War Is

In a provocative anthology, two editors with opposing viewpoints present an unflinching collection of works reflecting on the nature of war. Marc Aronson thinks war is inevitable. Patty Campbell thinks war is cruel, deceptive, and wrong. But both agree on one thing: that teens need to hear the truthful voices of those who have experienced war firsthand. The result is this dynamic selection of essays, memoirs, letters, and fiction from nearly than twenty contributors, both contemporary and historical — ranging from Christian Bauman's wrenching "Letter to a Young Enlistee" to Chris Hedges's unflinching look at combat to Fumiko Miura's Nagasaki memoir, "A Survivor's Tale." Whether the speaker is Mark Twain, World War II correspondent Ernie Pyle, or a soldier writing a miliblog, these divergent pieces look war straight in the face — and provide an invaluable resource for teenagers today.

"On War" by Carl von Clausewitz (translated by J. J. Graham). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: “It gives us purpose, meaning, a reason for living.” Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies—corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.

A new and revised edition of Dyer's classic book, widely regarded as one of the most compelling analyses of the history of armed conflict. ""War is part of our history, but it is not in at all the same sense part of our prehistory. It is one of the innovations that occurred between nine and eleven thousand years ago when the first civilized societies were coming into being. What has been invented can be changed; war is not in our genes." With this provocative statement, Gwynne Dyer launches his brilliant discussion of the history and nature of war. He traces the growth of organized warfare through history, showing conclusively that the basic tenet has remained unchanged -- war is an act of mass violence applied against an enemy so that he will do what you want him to do. The only real change has been technological, permitting us to make war on a mass scale. At the height of the Cold War, just such a global conflagration seemed almost inevitable. But the collapse of the Iron Curtain and the ensuing political changes have forced a re-examination of the accepted fundamentals of history. Will open access to the channels of mass communication create enough shared values that we can move beyond mass warfare? Is the threat of terrorism a red herring designed to preserve the military status quo? Are our traditional military and administrative hierarchical structures still relevant? Now, more than ever in our post-September 11 world, we need Gwynne Dyer's expertise to understand the greatest and most human drama -- the act of war. Excerpt from "War "The Siamese twins, army and state, have never been separated since they were born some eight or nine thousand years ago --and most of the time the state is the stronger of the twins. Armies exist to serve the interests of the state that owns them and their legitimacy comes solely from the fact that they belong to states; similar groups of armed men, if self-employed, are generally known as rebels or bandits. This is the context in which warfare, as opposed to casual and illegitimate violence, must be seen: it is something states do, and have always done, because they believe it serves their interest. "From the Hardcover edition.

War Is a Racket is a speech and a 1935 short book, by Smedley D. Butler, a retired United States Marine Corps Major General and two-time Medal of Honor recipient. Based on his career military experience, Butler frankly discusses how business interests commercially benefit (including war profiteering) from warfare. He had been appointed commanding officer of the Gendarmerie during the United States occupation of Haiti, which lasted from 1915 to 1934.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.” Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most ... with eloquence, crushing detail, and power.”

In this World War II military history, Rommel's army is a day from Cairo, a week from Tel Aviv, and the SS is ready for action. Espionage brought the Nazis this far, but espionage can stop them—if Washington wakes up to the danger. As World War II raged in North Africa, General Erwin Rommel was guided by an uncanny sense of his enemies' plans and weaknesses. In the summer of 1942, he led his Axis army swiftly and terrifyingly toward Alexandria, with the goal of overrunning the entire Middle East. Each step was informed by detailed updates on British positions. The Nazis, somehow, had a source for the Allies' greatest secrets. Yet the Axis powers were not the only ones with intelligence. Brilliant Allied cryptographers worked relentlessly at Bletchley Park, breaking down the extraordinarily complex Nazi code Enigma. From decoded German messages, they discovered that the enemy had a wealth of inside information. On the brink of disaster, a fevered and high-stakes search for the source began. War of Shadows is the cinematic story of the race for information in the North African theater of World War II, set against intrigues that spanned the Middle East. Years in the making, this book is a feat of historical research and storytelling, and a rethinking of the popular narrative of the war. It portrays the conflict not as an inevitable clash of heroes and villains but a spiraling series of failures, accidents, and desperate triumphs that decided the fate of the Middle East and quite possibly the outcome of the war.