Welsh Poems Sixth Century To 1600

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

This original study, focussing on the impact of the crusading movement in medieval Wales, considers both the enthusiasm of the Welsh and those living in Wales and its borders for the crusades, as well as the domestic impact of the movement on warfare, literature, politics and patronage. The location of Wales on the periphery of mainstream Europe, and its perceived status as religiously and culturally underdeveloped did not make it the most obvious candidate for crusading involvement, but this study demonstrates that both native and settler took part in the crusades, supported the military orders, and wrote about events in the Holy Land. Efforts were made to recruit the Welsh in 1188, suggesting contemporary appreciation for Welsh fighting skills, even though crusaders from Wales have been overlooked in modern studies. By looking at patterns of participation this study shows how domestic warfare influenced the desire and willingness to join the crusade, and the effect of such absences on the properties of those who did go. The difference between north and south Wales, Marcher lord and native prince, Flemish noble and minor landholder are considered to show how crusading affected a broad spread of society. Finally, the political role of crusading participation as a way to remove potential troublemakers and cement English control over Wales is considered as the close of the peak years of crusading coincided with the final conquest of Wales in 1282.

Medieval Welsh Pilgrimage, c.1100–1500 examines one of the most popular expressions of religious belief in medieval Europe—from the promotion of particular sites for political, religious, and financial reasons to the experience of pilgrims and their impact on the Welsh landscape. Addressing a major gap in Welsh Studies, Kathryn Hurlock peels back the historical and religious layers of these holy pilgrimage sites to explore what motivated pilgrims to visit these particular sites, how family and locality drove the development of certain destinations, what pilgrims expected from their experience, how they engaged with pilgrimage in person or virtually, and what they saw, smelled, heard, and did when they reached their ultimate goal.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

The story of Wales from the end of the Roman period to the conquest by Edward I in 1283 is unknown to most, but recent historiography has opened up the source material and allowed for a modern, critical reappraisal. The development of the country is traced within the context of the rest of post-Roman western Europe in a study that is a valuable resource for anyone with an interest in military history and the history of Wales in relation to its neighbours in Britain and on the continent.

From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.