What Matisse Is After

One of the great pioneering masters of twentieth century art, Henri Matisse was an extremely versatile and productive artist. Although he was an outstanding sculptor and draftsman. he was most widely known and loved for his paintings. And his paintings-vibrant, colourful, and diverse-are the focus of this book. John Jacobus, the Leon E. Williams Professor of Art at Dartmouth College, New Hampshire, tells the facinating story of Matisse's life, exploring the relation of his work to the art of the past and showing how it contributed to the art of today. In this volumes forty stunning colour plates the artists most important paintings are reproduced, and each is accompanied by a detailed commentary on the page facing the illustration. With 105 illustarions, 40 in colour.

Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview.

A study of the art form developed by Matisse after an operation drained him of the strength to continue his oil painting, focusing on the elements of color and design that characterize his prints, paper cut-outs, and paper cut-out maquettes.

In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse's career and set to be published by Albert Skira's then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out--the artist even had approved the cover design--Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion's papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau's atelier. He recounts his experience with collectors, including Albert C. Barnes. He discusses fame, writers, musicians, politicians, and, most fascinatingly, his travels. Chatting with Henri Matisse, introduced by Serge Guilbaut, contains a preface by Claude Duthuit, Matisse's grandson, and essays by Yve-Alain Bois and Laurence Bertrand Dorleac. The book includes unpublished correspondence and other original documents related to Courthion's interview and abounds with details about avant-garde life, tactics, and artistic creativity in the first half of the twentieth century.

The Museum Of Modern Art, November 13, 1951 To January 13, 1952; The Cleveland Museum Of Art, February 5 To March 16, 1952; The Art Institute Of Chicago, April 1 To May 4, 1952; The San Francisco Museum Of Art, May 22 To July 6, 1952.

First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.

"Recounts the publication history of nearly fifty books illustrated by Henri Matisse, including Lettres portugaises, Mallarmae's Poaesies, and Matisse's own Jazz. Explores his illustration methods, typographic precepts, literary sensibilities, and opinions about the role of the artist in the publication process"--Provided by publisher.