We Danced All Night

Bounded by the Great War on one side and by the looming shadow of the Second World War on the other, the inter-war period has characteristically been portrayed as a time of great and unrelenting depression. In Martin Pugh's lively and thought-provoking book, however, the acclaimed historian vividly shows how the British people reacted to the privations of wartime by indulging in leisure and entertainment activities of all kinds - from dancing and cinema going to smoking, football pools and paid holidays. He explodes the myths of a nation of unwed women, revealing that in the 1930s the institution of marriage was reaching its heyday, and points to a rise in real incomes, improvements in diet and health and the spread of cheap luxuries. The result is an extraordinary, engaging work of history that presents us with a fresh perspective and brings out both the strangeness and the familiarity of this point in time.

The popular romance author recounts her experiences back in the 1920s, when life was carefree

A story of one man's journey from the orphanage to his discovery of Northern Soul. Through the turmoil of violence, racism and drugs he found a love for music and dancing as he swept through the 1970's in England. Finding true love and Soul music helped him erase the torment of his childhood.

On a future Earth, what is left of humanity lives life to the hilt while denying a harsh truth… One man, Kaloyan, has lived through that truth and knows what his friends are about to face, including one friend in particular…. And We Danced All Night is a science fiction short story by award-winning SF author Cameron Cooper. Dystopian Science Fiction Short Story __ Praise for Cameron Cooper’s SF: Epic science fiction at its finest. Realistic far future worlds. Incredible characters and scenarios. The concepts are staggering and intensely interesting. This story is terrific! It's intriguing and futuristic and human in its telling. __ Cameron Cooper is the author of the Imperial Hammer series, an Amazon best-selling space opera series, among others. Cameron tends to write space opera short stories and novels, but also roams across the science fiction landscape. Cameron was raised on a steady diet of Asimov, Heinlein, Herbert, McCaffrey, and others. Peter F. Hamilton, John Scalzi, Martha Wells and Cory Doctorow are contemporary heroes. An Australian Canadian, Cam lives near the Canadian Rockies.

"A memoir of the creator My fair lady, Camelot, and Gigi"--Jacket subtitle.

A conversation between a Tel Aviv waitress and her elderly customer sparks a journey of healing in this compelling novel by the author of Light Fell. At eighty-four, Teo, one of the world’s most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are rouses once more. Suddenly and unexpectedly, his desire for a woman’s touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi’s life will change, too, as Teo’s affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts—from Warsaw to Copenhagen, from Berlin to Tel Aviv—that cry out for forgiveness and peace.

The most celebrated "voice" in Hollywood speaks for herself! Everyone knows Marni Nixon...even if they think they don’t. One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood inWest Side Story, Audrey Hepburn inMy Fair Lady, and Deborah Kerr inThe King and I. She was the voice of Hollywood’s leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television’sLaw & Order SVU, tours with her own stage show, and teaches master classes in voice.I Could Have Sung All Nightreveals the woman behind the screen in a frank, funny biography that is as remarkable as the woman whose story it tells. • Beloved show-biz icon Nixon dubbed the singing of Natalie Wood inWest Side Story, Deborah Karr inThe King and I, and Audrey Hepburn inMy Fair Lady—she now tells her story for the first time • Entertaining behind-the-scenes celebrity stories from six decades of performing • Nostalgia appeal, plus insider's account of the music and film worlds of the 20th century • Breast cancer survivor Nixon is an inspiration to millions of women

“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review). When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and—when he dances with Alzheimer’s patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful—a dance all its own” (Vanity Fair).