Weird Scenes Inside The Canyon

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.

In the 1960s and early 1970s a dizzying array of musical artists congregated in Laurel Canyon to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Charles Manson was integrated into the scene more than most would care to admit, as well as various political operatives, up-and-coming politicians, and intelligence personnel, happily coexisting alongside a covert military installation. Discover the dark underbelly of a hippie utopia.

Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA. In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "California Dreamin'" to "Suite: Judy Blue Eyes" to "It's Too Late," selling tens of millions of records and resetting the thermostat of pop culture. In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boomer's leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.

Traces the musical legacy of the California neighborhood, and the artists who lived there

By offering a radical review of the last one hundred years of US history, this work is intended as a counterpoint to the rampant revisionism of the flurry of books glorifying the "American Century". Beginning with the rather bold and decidedly controversial assertion that the current political system in place in the United States at the dawn of the twenty-first century is fascism, the first part of this book attempts to justify that claim by first defining exactly what fascism is—correcting various widely-held misconceptions—and then analyzing how closely we as a nation conform to that definition. Also included is a review of some of the hidden history and key events of World War II. Part II offers a retrospective of the twentieth century American presidential administrations, to demonstrate that the steady and inexorable march towards overt fascism was a defining characteristic that remained unchanged. The final section looks at the still very much alive eugenics movement, and analyzes the role played by the psychiatric establishment in validating the fascist state. This book will surely find no shortage of detractors, but if read with an open mind, it just may change the way you view the world.

The specter of the marauding serial killer has become a relatively common feature on the American landscape. Reactions to these modern-day monsters range from revulsion to morbid fascination--fascination that is either fed by, or a product of, the saturation coverage provided by print and broadcast media, along with a dizzying array of books, documentary films, websites, and "Movies of the Week". The prevalence in Western culture of images of serial killers (and mass murderers) has created in the public mind a consensus view of what a serial killer is. Most people are aware, to some degree, of the classic serial killer 'profile.' But what if there is a much different 'profile'--one that has not received much media attention? In Programmed to Kill, acclaimed and always controversial author David McGowan takes a fresh look at the lives of many of America's most notorious accused murderers, focusing on the largely hidden patterns that suggest that there may be more to the average serial killer story than meets the eye. Think you know everything there is to know about serial killers? Or is it possible that sometimes what everyone 'knows' to be true isn't really true at all?

This book describes how outdoorsman Aron Ralston survived six days with his right arm trapped by a boulder in Canyonlands National Park and his eventual self-amputation.

Is the U.S. a beacon of progress? That's how the mainstream media want you to see it. But in Derailing Democracy: The America the Media Don't Want You to See, David McGowan has compiled an index of disturbing facts that point to ominous trends. Did you know: -- We're number one: the United States has the highest number of death-row inmates of any country on Earth: 3,300. -- That the U.S. is one of only two countries to defy an International Court ruling (over Nicaragua 1986) -- the other one is Iran. -- That only a handful of countries opposed a 1998 UN Commission on Human Rights call for a moratorium on all executions -- Bangladesh, China, South Korea, Rwanda, and the United States. -- That 133 nations, including virtually all U.S. allies, have signed a treaty banning landmines -- but the U.S. insists on continued production. -- That in 1996 the list of the top ten richest people in the world contained two Americans who held 28% of the wealth on the list; by 1999 they numbered seven out of ten, with 84% of the wealth. -- Since the early 1990s, more than 60 people in the USA are reported to have died in police custody after being exposed to pepper spray. -- That the U.S. is selling surveillance equipment to countries with the worst human rights records -- so that they can track dissidents in an international tracking system for individuals 'of interest.' -- That the California prison population grew from 19,600 in 1977 to 159,000 in 1998. -- Stun belts used on prisoners have been widely condemned for the incapacitating pain they deliver. In instances where children are tried as adults, they are not exempted from wearing the belts. From mandatory minimumsentencing laws to new more liberal search-and-seizure rules, from Three Strikes You're Out to congressional legislation for a national ID card, in Derailing Democracy, David McGowan has compiled the facts to show that the noose around democracy is tightening every day.