War Torn

For the first time, the women who are legends in the world of journalism talk about professional and personal experiences as young reporters who lived, worked, and loved surrounded by war. These stories not only introduce a remarkable group; they give an entirely new perspective on the most controversial war in our history.

Syria as we knew it does not exist anymore. However, all conflicts change countries and their societies. Such an obvious statement needs to be unpacked in specific relation to Syria. What has happened, what does it mean, and what comes next? In order to consider the future of Syria, it is crucial to assess not only what has been destroyed, but also how it was destroyed. It is equally vital to address the structural and possibly enduring results of large-scale destruction and displacement. These dynamics are not only at play in Syrian society, but are tearing at the economic fabric and very territorial integrity of the country. If war is a powerful process of human and material destruction, it is equally a powerful process of spatial, social and economic reconfiguration. Nor does it stop at national borders--the unravelling of Syria, and of the idea of Syria, has affected and will continue to affect the entire Middle East. War-Torn explores these transformations and the processes that fuel them. It is an indispensable account throwing light on neglected aspects of the Syrian war, and a much-needed contribution to our understanding of conflicts in the twenty-first century.

Shot down on a mission, 19-year-old bomber pilot Henry is alone in a treacherous land. Desperate to get back to his family and the girl he loves, he is forced to rely on the kindness of strangers and the cunning of the French Resistance. But in his battle to survive the deadly journey across Nazi-occupied Europe, he must face a terrible choice: can he take someone's life to save his own?

Hasan Namir's debut collection of poetry, War / Torn, is a brazen and lyrical interrogation of religion and masculinity--the performance and sense of belonging they delineate and draw together. Namir summons prayer, violence, and the sensuality of love, revisiting tenets of Islam and dictates of war to break the barriers between the profane and the sacred. Praise for War / Torn: War / Torn mourns, loves and burns all the derogatory impulses of our continuous present. This book is of and against our time. War / Torn is a breathless elegy in the most defiantly tender poetics you can imagine. --Jordan Scott, author of Night & Ox, and winner of the Latner Poetry Prize by the Writer's Trust of Canada

August, 1940. England is at war. In the quiet university town of Oxford a young father fears an imminent German invasion. An opportunity suddenly arrives to send his wife and twin children to safety in America. He believes he must take it. In only a few days they are gone, traveling by ship in convoy through dangerous waters, evacuees. He cannot go with them. He has been assured they will return in a few months. The mother and the children begin their desperate American wartime odyssey, years filled with uncertainty, constant change, virtual homelessness. This is the story of those years, the courage and resilience of the mother, the inevitable unraveling of a marriage, and a father who is present only in his letters. His daughter searches the past to answer her questions. Why did he send us? Did we have to go? What happened between her father and her mother? What was her father like? This is a deeply personal and compelling story, beautifully told.

It's 1969 and America is in the middle of an unpopular war. Cesar Cruz has just returned from Vietnam and Kelsey must interview a veteran for her school project. When their lives intersect, what she learns could change everything in which she believes. Includes historical background information. Paired to the nonfiction title Naval Power.

This book is the outcome of a successful workshop held in Leeds in September 2003 and explores the effects of World War II on the representation of gender in post-war literature, film and popular culture, juxtaposing Western European experience with US, Soviet and Japanese. It aims to outline the different ways in which these representations evolved in post-war attempts both to re-establish social order and reconstruct national identity. It gives the reader an overview of the similarities and differences that have emerged in the representation of war and gender in different cultures and media, as a result of social expectations, political change and individual artistic innovation. The essays are linked by their concern with three key questions: how are emotion and gender represented in relation to the experience of war; what is the impact of war on the dynamic between the genders; and, as the memory of war recedes, is it possible to identify chronological shifts in the artistic response to the conflict?