Western Stories Coyoteros The Mojave Dollarcoat The Company And The Gunman The Desert Prow

WESTERN STORIES is the second volume of screenplays by Joe Carducci. These are the westerns he's written since Wyoming Stories was published in 2007. They are set in New Mexico and Arizona primarily although the western epic, The Company and the Gunman, about the Overland Stage Co. and its security agent Jack Slade, ranges from Wyoming to bloody Kansas, gaslight New York, goldrush California, and Lincoln's Washington, D.C. Other Carducci screenplay volumes (Crime Stories, Punk Stories) are being prepared. Joe Carducci is best known as the author of two books of music history, Rock and the Pop Narcotic, and Enter Naomi - SST, L.A. and All That..., and another on film history, Stone Male - Requiem for The Living Picture, plus the collection, Life Against Dementia - Essays, Reviews, Interviews 1975-2011.

Long out-of-print classic of rock criticism. Author worked with Black Flag, Negativland, Birthday Party, Dead Kennedys, Husker Du, Meat Puppets, and others. Excerpted in the Penguin Book of Rock & Roll Writing. "It is the Moby Dick of Rock-Crit -- nothing else I've read comes close." --James Parker / The Idler (U.K.)

An introduction to L.A's punk culture with biographical information about music photographer Naomi Petersen.

The Western transplanted Greek nostos to the new world where an American hero stepped out from the chorus as the first filmmakers left New Jersey and Chicago for Colorado, Texas, and finally Hollywood, California. Joe Carducci traces the development of action film Acting after the Westernmakers went west. The realism of late 19th century Actualities continued into these Westerns of the 1910s which featured cowboys and Indians born before the closing of the frontier in 1890. This new untheatrical style of acting developed within the 2nd unit culture of the action genres into the sound era by John Wayne and others, until a Montgomery Clift took training from stuntman Richard Farnsworth for Red River, and a Marlon Brando spent his downtime on One-Eyed Jacks studying Ben Johnson. Finally Carducci looks at the cultural collision of the sixties and seventies as Manhattan cinephiles reject the style triumphant in the careers of Bronson and Eastwood.

As teenagers in 1981, David Markey and his best friend Jordan Schwartz founded We Got Power, a fanzine dedicated to the hardcore punk music community in their native Los Angeles. Their text and cameras captured the early punk spirit of Black Flag, the Minutemen, Social Distortion, Youth Brigade and many others at the height of their precocious punk powers. In the process, the duo's amazing photographs also captured the dilapidated suburbs, abandoned storefronts and dereliction of the era - a rubble strewn social apocalypse that demanded a youth uprising!

From the author of the bestselling postpunk history Rip It Up and Start Again comes Totally Wired, a companion book of conversations with the brilliant minds who made the late seventies and early eighties such a creative era for radical music and alternative culture. Totally Wired features thirty-two interviews with postpunk's most innovative musicians and colourful personalities - Ari Up, Jah Wobble, David Byrne, Green Gartside, Lydia Lunch, Edwyn Collins - as well as other movers and shakers of the period: label bosses and managers like Anthony H. Wilson and Bill Drummond, record producers such as Trevor Horn and Martin Rushent, and influential DJs and journalists like John Peel and Paul Morley. Crackling with argument and anecdote, the conversations in Totally Wired bring a rich human dimension to the postpunk story chronicled in the critically acclaimed Rip It Up. We get to follow these exceptional (and often eccentric) characters from their earliest days through the glory and sometimes disaster of their musical adventures to what they went on to do after postpunk. We gain a vivid sense of individuals struggling against the odds to make their world as interesting as possible, in the process leaving a legacy of artistic ambition and provocation that reverberates to this day. Along with the interviews, Totally Wired also includes a bonus 'overviews' section: further reflections by Simon Reynolds on postpunk's key icons and crucial scenes, including John Lydon and Public Image Ltd, Ian Curtis and Joy Division, art school conceptualists and proto-postpunkers Brian Eno and Malcolm McLaren, and the lineage of glam grotesquerie running from Siouxsie & The Banshees to the New Romantics to Leigh Bowery. Buzzing with ideas and insights, Totally Wired is an absolute mind rush.