We Re All Screwed

You hear it all the time: Think outside the box. But those who purport to protect us with rules and regulations don t do their thinking inside comfy, three-dimensional boxes. They are stuck inside cramped, one-dimensional squares. The world isn t square. It isn t even flat. It s varied, fast-paced, and changing. You re along for the ride whether you like it or not; the good old days got outsourced overseas. Whether it s the small-time thugs who make business owners pay for protection or bureaucrats who promise the masses that rule writing will cure all that ails, America can t take it anymore. In We re All Screwed, financial regulation industry insider Stephen A. Boyko explains how creativity and three-dimensional thinking are the best tools for developing a governance plan. With input from top professionals and entrepreneurs, Boyko outlines a nonlinear approach to governance that works in any area of the world. Boyko envisions a future where America can be a contender. He shatters the pretence of regulatory protection, explaining that linear approaches to governance and subsidized risk never worked and never will. Boyko illustrates how entities meant to govern capital markets have created false hierarchies, false protection, and false promises, saddling Americans with restrictive, obsolete, one-size-fits-all lists of incomprehensible, ineffective rules. Enough is enough! There is a better way. Heeding Boyko s advice is not the gamble; hugging outdated rules around you like the fuzzy gauze of pseudo security is the real risk.

To be wise, one must spend time with the wise. And how does one become wise? One way is by learning from all the foolish things one has done in the past. Success in life is not a seamless highway; that road has bumps. To become an authority on this, Peter G. James Sinclair has led a life that has been a series of stops, starts, fast bursts, long hauls, desert treks, jungle manoeuvres, and a whole lot more. And yet even when a brick wall has stood between him and success, he has learnt to stand back, size up the opposition and simply shout, 'There must be another way through'. And do you know what? There always is. If We Screw Each Other, We're All Screwed: A Book on Getting Earthly Wisdom is the result of a life lived in the real world dealing with real people. Within its pages, more than five decades of tried and tested wisdom has been compacted into short, concise and easily digestible phrases that have been designed for immediate application to your life. Some would call them quotes. Peter calls them liquid gold. In order to reach success in life and have successful relationships in this world, one must acquire and administer earthly wisdom.

Eighteen-year-old Zach does not remember how he came to be in a treatment center for alcoholics, but through therapy and caring friends, his amnesia fades and he learns to face his past while working toward a better future.

In Gettin' There, bestselling author Steve Farrar delves into the book of Psalms to give men a new sense of continuity, direction, purpose, and perspective. The Psalms are like a marked trail through life, showing that others have walked ahead and faced many of the challenges, temptations, heartaches, and perplexities that men will encounter on their journeys. Farrar shows that when a man begins to understand that the strong and caring hand of God is sovereign over everything in his life -- including his trials and heartaches -- his confidence, hope, and joy will increase dramatically in the God who created him and desires to use him.

The job of regional literature is twofold: to explore and confront the culture from within, and to help define that culture for outsiders. Taken together, the two centuries of Ozarks literature collected in this ambitious anthology do just that. The fiction, nonfiction, poetry, and drama presented in The Literature of the Ozarks complicate assumptions about backwoods ignorance, debunk the pastoral myth, expand on the meaning of wilderness, and position the Ozarks as a crossroads of human experience with meaningful ties to national literary movements. Among the authors presented here are an Osage priest, an early explorer from New York, a native-born farm wife, African American writers who protested attacks on their communities, a Pulitzer Prize–winning poet, and an art history professor who created a fictional town and a postmodern parody of the region’s stereotypes. The Literature of the Ozarks establishes a canon as nuanced and varied as the region’s writers themselves.

Every weekday, the wildly popular Tom Joyner Morning Show reaches more than eight million radio listeners. The show offers broadly progressive political talk, adult-oriented soul music, humor, advice, and celebrity gossip for largely older, largely working-class black audience. But it's not just an old-school show: it's an activist political forum and a key site reflecting on popular aesthetics. It focuses on issues affecting African Americans today, from the denigration of hard-working single mothers, to employment discrimination and sexual abuse, to the racism and violence endemic to the U.S. criminal justice system, to international tragedies. In Black Radio/Black Resistance, author Micaela di Leonardo dives deep into the Tom Joyner Morning Show's 25 year history inside larger U.S. broadcast history. From its rise in the Clinton era and its responses to key events--9/11, Hurricane Katrina, President Obama's elections and presidency, police murders of unarmed black Americans and the rise of Black Lives Matter, and Donald Trump's ascendancy-it has broadcast the varied, defiant, and darkly comic voices of its anchors, guests, and audience members. di Leonardo also investigates the new synergistic set of cross-medium ties and political connections that have affected print, broadcast, and online reporting and commentary in antiracist directions. This new multiracial progressive public sphere has extraordinary potential for shaping America's future. Thus Black Radio/Black Resistance does far more than simply shed light on a major counterpublic institution unjustly ignored for reasons of color, class, generation, and medium. It demonstrates an alternative understanding of the shifting black public sphere in the digital age. Like the show itself, Black Radio/Black Resistance is politically progressive, music-drenched, and blisteringly funny.