War And Literature

Reflections on the uneasy yet symbiotic relations of war and writing, from medieval to modern literature.

Considers texts treating the diverse impacts of war on those who experience it, whether as soldiers or civilians, and examines the ways in which war is transformed through writing. Because the experience of war transcends geographical boundaries, genres, and specific conflicts, this book is organized thematically. The first volume highlights various approaches to war, from the theoretical to the experimental. The second volume considers texts centered on the experiences of those who encounter war, whether on the battlefield or the home front. The final volume explores a body of writing reflecting on the impacts of war on individuals, communities, cultures, and human values.

A Hay Festival and The Poole VOTE 100 BOOKS for Women Selection The modern classic of contemporary war fiction - a Man Booker Prize-nominated examination of World War I and its deep legacy of human traumas. 'A brilliant novel. Intense and subtle' Peter Kemp, Sunday Times Craiglockhart War Hospital, Scotland, 1917, and army psychiatrist William Rivers is treating shell-shocked soldiers. Under his care are the poets Siegfried Sassoon and Wilfred Owen, as well as mute Billy Prior, who is only able to communicate by means of pencil and paper. Rivers's job is to make the men in his charge healthy enough to fight. Yet the closer he gets to mending his patients' minds the harder becomes every decision to send them back to the horrors of the front. Pat Barker's Regeneration is the classic exploration of how the traumas of war brutalised a generation of young men. This is the first novel in Pat Barker's Man Booker Prize-winning Regeneration Trilogy: I: Regeneration II: The Eye in the Door III: The Ghost Road 'A vivid evocation of the agony of the First World War and a multi-layered exploration of all wars. A fine anthem for doomed youth' Time Out 'A novel of tremendous power' Margaret Forster 'Unforgettable' Sunday Telegraph 'One of the strongest and most interesting novelists of her generation' Guardian

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.

This widely acclaimed novel about a female soldier who returns from Iraq haunted by a tragic mistake is “beautifully written…suspenseful and smart and tender in unexpected moments” (Miami Herald) and was named one of the 5 Best in Modern War Fiction by The Sunday Telegraph. Before she enlisted, classically-trained singer Lauren Clay had been accepted to a prestigious music conservatory, but her family’s financial demands—worsened by her parents’ divorce and her father’s declining mental health—pushed her in another direction. Joining the army allowed Lauren to provide for her family—especially her younger brother Danny, whose quirky, heartfelt letters to her overseas are signed, be safe, I love you. When she arrives home unexpectedly, it’s clear to her friends and family that something is profoundly wrong with Lauren. But her father is so happy to have her home that he ignores her odd behavior, as well as the repeated phone calls from an army psychologist. Things seem better when Lauren offers to take Danny on a trip to visit their mother upstate, but instead, she guides them into the glacial woods of Canada on a quest to visit the Jeanne d’Arc Basin, the site of an oil field that has become her strange obsession. What happens there will change Sergeant Lauren Clay’s family forever, as she must finally face what she saw, and did, in Iraq. Be Safe I Love You is “a rare, illuminating glimpse into the distinctive experience and psyche of a female vet” (Boston Globe); “a riveting suspense story and a frank portrayal of war’s psychic damage” (Ms. Magazine); and “a painful exploration of the devastation wrought by combat even when the person returns from war without a scratch…this book is a reminder that art and love are all that can keep us from despair” (The New York Times Book Review).

This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.

War and violence have arguably been some of the strongest influences on literature, but the relation is complex: more than just a subject for story-telling, war tends to reshape literature and culture. Modern war literature necessarily engages with national ideologies, and this volume looks at the specificity of how American literature deals with the emotional, intellectual, social, political, and economic contradictions that evolve into and out of war. Raising questions about how American ideals of independence and gender affect representations of war while also considering how specifically American experiences of race and class interweave with representations of combat, this book is a rich and coherent introduction to these texts and critical debates.