We Want Everything

The explosive novel of Italy’s revolutionary 1969 It was 1969, and temperatures were rising across the factories of the north as workers demanded better pay and conditions. Soon, discontent would erupt in what became known as Italy’s Hot Autumn. A young worker from the impoverished south arrives at Fiat’s Mirafiori factory in Turin, where his darker complexion begins to fade from the fourteen-hour workdays in sweltering industrial heat. His bosses try to withhold his wages. Our cynical, dry-witted narrator will not bend to their will. “I want everything, everything that’s owed to me,” he tells them. “Nothing more and nothing less, because you don’t mess with me.” Around him, students are holding secret meetings and union workers begin halting work on the assembly lines, crippling the Mirafiori factory with months of continuous strikes. Before long, barricades line the roads, tear gas wafts into private homes, and the slogan “We Want Everything” is ringing through the streets. Wrought in spare and measured prose, Balestrini’s novel depicts an explosive uprising. Introduced by Rachel Kushner, the author of the best-selling The Flamethrowers, We Want Everything is the incendiary fictional account of events that led to a decade of revolt.

The debut collection of short stories by Canadian author Andrew F. Sullivan. Includes 20 stories.

"Hattie Hoffman has spent her whole life playing many parts: the good student, the good daughter, the good girlfriend. When she's found brutally stabbed to death, the tragedy rips right through the fabric of her small-town community. Full of twists and turns, Everything You Want Me to Be reconstructs a year in the life of a dangerously mesmerizing young woman, during which a small town's darkest secrets come to the forefront, and she inches closer and closer to her death."--

Essence® bestselling author Daaimah S. Poole introduces readers to a young woman with a hot voice and superstar dreams. . . Talented Kendra Michelle Thomas always dreamed of becoming a singing sensation. But when a broken childhood lands her and her siblings in foster care, there's not much opportunity for making dreams come true. Before she knows it, Kendra's twenty-five years old, a bartender, and trapped in a relationship going nowhere. . . Determined to finally give her dreams a chance, Kendra spends her small savings on a demo. She soon gets a series of gigs. . .and finally a recording contract. But when a turn of events lands her right back where she started, she'll have to make a choice: sink back into obscurity--or discover if she's really got what it takes. . . "The voice of a new generation." --Karen Quinones Miller

An anthology of poems by trans writers that explores the relationship between explicitly political desires and the formal inventions possible to enact or imagine those desires.Who is writing formally exciting, explicitly political poetry right now? Editors, Andrea Abi-Karam and Kay Gabriel bring together contributions by an intergenerational constellation of radical trans writers to both answer this question and enable writing in these modes. Writing in dialogue with emancipatory political movements, against capital, racism, empire, borders, prisons, ecological devastation; the writers here imagine an altogether different, overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture and the working day. The editors offer this anthology as an experiment: how far can literature written and/or collected from an identitarian standpoint go as a fellow traveler with social movements and revolutionary demands?

For a brief explosive period in the mid-1970s, the young and the unemployed of Italy’s cities joined the workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” united its opponents behind draconian measures more severe than any seen since the war. Nanni Balestrini, the poet of youth rebellion, himself a victim of that repression, has invented a remarkable fictional form to express the hopes and conflicts of the movement. In spare but vivid prose, The Unseen follows Autonomy’s trajectory through the eyes of a single working-class protagonist—from high-school rebellion, squatting and attempts to set up a free radio station to arrest and the brutalities of imprisonment. This is a powerful and gripping novel: a rare evocation of the intensity of commitment, the passion of politics.

More than 100 fresh, market-driven, healthy, and flavorful recipes from the award-winning chef of popular LA restaurant Sqirl. Jessica Koslow and her restaurant, Sqirl, are at the forefront of the California cooking renaissance. In Everything I Want to Eat, Koslow shares 100 of her favorite recipes for health-conscious, delicious dishes, all of which always use real foods—no fake meat or fake sugar here—that are also suitable for vegetarians, vegans, or whomever you’re sharing your meal with. Each chapter features a collection of recipes centered on a key ingredient or theme. Expect to find recipes for dishes Sqirl has become known for, as well as brand-new seasonal flavor combinations, including: Raspberry and cardamom jam Sorrel-pesto rice bowl Burnt brioche toast with house ricotta and seasonal jam Lamb merguez, cranberry beans, roasted tomato, and yogurt cheese Valrhona chocolate fleur de sel cookies Almond hazelnut milk Everything I Want to Eat captures the excitement of new California cuisine while also offering accessible techniques that allow home cooks to play with the recipes, shaping meals to be nothing short of everything you want to eat. “Jessica Koslow’s cooking is always in tune with the seasons and I admire her approach to food that is pure and beautiful.” ?Alice Waters, award-winning chef and founder of Chez Panisse and Edible Schoolyard “Everything is genius and every ingredient has a purpose.” —David Chang, award-winning chef and founder of Momofuku restaurant group “Koslow seems to embody nearly everything wonderful about Los Angeles cuisine.” ?Jonathan Gold, food critic for the LA Times

Noise is usually defined as unwanted sound: loud music from a neighbor, the honk of a taxicab, the roar of a supersonic jet. But as Garret Keizer illustrates in this probing examination, noise is as much about what we want as about what we seek to avoid. In a journey that leads us from the primeval Tanzanian veldt to wind farms in Maine, Keizer invites us to listen to noise in history, in popular culture, and not least of all in our own backyards. He follows noise throughout history and across the globe. He considers what it has to tell us about today's most pressing issues, from social inequality to climate change. The result is guaranteed to change how we hear the world, and how we measure our own personal volume within it.