Wartime Notebooks

A Polish writer’s experience of wartime France, a cosmopolitan outsider’s perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider’s perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation—in a daringly untragic mode—of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man’s pleasure in physical movement—miles clocked on country roads and Parisian streets on his trusty bike—and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.

A Polish writer's experience of wartime France, a cosmopolitan outsider's perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider's perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation--in a daringly untragic mode--of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man's pleasure in physical movement--miles clocked on country roads and Parisian streets on his trusty bike--and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.

A hardcover omnibus edition of the French writer's most famous novel—the basis for the film Memoir of War—alongside her fascinating wartime writings and a collection of intimate autobiographical essays. Marguerite Duras was one of the leading intellectuals and novelists of postwar France, but her wartime writings were not published in full until after her death. The Wartime Notebooks trace Duras's formative experiences—including her difficult childhood in Indochina and her harrowing wait for her husband's return from Nazi internment—revealing the personal history behind her bestselling novels. The Lover is the best known of these; set in prewar Indochina, its haunting tale of a tumultuous affair between an adolescent French girl and her wealthy Chinese lover is based on her own life. In spare and luminous prose, Duras evokes life on the margins in the waning days of France's colonial empire, and the passionate relationship between two unforgettable outcasts. Practicalities is a collection of small and intensely personal pieces Duras dictated near the end of her life. These deceptively simple meditations on motherhood, domesticity, sex, love, alcohol, writing, and more are witty, earthy, outspoken, and surprisingly fresh and relevant today.

He was one of the most gifted scholars of his generation—a brilliant writer, high-society star, and cultural force who moved easily between aristocratic houses and the humble haunts of literary bohemia. He developed a lucid prose style that he used to scathing effect, earning notoriety for his sharp attacks on other historians. Now this superb biography of Hugh Trevor-Roper, universally acclaimed overseas, makes its anticipated American debut. With incisive knowledge of the man and access to never-before-published letters, Adam Sisman paints a fascinating portrait of this charismatic, contentious, contradictory character. Sisman examines Trevor-Roper’s middle-class upbringing in a house so empty of affection that it caused, as he put it, his “almost physical difficulty in expressing emotion.” He traces Trevor-Roper’s career from his early academic triumphs to his later failure to produce the big book expected of him. Sisman also provides riveting new details of the high drama of Trevor-Roper’s World War II intelligence work—in which he boldly blew the whistle on bureaucratic infighting that imperiled British code-breaking—and the exclusive investigation of Hitler’s death that inspired his bestselling postwar triumph, The Last Days of Hitler. As never before, Trevor-Roper’s personal life is explored, including his passionate affair with an older, married woman. Finally, An Honourable Englishman reveals the truth behind his public substantiation of the false Hitler diaries in 1983, a misstep (encouraged by his impatient employer Rupert Murdoch) that forever tainted his reputation. Profoundly bright and brutally acerbic, Hugh Trevor-Roper was a literary lion like no other, and in An Honourable Englishman he receives the absorbing biography he deserves.

“An exceptionally vivid memoir of a French soldier’s experience of the First World War.”—Max Hastings, New York Times bestselling author Along with millions of other Frenchmen, Louis Barthas, a thirty-five-year-old barrelmaker from a small wine-growing town, was conscripted to fight the Germans in the opening days of World War I. Corporal Barthas spent the next four years in near-ceaseless combat, wherever the French army fought its fiercest battles: Artois, Flanders, Champagne, Verdun, the Somme, the Argonne. First published in France in 1978, this excellent new translation brings Barthas’ wartime writings to English-language readers for the first time. His notebooks and letters represent the quintessential memoir of a “poilu,” or “hairy one,” as the untidy, unshaven French infantryman of the fighting trenches was familiarly known. Upon Barthas’ return home in 1919, he painstakingly transcribed his day-to-day writings into nineteen notebooks, preserving not only his own story but also the larger story of the unnumbered soldiers who never returned. Recounting bloody battles and endless exhaustion, the deaths of comrades, the infuriating incompetence and tyranny of his own officers, Barthas also describes spontaneous acts of camaraderie between French poilus and their German foes in trenches just a few paces apart. An eloquent witness and keen observer, Barthas takes his readers directly into the heart of the Great War. “This is clearly one of the most readable and indispensable accounts of the death of the glory of war.”—The Daily Beast (“Hot Reads”)

Marguerite Duras was one of the leading intellectuals and novelists of post-war France. She owed her success to her obstinacy to be and remain herself, come what may and at whatever cost to her own person. This collection, retrieved from the papers she left at her death, offers a fascinating insight into Duras' life and work. Her notebooks retrace the formative experiences in Duras' life: her childhood in Indochina and, in wartime, her harrowing wait for her husband's return from a concentration camp.

Published for the first time in English, these World War II-era notebooks offer insights into one of the 20th century's most renowned literary figures. Here are the first drafts of her most famous works, the true stories behind "The Lover, The War," and several other classics.

This volume of newly written chapters on the history and interpretation of Wittgenstein's Tractatus represents a significant step beyond the polemical debate between broad interpretive approaches that has recently characterized the field. Some of the contributors might count their approach as 'new' or 'resolute', while others are more 'traditional', but all are here concerned primarily with understanding in detail the structure of argument that Wittgenstein presents within the Tractatus, rather than with its final self-renunciation, or with the character of the understanding that renunciation might leave behind. The volume makes a strong case that close investigation, both biographical and textual, into the composition of the Tractatus, and into the various influences on it, still has much to yield in revealing the complexity and fertility of Wittgenstein's early thought. Amongst these influences Kant and Kierkegaard are considered alongside Wittgenstein's immediate predecessors in the analytic tradition. The themes explored range across the breadth of Wittgenstein's book, and include his accounts of ethics and aesthetics, as well as issues in metaphysics and the philosophy of mind, and aspects of the logical framework of his account of representation. The contrast of saying and showing, and Wittgenstein's attitude to the inexpressible, is of central importance to many of the contributions. By approaching this concern through the various first-level issues that give rise to it, rather than from entrenched schematic positions, the contributors demonstrate the possibility of a more inclusive, constructive and fruitful mode of engagement with Wittgenstein's text and with each other.