When One Person Dies The Whole World Is Over

When One Person Dies The Whole World Is Over is a quietly enthralling and keenly intimate work about the search for meaning in the everyday, and what it might mean to belong. A record of a year of a life, When One Person Dies The Whole World Is Over is an attempt to pin down time, to capture the most beautiful and fleeting moments that we tend to rush past. This is the story of a person and those that surround her. It’s about ageing, love, and loss, and how we might try to balance work and family and art in this confusing modern world. Funny, sad, and perfectly magnetic, When One Person Dies The Whole World Is Over draws you in deep; before you know it you’re caring intensely about the lives into which we are given some precious glimpses.

*Longlisted for the 2020 Stella Prize* A poignant, bright and elegiac work of illustrated nonfiction by one of Australia's most revered comics makers. When One Person Dies The Whole World Is Over is a quietly enthralling and intimate work about the search for meaning in the everyday, and what it might mean to belong. A record of a year of a life, When One Person Dies The Whole World Is Over is an attempt to pin down time, to capture the most beautiful and fleeting moments that we tend to rush past. This is the story of a person and those that surround her. It's about ageing, love, and loss, and how we might try to balance work and family and art in this confusing modern world. Funny, sad, and perfectly magnetic, When One Person Dies The Whole World Is Over draws you in deep; before you know it you're caring intensely about the lives into which we are given some precious glimpses.

Kyoto Pants Down is a 23 page (ebook) autobiographical story set in Japan. Republished digitally for the first time with additional sketchbooks pages.

In his praise for Part I of Upbuilding Discourses in Various Spirits, the eminent Kierkegaard scholar Eduard Geismar said, "I am of the opinion that nothing of what he has written is to such a degree before the face of God. Anyone who really wants to understand Kierkegaard does well to begin with it." These discourses, composed after Kierkegaard had initially intended to end his public writing career, constitute the first work of his "second authorship." Characterized by Kierkegaard as ethical-ironic, Part One, "Purity of Heart Is to Will One Thing," offers a penetrating discussion of double-mindedness and ethical integrity. Part Two, "What We Learn from the Lilies in the Field and from the Birds of the Air," humorously exposes an inverted qualitative difference between the learner and the teacher. In Part Three, "The Gospel of Sufferings, Christian Discourses," the philosopher explores how joy can come out of suffering.

This book—the culmination of forty years of friendship between J. Hillis Miller and Jacques Derrida, during which Miller also closely followed all Derrida’s writings and seminars—is “for Derrida” in two senses. It is “for him,” dedicated to his memory. The chapters also speak, in acts of reading, as advocates for Derrida’s work. They focus especially on Derrida’s late work, including passages from the last, as yet unpublished, seminars. The chapters are “partial to Derrida,” on his side, taking his part, gratefully submitting themselves to the demand made by Derrida’s writings to be read—slowly, carefully, faithfully, with close attention to semantic detail. The chapters do not progress forward to tell a sequential story. They are, rather, a series of perspectives on the heterogeneity of Derrida’s work, or forays into that heterogeneity. The chief goal has been, to borrow a phrase from Wallace Stevens, “plainly to propound” what Derrida says. The book aims, above all, to render Derrida’s writings justice. It should be remembered, however, that, according to Derrida himself, every rendering of justice is also a transformative interpretation. A book like this one is not a substitute for reading Derrida for oneself. It is to be hoped that it will encourage readers to do just that.

In his first novel since Corelli’s Mandolin, Louis de Bernières creates a world, populates it with characters as real as our best friends, and launches it into the maelstrom of twentieth-century history. The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

For a parent, losing a child is the most devastating event that can occur. Most books on the subject focus on grieving and recovery, but as most parents agree, there is no recovery from such a loss. This book examines the continued love parents feel for their child and the many poignant and ingenious ways they devise to preserve the bond. Through detailed profiles of parents, Ann Finkbeiner shows how new activities and changed relationships with their spouse, friends, and other children can all help parents preserve a bond with the lost child. Based on extensive interviews and grief research, Finkbeiner explains how parents have changed five to twenty-five years after the deaths of their children. The first half of the book discusses the short- and long-term effects of the child’s death on the parent’s relationships with the outside world, that is, with their spouses, other children, friends, and relatives. The second half of the book details the effect on the parents’ internal world: their continuing sense of guilt; their need to place the death in some larger context and their inability sometimes to consistently do so; their new set of priorities; the nature of their bond with the lost child and the subtle and creative ways they have of continuing that bond. Finkbeiner’s central point is not so much how parents grieve for their children, but how they love them. Refusing to fall back on pop jargon about “recovery” or to offer easy solutions or standardized timelines, Finkbeiner’s is a genuine and moving search to come to terms with loss. Her complex profiles of parents resonate with the honesty and authenticity of uncomfortable emotions expressed and, most importantly, shared with others experiencing a similar loss. Finally, each profile exemplifies the many heroic ways parents learn to live with their pain, and by so doing, honor the lives their children should have lived.

"Humans are more altruistic than one might think. Many of us want to have a positive impact on the world. We donate to charity, volunteer for a good cause, or choose a career to make a difference. Annual US donations sum to $500 billion-about 2% of GDP-and no less than 25% of Americans volunteer for a good cause. People make real altruistic sacrifices on a scale that's often underappreciated."--