Welcome To Fear City

Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. 2019 CHOICE Outstanding Academic Title The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. Nathan Holmes is a New York–based scholar and teacher, with a PhD in film and media studies from the University of Chicago.

Welcome To Fear City: NYC NYPD Punk Rock Notebook This 120 page journal features: 120 pages college ruled 6" x 9" white colored paper a cover page a matte finish cover for a elegant, professional look and feel

In this frank memoir—a story of duty, family, justice, politics, and resilience—Andrew Cuomo, New York State's fifty-sixth governor, reflects on his rise, fall, and rise again in politics, and the tough (but necessary) lessons he has learned along the way. Born to first-generation American parents in the working-class neighborhood of Queens, New York, Andrew M. Cuomo grew up in a family anchored by a shared belief in community, hard and honest work, and helping others. His father, Mario, led by example, as a tireless advocate for local residents, instilling in his son a passion for public service. From stapling up posters as a sixteen-year-old during his father's first political campaign to managing at twenty-five Mario's successful 1982 bid for New York State governor, Andrew Cuomo witnessed at a young age the power of politics to effect change for the common good. These experiences, reinforced by deeply held personal values, guided him, from novice campaign manager to visionary reform crusader to Clinton cabinet member—at thirty-nine—to groundbreaking governor of his home state. Laying out his unique approach to challenging the status quo, All Things Possible is not a traditional political memoir, but rather one man's revelatory reflection on a life defined by a commitment to public service, and the hard-won truths gleaned from both his struggles and his successes. In recounting his uphill battles to redefine the way America deals with homelessness, rehabilitate the legislative process in Albany, and bring marriage equality to New York, Cuomo presents an inspiring blueprint for greater political cooperation and efficacy. He also unflinchingly examines his failed 2002 gubernatorial bid, which heralded a dark period of political and personal turmoil, to illustrate why failure is inextricably bound up with success, why we should never forget where we come from, and the importance of balancing personal and professional commitments. And he proves, through all that he's achieved since his victory in the 2010 election, that our biggest triumphs lie not in never falling, but in rising every time we fall. With 16-pages of color and black and white photos