We Two Together

Freddie McNaughton is confronted by memories of his first great love and how together they overcame all obstacles until fate intervened. He tells his story in a series of letters, written fifty years after the event and discovered after his death, hoping that it will become a contribution to his family’s history.

Juliet was nearly eighteen. Almost a woman. She was very rich. Her mother and half-sister were slim and attractive, but Juliet was rather plump. Her mother's attempts to find her a husband had failed, and Juliet was miserable. Juliet lived in her own private world of music, art, and dreams... a world she was unable to share with anyone. Then one night at a concert, she caught the intense, probing gaze of the dark-eyed young stranger seated next to her. No man had ever looked at her like that. The woman inside Juliet stirred for the first time. She smiled back. And so it began. Romero, the young Italian shared her love of music. But she did not know then the shocking and violent drama that lay in wait for her. Or that from the moment of their first embrace she had moved into a world from which there was no return.

Juliet was nearly eighteen. Almost a woman. She was very rich. Her mother and half-sister were slim and attractive, but Juliet was rather plump. Her mother's attempts to find her a husband had failed, and Juliet was miserable. Juliet lived in her own private world of music, art, and dreams... a world she was unable to share with anyone. Then one night at a concert, she caught the intense, probing gaze of the dark-eyed young stranger seated next to her. No man had ever looked at her like that. The woman inside Juliet stirred for the first time. She smiled back. And so it began. Romero, the young Italian shared her love of music. But she did not know then the shocking and violent drama that lay in wait for her. Or that from the moment of their first embrace she had moved into a world from which there was no return.

An account of the author's experience of her father's illness, primary progressive aphasia, in graphic novel format.

This book provides an overview of Irish gender history from the end of the Great Famine in 1852 until the foundation of the Irish Free State in 1922. It builds on the work that scholars of women’s history pioneered and brings together internationally regarded experts to offer a synthesis of the current historiography and existing debates within the field. The authors place emphasis on highlighting new and exciting sources, methodologies, and suggested areas for future research. They address a variety of critical themes such as the family, reproduction and sexuality, the medical and prison systems, masculinities and femininities, institutions, charity, the missions, migration, ‘elite women’, and the involvement of women in the Irish nationalist/revolutionary period. Envisioned to be both thematic and chronological, the book provides insight into the comparative, transnational, and connected histories of Ireland, India, and the British empire. An important contribution to the study of Irish gender history, the volume offers opportunities for students and researchers to learn from the methods and historiography of Irish studies. It will be useful for scholars and teachers of history, gender studies, colonialism, post-colonialism, European history, Irish history, Irish studies, and political history. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Putting Two and Two Together is a humorous and quirky collection of unusual, ingenious, and beautiful morsels of mathematics. Authors Burkard Polster (YouTube's Mathologer) and Marty Ross delve into mathematical puzzles and phenomena in engaging stories featuring current events, sports, and history, many flavored with a distinctive bit of Australiana. Each chapter ends with “puzzles to ponder” that will spur further reflection. These stories were written for a general audience, and originally appeared in the Maths Masters column in The Age newspaper. The book offers mathematical entertainment for curious readers of all ages, and assumes a minimum of mathematical background. Polster and Ross are masters of the genre this book represents: a cornucopia of offerings, from across the mathematical spectrum. Their articles are entertaining, captivating, and informative, and will appeal to everyone from interested amateurs to old pros. On top of all that, the prose is clear, concise and a lot of fun—happily with a charmingly Aussie flavo(u)r. Crack the spine and enjoy! —Michael Berg, Loyola Marymount University, Los Angeles The American Mathematical Society must be congratulated on publishing a singularly amusing synthesis of cultural anthropology coupled with mathematical entertainment. —Tushar Das, University of Wisconsin–La Crosse Polster and Ross are as good as the original master, Martin Gardner! They are also as good as that other great popularizer of mathematics, Ian Stewart, who took up Gardner's mantle, and as good as Douglas Hofstedter, who also followed in Gardner's footsteps as popularizers of mathematics within regular columns in “Scientific American”, and elsewhere. I recommend this new book very highly! Like Poster and Ross's first collection of columns, it is one that you can happily read from cover to cover, or dip into at any random point, and find treasures. You will then often return, savouring, and often laughing, while also learning, and responding to thoughtful challenges! —John Gough, Deakin University, Geelong, Australia

NEW YORK TIMES BESTSELLER "[A] delectable double bio . . . Talk about Victoria’s secret. . . . A fascinating portrait of a genuine love match, but one in which the partners dealt with surprisingly modern issues.” —USA Today It was the most influential marriage of the nineteenth century—and one of history’ s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later. As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years—each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic—and informed by revealing excerpts from the pair’s journals and letters—We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend. BONUS: This edition contains a reader's guide.

A disgruntled comic book artist, his formerly estranged sister, and the man they both love (Oh yeah, and a rumpled teddy bear) Two and Two Together is the story of Tommy Hanson, a comic book artist with a security bear and fixation on a certain fictional man of steel. As the play opens, Tommy is reeling from traumatic news about his childhood friend-something for which Tommy blames himself... and his father. To further complicate matters, Tommy soon meets-and is attracted to a mild-mannered stranger named David Sharpe... who happens to be dating Tommy's sister Rachel. David's entrance into Tommy's life is the first step on the road to forgiveness, and to the acceptance that the past could not have been any different. What do you get when you put two and two together?