Wax Poetics Issue 2 Paperback Reprint

The Academic Archive: Vol 2; Pretty Purdie: Bernard Purdie; Bob James Calling; Two Brothers With Beats: Mr. Walt and Evil Dee; Old School: First Phase Phase (from East Village Eye November 1982); North Coast Hip-Hop: Step Into A World / An Allegory in Four Parts; Love and Hate: Groove Merchant, San Francisco's Groove Merchant record store; Music Mobility: Portable phonographs; Texas Funk Sunny Side Up: Timothy McNealy; The Elite 20: A Selection of Some of the Most Wanted Hip-Hop Records in the World; In the Bedroom: A Photo Essay by John Carluccio; The Human Element: Malcolm Catto; Bongo Flava: Hip-Hop in Tanzania; Common Ground: Val Shively's R&B Records; Cutting Corners: LP cut-outs; re: Discovery: Ike Turner and the Kings of Rhythm; Check Your Bucket! A Review of the Previously Released - Association for the Advancement of Creative Musicians and Tribe; Fire Corner Sounds: Poor People Music - Rebel Rock and the Productions of Clive Chin; The Memoirs of Prince Paul

Reprint of the Aug/Sept 2006 Issue 18 edition of Wax Poetics magazine, covering Parliament-Funkadelic.

A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel

"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.

Hardcover version of Issue 68. Cover 1: Digable Planets. Cover 2: P.M. Dawn. Winter 2020.

The special-edition reprint of Wax Poetics Magazine Issue 50--our bestselling issue ever--featuring Prince on the cover, with features on Prince and the Revolution; Morris Day and the Time; the Time's guitarist Jesse Johnson; Grand Central: the roots of Prince and Andre Cymone; Prince's jazz side project Madhouse; the Prince side project the Family; early Prince recordings, 94 East; and Questlove's commentary "33 Reasons Why Prince Is Hip-Hop." Also featuring Larry Graham, Blood Orange, Toro y Moi, DJ Quik, and Frank Ocean. This special-edition reprint contains no advertisements.

This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.

If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners.Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves.