We Hereby Refuse

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

A teenager is pulled back in time to witness her grandmother's experiences in World War II-era Japanese internment camps in Displacement, a historical graphic novel from Kiku Hughes. Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II. These displacements keep occurring until Kiku finds herself "stuck" back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive. Kiku Hughes weaves a riveting, bittersweet tale that highlights the intergenerational impact and power of memory.

No-No Boy, John Okada’s only published novel, centers on a Japanese American who refuses to fight for the country that incarcerated him and his people in World War II and, upon release from federal prison after the war, is cast out by his divided community. In 1957, the novel faced a similar rejection until it was rediscovered and reissued in 1976 to become a celebrated classic of American literature. As a result of Okada’s untimely death at age forty-seven, the author’s life and other works have remained obscure. This compelling collection offers the first full-length examination of Okada’s development as an artist, placing recently discovered writing by Okada alongside essays that reassess his lasting legacy. Meticulously researched biographical details, insight from friends and relatives, and a trove of intimate photographs illuminate Okada’s early life in Seattle, military service, and careers as a public librarian and a technical writer in the aerospace industry. This volume is an essential companion to No-No Boy.

The story of the World War II internment of 120,000 Japanese American citizens and Japanese-born permanent residents is well known by now. Less well known is the history of the small group of Seattle activists who gave birth to the national movement for redress. It was they who first conceived of petitioning the U.S. Congress to demand a public apology and monetary compensation for the individuals and the community whose constitutional rights had been violated. Robert Sadamu Shimabukuro, using hundreds of interviews with people who lived in the internment camps, and with people who initiated the campaign for redress, has constructed a very personal testimony, a monument to these courageous organizers’ determination and deep reverence for justice. Born in Seattle follows these pioneers and their movement over more than two decades, starting in the late 1960s with second-generation Japanese American engineers at the Boeing Company, as they worked with their fellow activists to educate Japanese American communities, legislative bodies, and the broader American public about the need for the U.S. Government to acknowledge and pay for this wartime injustice and to promise that it will never be repeated.

One of the Washington Post's Top Nonfiction Titles of 2001 In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but Free to Die for Their Country is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller re-creates the emotions and events that followed the arrival of those draft notices, revealing a dark and complex chapter of America's history.

"Since pets communicate nonverbally, this book will help you recognize if your pet is suffering from [fear, anxiety, and stress]. By knowing your dog's body language, vocalizations, and changes in normal habits, you can make an accurate diagnosis and take action to prevent triggers or treat the fallout if they do happen"--Amazon.com.

After a fifteen-year hiatus from the world of guns, journalist, sports shooter, and former soldier A.J. Somerset no longer fit in with other firearm enthusiasts. Theirs was a culture much different than the one he remembered: a culture more radical, less tolerant, and more immovable in its beliefs, “as if [each] gun had come with a free, bonus ideological Family Pack [of political tenets], a ready-made identity.” To find the origins of this surprising shift, Somerset began mapping the cultural history of guns and gun ownership in North America. Arms: The Culture and Credo of Gun is the brilliant result. How were firearms transformed from tools used by pioneers into symbols of modern manhood? Why did the NRA’s focus shift from encouraging responsible gun use to lobbying against gun-safety laws? What is the relationship between gun ownership and racism in America? How have the film, television, and video game industries molded our perception of gun violence? When did the fear of gun seizures arise, and how has it been used to benefit arms manufacturers, lobbyists, and the far-right? Few ideas divide communities as much as those involving firearms, and fewer authors are able to tackle the subject with the same authority, humor, and intelligence. Written from the unique perspective of a gun lover who’s disgusted with what gun culture has become, Arms is destined to be one of the most talked-about books of the year.

In 1945 Okinawa, a seven year old girl is wandering about carrying a white flag.