Water And Sacred Architecture

This edited book examines architectural representations that tie water, as a physical and symbolic property, with the sacred. The discussion centers on two levels of this relationship: how water influenced the sacredness of buildings across history and different religions; and how sacred architecture expressed the spiritual meaning of water. The volume deliberately offers original material on various unique contextual and design aspects of water and sacred architecture, rather than an attempt to produce a historic chronological analysis on the topic or focusing on a specific geographical region. As such, this unique volume adds a new dimension to the study of sacred architecture. The book’s chapters are compiled by a stellar group of scholars and practitioners from the US, Canada, Europe, Asia, and Africa. It addresses major aspects of water in religious buildings, such as, rituals, pilgrimage, water as a cultural material and place-making, hydro systems, modern practices, environmental considerations, the contribution of water to transforming secular into sacred, and future digital/cyber context of water and sacredness. All chapters are based on original archival studies, historical documents, and field visits to the sites and buildings. These examinations show water as an expression of architectural design, its materiality, and its spiritual values. The book will be of interest to architects, historians, environmentalists, archaeologists, religious scholars, and preservationists.

Water architecture in South Asia represents some of the most beautiful and spectacular building achievements of the region. This study provides a holistic approach to the subject, suggesting common links and regional contrasts between types of water structures and their contexts, with a comprehensive interpretation of the history and meaning of water architecture in India, Nepal and Sri Lanka. Five types of water structures are identified. Their development is traced from simple to more complex forms, considering how these accommodate secular and religious functions, and present expressions of sacred and royal authority. This publication is the first reference work on the subject. Many of the structures discussed and illustrated here have never been published before. Its comprehensive approach will have a wide relevance for other South Asian disciplines.

Mid-20th century sacred architecture in America sought to bridge modernism with religion by abstracting cultural and faith traditions and pushing the envelope in the design of houses of worship. Modern architects embraced the challenges of creating sacred spaces that incorporated liturgical changes, evolving congregations, modern architecture, and innovations in building technology. The book describes the unique context and design aspects of the departure from historicism, and the renewal of heritage and traditions with ground-breaking structural features, deliberate optical effects and modern aesthetics. The contributions, from a pre-eminent group of scholars and practitioners from the US, Australia, and Europe are based on original archival research, historical documents, and field visits to the buildings discussed. Investigating how the authority of the divine was communicated through new forms of architectural design, these examinations map the materiality of liturgical change and communal worship during the mid-20th century.

These two small and exquisite churches by Tadao Ando - one rural and 'open', the other urban and 'enclosed' - complement each other perfectly and together provide an insight into Ando's creation of sacred space. The Church on the Water occupies an idyllic pastoral site and consists of two squares, one large, one small, that overlap and are arranged facing a man-made pool. The Church of the Light is built in a quiet residential area of Osaka. Here Ando explores the spiritual force of the effects of sunlight on raw concrete. Slits cut in the form of a cross perforate the chapel's front wall; when lit up by the morning sun they create what Ando describes as a 'cross of light'. With these two churches, Ando provides a synthesis of opposites, creating spaces that attain a purity and calm through powerful architectonic forms.

A ground‐breaking and enlightening exploration of the structures which elevate architecture to spirituality. Sacred Spaces showcases 30 of the most breath‐taking, innovative, iconic and undiscovered examples of contemporary religious architecture, including work by well‐known architects alongside emerging designers. Spanning all major religions and places of worship from intimate, reflective chapels and cemeteries to dramatic cathedrals and memorials, Sacred Spaces documents each project with lavish‐in‐depth photography and drawings and texts by James Pallister that provide a modern historical context. An inspiring collection and thorough survey, the buildings in Sacred Spaces will appeal to architects and designers as well as the general public intrigued by creative culture, religion and spirituality.

Reprint of the original, first published in 1845.

An inspirational call for a return to the tenets of traditional architecture as a remedy for the dehumanizing standards of modern architecture • Explains how modern architecture is emblematic of our current estrangement from the spiritual principles that shaped humanity’s greatest civilizations • Reveals how the ancient laws of sacred proportion and harmony can be restored The ugly buildings that characterize the modern landscape are inferior not only to the great cathedrals of medieval Europe and the temples of ancient Egypt and Greece, but even to lesser buildings of the more recent past. The great masterworks of our ancestors spoke to humanity’s higher nature. Architect Herbert Bangs reveals how today’s dysfunctional buildings bring out the worst in humanity, reinforcing that which is most base within us. He shows how, through the ancient laws of proportion and number, architecture once expressed the harmonious relationship between man and the cosmos. In early times, the architect worked within a sacred and esoteric tradition of creating structures through which human beings could gain insight into the nature of the divine reality. Today, that tradition has been abandoned in favor of narrowly defined utilitarian principles of efficiency and economy. In The Return of Sacred Architecture, Bangs provides the key to freeing architecture from the crude functionality of the twentieth century: the architects of the modern human landscape must find the deep-felt connection to the cosmos that guided the inner lives of those who built the temples of the past. The form of their buildings will then reflect the sacred patterns of geometry and proportion and bring forth greater harmony in the world.