What They Ll Never Tell You About The Music Business

The completely revised and expanded edition of What They’ll Never Tell You About the Music Business is a must-have reference. You’ll learn: - How many musicians have seized do-it-yourself internet opportunities to create successful business models, - How the royalty pie is sliced—and who gets the pieces, - How the fundamentals of music publishing, producing, managing, touring, and the record industry apply more than ever, - Why this book is the indispensable guide to the worldwide music industry, - How corporate general counsels can educate their employees (and themselves) to understand the strictures of copyright law and to avoid trouble, - And much more.

The music industry is at a turning point. Over the next decade, global controversies over complex copyright and royalty issues brought about by changes in technology and by the Internet will continue to rage, and the resolution of those conflicts will have profound consequences. Never has it been more important for the millions of people worldwide who care about music -- both music business professionals and consumers -- to have at their fingertips the facts necessary for making informed decisions that will bring the promises of the future to fruition. Book jacket.

'The industry bible' Los Angeles Times In recent years the music industry has changed profoundly. Everyone in the business has had to adapt to the new filesharing technology, whether they're a record-company executive or a creative artist. No one understands the industry and the changes it's undergone better than lawyer Donald Passman. For twenty years All You Need to Know about the Music Business has offered detailed advice to artists and executives, novices and experts alike on how to thrive in these volatile times. This completely revised seventh edition sets out recent developments in record deals, copyright, new technologies and film music. It also offers unique advice on how to navigate your way through the ins and outs of songwriting, music publishing, merchandizing and performing. So whether you're a newcomer or an established professional musician, All You Need to Know about the Music Business is an essential companion. 'Required reading for anyone planning or enduring a career in the biz' Rolling Stone 'An easy-to-understand overview of the complicated music business' Randy Newman 'I highly recommend Don's book ... an indispensable work' Quincy Jones SEVENTH EDITION

The definitive, essential guide to the music industry, now in its eighth edition—revised and updated with crucial information on the industry’s major changes in response to rapid technological advances and economic uncertainty. For the first time ever, the guide also includes advice on the Canadian music scene from entertainment lawyer Chip Sutherland. The past two decades have seen file-sharing technology and digital streaming services transform the music business across the continent, and the changes keep coming at breakneck speed. How are record labels adapting to the demand for instantly accessible, low-cost music while coping with piracy? How can Cana­dian musicians break into the global market? And what does it all mean for aspiring and established artists today? Donald Passman, one of the most trusted music law­yers in the United States, offers his sage advice for creating, selling, sharing, and protecting your music in the Infor­mation Age in this updated Canadian edition of All You Need to Know About the Music Business. And now Cana­dian musicians have a voice of their own, as Chip Sutherland, one of Canada’s most distinguished enter­tainment lawyers, offers insight into the industry trends and particulars of the Great White North. Executives and artists, experts and novices alike will benefit from these detailed yet easy-to-understand expla­nations of the latest technologies, legalities, and practices shaping the music business, such as: • Royalties for music transmitted via digital down­loads, streaming services, cloud lockers, and apps • Updated licensing regulations and industry agree­ments • Selecting and hiring a winning team of advisors—personal and business managers, agents, and attorneys—and structuring their commissions, percentages, and fees in a way that will protect you and maximize these relationships • Mastering the major and the finer points of con­tract negotiations In a bonus Canadian content section at the end of each chapter, they give guidance on the basics, such as how to: • Navigate the Canadian marketplace and the tran­sition to a global presence • Find Canadian financial grants and bursaries • Understand regulations governing Canadian content development • Recognize the unique features of Canadian deal structures • Maximize concert, touring, and merchandising agreements in Canadian and American market­places Anyone interested in making and marketing music—musi­cians, songwriters, agents, promoters, publishers, managers, and record company executives—needs this crucial text to keep up with the frenetic pace of technological and legal change. No one understands the music business on both sides of the border better than Passman and Sutherland. Let them show you how to “make it” in one of the world’s most dynamic and challenging industries.

(Berklee Press). Making Music Make Money will educate songwriters, as well as aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Topics include a discussion of the various roles a publisher plays in the music business: collection, administration, protection, exploitation and evaluation. A major emphasis is placed on the exploitation process, and the importance of creating a sound business model for a new publishing venture. Eric Beall is a Creative Director for Zomba Music Publishing, as well as a former songwriter and record producer. In his role at Zomba, Eric has signed and developed top writers including Steve Diamond, KNS Productions, and Riprock & Alex G. and has coordinated and directed Zomba writers in the development of material for Jive Records pop superstars like Backstreet Boys, *NSYNC, Britney Spears and Aaron Carter. He graduated Summa Cum Laude from Berklee College of Music.

The Rough Guide to the Best Music You've Never Heard is a winning collection of amazing stories of tragic mavericks and unlucky contenders, with hundreds of lost classics and hidden gems. The guide traces the musicians that fell by the wayside from the bands that could have been The Beatles to the acts that were better than the acts that made it. Find out why David Ackles is the Elton John that never was (and why Elton John agrees). Whether they were psychedelic hippies, lost soul divas, geeky prog-rockers, hell-raising rockers or pop-star wannabes, they are all in this book for one reason- they made truly fantastic music. Frank and opinionated, the guide is packed with playlists, includes stylish archive photos as well as contributions from music industry insiders including Bat for Lashes. Clue-up on the infamous lost albums from some of rock's biggest stars and discover the tails of the famous-name side-projects that got away, not forgetting the cult albums reviled at the time. . . that are actually really good. If you're looking for great new music, this book will show it to you. If you think you've heard it all, it'll put you to the test. With the finest tunes that time forgot, this guide could feed your iPod for life.

All You Need to Know About the Music Business by veteran music lawyer Don Passman—dubbed “the industry bible” by the Los Angeles Times—is now updated to address the biggest transformation of the music industry yet: streaming. For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail. Since the advent of file-sharing technology in the late 1990s to the creation of the iPod, the music industry has been teetering on the brink of a major transformation—and with the newest switch to streaming music, this change has finally come to pass. Passman’s comprehensive guide offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; and how the game is played in a streaming world. “If you want to be in music, you have to read this book,” says Adam Levine, lead singer and guitarist of Maroon 5. With its proven track record, this updated edition of All You Need to Know About the Music Business is more essential than ever for musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—anyone trying to navigate the rapid transformation of the industry.