When You Study The Poem

One night, after an unsatisfying evening at a party, the author sat down and wrote her heartfelt poem 'The Invitation'. It travelled by word-of-mouth and the Internet across the globe. In this book, she expands on the ideas behind the poem and has created a guidebook for living a life full of integrity, commitment and passion.

'Poetry is what gets lost in translation.' --Robert Frost Giving voice to ''what gets lost in translation'' is the challenge every poet faces. With The Everything Writing Poetry Book, that challenge just got easier. Featuring examples from works of celebrated poets and instruction on communicating your ideas, this clear and accessible reference helps you gain confidence as you find your own voice. Written by a team who each hold a master’s degree and teach creative writing and literature, this easy-to-follow guide has all you need to take your work to the next level. With this handy guide, you will learn to: Create meter and rhyme Express your innermost thoughts Use imagery and metaphor Polish your word play Find your own rhythm Work with other writers and more The Everything Writing Poetry Book helps you make the most of this rewarding craft - whether you’re a fledgling poet or a seasoned wordsmith.

Children's writer and poet Amy Ludwig VanDerwater leads us on an adventure through poetry, pointing out craft elements along the way that students can use to improve all their writing, from idea finding to language play. "Poems wake us up, keep us company, and remind us that our world is big and small," Amy explains. "And, too, poems teach us how to write. Anything." This is a practical book designed for every classroom teacher. Each lesson exploration includes three poems, one by a contemporary adult poet and two by students in grades 2 through 8, which serve as models to illustrate how poetry teaches writers to: find ideas, choose perspective and point of view, structure texts, play with language, craft beginnings and endings, choose titles. Students will learn how to replicate the craft techniques found in poetry to strengthen all writing, from fiction to opinion, from personal narrative to information. "Poets arrange words and phrases just as prose writers do, simply in tighter spaces," Amy argues. "In the tight space of poetry, readers can identify writing techniques after reading one page, not thirty pages."

In his new book,In the Best Interest of Students: Staying True to What Works in the ELA Classroom , teacher and author Kelly Gallagher notes that there are real strengths in the Common Core standards, and there are significant weaknesses as well. He takes the long view, reminding us that standards come and go but good teaching remains grounded in proven practices that sharpen students' literacy skills.Instead of blindly adhering to the latest standards movement, Gallagher suggests:Increasing the amount of reading and writing students are doing while giving students more choice around those activitiesBalancing rigorous, high-quality literature and non-fiction works with student-selected titlesEncouraging readers to deepen their comprehension by moving beyond the four corners of the text-Planning lessons that move beyond Common Core expectations to help young writers achieve more authenticity through the blending of genresUsing modeling to enrich students' writing skills in the prewriting, drafting, and revision stagesResisting the de-emphasis of narrative and imaginative reading and writingAmid the frenzy of trying to teach to a new set of standards, Kelly Gallagher is a strong voice of reason, reminding us that instruction should be anchored around one guiding question: What is in the best interest of our students?

There are Bibles literally all over the place. You can find them in the drawer of the end table in your hotel room, under the pews at your local church, on the shelves of your local library or bookstore, posted in full and in multiple versions on any number of websites. You can find them in every corner of the earth, even (if you look carefully enough) in places where they're forbidden. So there's no trouble getting hold of a Bible. But once you have one in your hands . . . now what? The Scriptures tell us that the Word of God is living and active; what happens to us as we interact with it? In The Bible Study Handbook Lindsay Olesberg lays a foundation for why we read the Bible, what attitudes and expectations are most helpful as we enter into serious Bible study, and what methods and practices yield the most fruit. From foundational insights to best practices and hands-on exercises, you will find everything you need in this book to cultivate your curiosity, hone your attention and mine the applicabilities of whatever passage you find yourself in. And you'll be reminded of the insights, encouragement and even transformation waiting for people who commit to studying the Scriptures well together. A comprehensive guide for Bible students of every level of experience and spiritual maturity.