When The Ghosts Come Ashore

Jacqui Germain’s poems in When the Ghosts Come Ashore situate St. Louis as the archetypal American city: it’s here she explores the intersections of race, gender, and violence, here she finds the ghosts of those who still hunger for freedom. But Germain still carves out space for love. As Phillip B. Williams writes of these poems, “Placelessness is the place, leaving only the unsafety of flesh as a hideout. Black presences break from the margins and pierce through these hard lyrics.”

"Wandering Ghosts" is a collection of weird and horror stories by Francis Marion Crawford. This collection includes stories such as "The Upper Berth", "For the Blood Is the Life", "The Dead Smile", and "The Screaming Skull", which are considered as the true classics of the horror genre. The Dead Smile The Screaming Skull Man Overboard! For the Blood is the Life The Upper Berth By the Water of Paradise The Doll's Ghost

Set in the Caribbean of the eighteenth century, the epicenter of piracy, voodoo, and the dark arts, The Code of the Zombie Pirate reveals all the secrets to selecting, customizing, and managing a motley crew of pirates-cum-zombies. Imagine the consequences of pirates who have crossed the line to immortality: the breathtaking lack of respect for life—it’s the ultimate pirate dream! Kenemore advises captions in: Selecting Zombie Pirates: Fast or slow, chatty or quiet? Can a zombie hold a cutlass, or is it better off using its teeth? As readers will learn, pirate crews benefit from diversity. Finding a Vessel Worthy of a Bunch of Dead Guys: Learn the ins-and-outs of pirate ships. Which ones best suit zombies, with their unique undead benefits and drawbacks? Flying the Zombie Pirate Flags: Learn how to instill fear with something as simple as a brain and crossbones. Going Full Zombie: Should the reader—an aspiring Pirate King or Queen—become a member of the walking dead? There are benefits and drawbacks to this, discussed here. This rollicking guide through the world that zombies and pirates both haunted and hunted will keep Zen of Zombie readers intrigued and win over legions of new fans.

You can know from that guy's burly figure that the collision just now didn't do him any harm at all. The man is in his thirties, and his pimples are dark. The scarlet Lama clothes and the criss-crossing scars on his bald head make him look extra scary. He looked around and found that when no one was with Xuanfei, there was an incredible expression on his face. This is a deserted grassland, and he really can't understand why a seven-or eight-year-old child will appear here.

Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation In Chehalis Stories Jolynn Amrine Goertz and the Confederated Tribes of the Chehalis Reservation in Western Washington have assembled a collaborative volume of traditional stories collected by the anthropologist Franz Boas from tribal knowledge keepers in the early twentieth century. Both Boas and Amrine Goertz worked with past and present elders, including Robert Choke, Marion Davis, Peter Heck, Blanche Pete Dawson, and Jonas Secena, in collecting and contextualizing traditional knowledge of the Chehalis people. The elders shared stories with Boas at a critical juncture in Chehalis history, when assimilation efforts during the 1920s affected almost every aspect of Chehalis life. These are stories of transformation, going away, and coming back. The interwoven adventures of tricksters and transformers in Coast Salish narratives recall the time when people and animals lived together in the Chehalis River Valley. Catastrophic floods, stolen children, and heroic rescues poignantly evoke the resiliency of the people who have carried these stories for generations. Working with contemporary Chehalis people, Amrine Goertz has extensively reviewed the work of anthropologists in western Washington. This important collection examines the methodologies, shortcomings, and limitations of anthropologists' relationship with Chehalis people and presents complementary approaches to field work and its contextualization.

One comb, two combs, three combs free, four combs clean, five combs strong, six combs Golden Sister Lan girls in love, seven combs great, eight combs unstoppable ... When I was eight, I poisoned my father and went to the Aunt House to become a Self-bunning Lady. From then on, I stepped into the world of the real Self-bunning Lady.