Welcome To World Of Wonders

This teacher PD resource offers an overview of the World of Wonders program, classroom set-up, and a research primer on important Pre-K research and topics.

Welcome To The World is a delightful book celebrating the arrival of a new baby.The story follows a charming little elephant, on a colorful journey, discovering all the wonders the world has to offer. Beautifully illustrated in full color this book is hard backed with cheerful end papers.With space for you to write a personal message in the front this book is a wonderful keepsake and makes the perfect gift for baby showers and newborn presents.Our You're The Biggest Book compliments this title and makes the perfect gift for the older sibling who has just become the biggest.

"This is the first book in over a thousand years to approach the Mahābhārata and the Harivaṃśa via rasa theory. It argues that both texts put adbhutarasa, the "mood of wonder," to work as their dominant rasa, in a way that takes readers from their heroes' rollicking adventures to the text's profoundest moments. Two Kashmiris, Ānandavardhana (9th century) and Abhinavagupta (10th century), launched such inquiry, claiming that the Mahābhārata's dominant rasa was śāntarasa, the "mood of peace." Both worked the Harivaṃśa as a related text into their argument, which emphasized peace along with dispassion and the quest for liberation. Although they used some textual highjinks to make their case, their argument prevailed, and has remained the only serious contestant for rasic interpretation. This book disputes their claim, and can expect controversy. Some may continue to favor śāntarasa. Some may cite the two Kashmiris' view that adbhuta cannot sustain a major work. This book contests that by putting "the work of adbhutarasa" into its title and arguing for the hard work it does. Some may also be uncomfortable with a temporal incongruity the book poses in that the Mahābhārata and Harivaṃśa are probably four or five centuries earlier than the first text to explore rasas, the Nāṭyaśātra. Śāntarasa faced the same problem but Ānandavardhana and Abhinavagupta, lacking a modern sense of the relative dates, overlooked it. The answer here goes to the heart of this book's argument: our texts deploy the "proper terms" adbhuta, "wonder" and vismaya, "surprise," to work adbhutarasa through rich and contrasting textual strategies. They must have worked out their program with these terms before the śāstra"--

Kilvert's World of Wonders takes a fresh look at the Victorian era, one that does not turn away from the smoke stacks and crowded streets of popular imagining, but which sees them from the distance of the rural countryside. Though a countryman and lover of country ways, here the well know diarist is shown to be deeply stirred by what he saw as a society being changed and improved by science, technology, and by the liberal, enlightened ideas that were starting to circulate. The social changes seen by Kilvert resonated with the vision of progress that was imbued in him by his Victorian upbringing, and as a result his diaries can be seen as a response to these changes and not, as previous Kilvert scholarship suggests, as a simple record of country life. Toman's new work goes beyond the biographical and social realities of Kilvert's family by comparing them to almost twenty other middle-class families in order to show common factors in the familial experience of a rapidly changing society. At the heart of this re-evaluation of Kilvert's life and times is the theme of Wonder, various aspects of which are explored throughout. Away from the rapidly growing urban centres the effects of industrialisation are seen in a surprisingly positive light by Francis Kilvert, a fervent Christian coming to terms with the encroachments that science, scepticism and secularism were making upon religious faith and yet seeing all around him a 'world of wonders'.

World of Wonders, the concluding novel in Robertson Davies’ celebrated Deptford Trilogy, is available as an e-book for the first time. Called “a spectacular, soaring work, an astounding tour de force unequaled in recent literature,” World of Wonders follows the story of Magnus Eisengrim—the most illustrious magician of his age—who is spirited away from his home by a member of a traveling sideshow, the Wanless World of Wonders. “One of the great modern novelists.” Sunday Times

"When I swung over that windowsill, everything changed for me. We are meant to go in and out of doors in civilized style, but my mother bade me climb into woodsy wildness and a darkness flushed with crimson light and torches …" Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival: to scour the wilderness for shelter, to strive and seek for a new family and a setting where she can belong. Her unmarked way is costly and hard. For Charis, the world outside the window of home is a maze of hazards. And even if she survives the wilds, it is no simple matter to discover and nest among her own kind—the godly, those called Puritans by others. She may be tugged by her desires for companionship, may even stumble into an intense love for a man, and may be made to try the strength of female heroism in ways no longer familiar to women in our century. Streams of darkness run through the seventeenth-century villages of the Massachusetts Bay Colony. Occult fears have a way of creeping into the mind. What young woman can be safe from the dangers of wilderness when its shadowy thickets spring up so easily in the soil of human hearts? Much will oppose Charis' longings for renewal and peace; she must pursue and discover the hero's path to a larger, more vivid life.