate wa Mweo kuli Ifwe (Yohane 6:41-51) 8. Bushe Kuti Twalya Shani Umubili wa kwa Yesu? (Yohane 6:41-59) 9. Tetekeleni muli Yesu Uwaikile Ukufuma ku Mulu nga Kapususha Wenu mu Mutima Wenu (Yohane 6:41-51) 10. Yesu Alitupeela Umweo Wa Cine Uwa Muyayaya! (Yohane 6:47-51) 11. Ifyo Twingasendamo lubali Mu Mulalilo Washila Ne Citetekelo Calungama (Yohane 6:52-59) 12. Yesu, Uwatupeela Umukate wa Mweo (Yohane 6:54-63) 13. Mufwile Ukushimikila Umubili no Mulopa Wa kwa Yesu Kuli Balupwa Lwenu (Yohane 6:51-56) 14. Bushe Finshi Tulingile Ukwikalila? (Yohane 6:63-69) 15. Tufwile Ukukwata Ubwishibilo bwa Linga Ubwa Cine (Yohane 6:60-71) Yesu Kristu Alitupeela Umweo wa Muyayaya ukupitila mu Mubili Wakwe Umwine no Mulopa Ulukuta lulakonka ifipope fibili ifyaebelwe na Yesu Kristu. Cimo lubatisho, kabili cimbi Mulalilo Washila. Tupokelela Umulalilo Washila mu kutontonkanyapo sana pa mbilansuma ya Cine iyasokoloka ukupitila mu mukate no mwangashi, mu kwibukisha kwa iyi mbilansuma. Mu lutambi lwa Mulalilo Washila, tulalya umukate mu kwibukisha kwa mubili wa kwa Yesu, no kunwa umwangashi ngo kusefya kwa mulopa Wakwe. Nge fyo, ubupilibulo bwa cine ubwa Mulalilo Washila ku kosha icitetekelo cesu mu Cine ca kuti Yesu alipususha ifwe ukufuma ku membu she sonde no kutupeela umweo wa muyayaya ukupitila mu lubatisho Lwakwe ne mfwa Yakwe pa Capindama. Lelo, ubwafya bwa kuti Abena Kristu abengi bapokelela Umulalilo Washila mu kumonekela fye, ukwabula ukwiluka ifyo Yesu alepilibula kuli ili shiwi, “Umubili wandi ca kulya cine cine, no mulopa wandi ca kunwa cine cine” (Yohane 6:55). Eico, mu kati ka mbilansuma ya menshi no Mupashi, tulekabila na kabili ukulolesha pa bupilibulo bwa cipope ca kwa Yesu ubwa kulya umubili Wakwe no kunwa umulopa Wakwe, no kutetekelamo. The New Life Mission https://www.bjnewlife.org

Ellen Banda-Aaku's first book, Wandi's Little Voice, won the Macmillan Writer's Prize for Africa in 2004. The story is set in a Lusaka suburb. It is about a young girl transitioning into adolescence.

"In 2008, as the storms of the financial crash blew, Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs, traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic, otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning, illegally occupying 4,000 acres of wetlands where an international airport was planned. In 2018, the 40-year-long struggle snatched an incredible victory, defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory, inspired by a diverse array of approaches, from neo-animism to revolutionary biology, insurrectionary writings and radical art history"--