We Show What We Have Learned Other Stories

Winner of the Bard Fiction Prize and a finalist for the PEN/Bingham Prize, Young Lions Fiction Award, and Shirley Jackson Awards Joyce Carol Oates calls this debut author "wickedly sharp-eyed, wholly unpredictable...a female/feminist voice for the twenty-first century." The literary, historic, and fantastic collide in these wise and exquisitely unsettling stories.

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

To be a follower of Jesus means to bear witness to the truth of God. In an age when so many contemporary voices portray faith as a form of personal therapy, Gene L. Davenport, Professor Emeritus of Religion at Lambuth University, has consistently reminded us in his own witness that the truth of the Gospel entails confrontation with the world that dwells in darkness. These essays in honor of Davenport address the meaning of witness in the face of racism, sexism, and religious bigotry, to name but some of the forms this darkness takes. The topics range from emerging forms of prayer to religious themes in cowboy music, from the work of white pastors in Mississippi during the growing Civil Rights Movement to the meaning of the Righteous Gentile in Jewish-Christian friendship. Contributors: D. Brent Laytham Randy Cooper Stanley Hauerwas Billy Vaughan James T. Laney Kenneth L. Carder M. Douglas Meeks Phyllis Tickle L. Edward Phillips Tex Sample Cindy Wesley Joseph T. Reiff Margaret J. Meyer Charles Mayo

From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean, this collection includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

In this work, eminent theologian Stanley Hauerwas shows how the sermon is the best context for doing good theology. He writes, "I am convinced that the recovery of the sermon as the context for theological reflection is crucial if Christians are to negotiate the world in which we find ourselves." The book includes seventeen sermons preached by Hauerwas, which he considers his best theological work and hopes exemplify the work of theology. The sermons are divided into four sections: seeing, saying, living, and events. Titles range from Believing Is Seeing and Was It Fitting for Jesus to Die on a Cross? to Only Fear Can Drive Out Fear and To Be Made Human. Each sermon includes where and when it was preached and references relevant Scripture passages. EXCERPT I have increasingly come to the recognition that one of the most satisfying contexts for doing the work of theology is in sermons. That should not be surprising because throughout Christian history, at least until recently, the sermon was one of the primary places in which the work of theology was done. For the work of theology is first and foremost to exposit scripture. That modern theology has become less and less scriptural, that modern theology has often tried to appear as a form of philosophy, is but an indication of its alienation from its proper work. I am, therefore, making these sermons available because I think they are not only my best theological work, but because I hope they exemplify the work of theology.

DigiCat Publishing presents to you this special edition of "The Magician's Show Box, and Other Stories" by Lydia Maria Child, Caroline Sturgis Tappan. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A NEW YORK TIMES EDITORS’ CHOICE • From the author of the award-winning debut story collection We Show What We Have Learned, an "atoundingly original” (The New York Times Book Review) work of historical fiction with shocking and eerie connections to our own time. At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in nineteenth-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it’s not long before the assembled students begin to manifest bizarre symptoms: rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken. Fearing ruin for the school, Samuel overrules Caroline’s pleas to inform the girls’ parents and turns instead to a noted physician, a man whose sinister ministrations—based on a shocking historic treatment—horrify Caroline. As the men around her continue to dictate, disastrously, all terms of the girls’ experience, Caroline’s own body begins to betray her. To save herself and her young charges, she will have to defy every rule that has governed her life, her mind, her body, and her world.

#1 NEW YORK TIMES BESTSELLER • A special 25th anniversary edition of the beloved book that has changed millions of lives with the story of an unforgettable friendship, the timeless wisdom of older generations, and healing lessons on loss and grief—featuring a new afterword by the author “A wonderful book, a story of the heart told by a writer with soul.”—Los Angeles Times “The most important thing in life is to learn how to give out love, and to let it come in.” Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it. For Mitch Albom, that person was his college professor Morrie Schwartz. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final “class”: lessons in how to live. “The truth is, Mitch,” he said, “once you learn how to die, you learn how to live.” Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift with the world.