Where Are You Going Where Have You Been

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Joyce Carol Oates's prize-winning story "Where Are You Going, Where Have You Been?" takes up troubling subjects that continue to occupy her in her fiction: the romantic longings and limited options of adolescent women; the tensions between mothers and daughters; the sexual victimization of women; and the American obsession with violence. Inspired by a magazine story about a serial killer, its remarkable portrait of the dreamy teenager Connie has made it a feminist classic. Connie's life anticipates the emergence of American society from the social innocence of the fifties into the harsher contemporary realities of war, random violence, and crime. The story was the basis for the movie Smooth Talk, which became the subject of much feminist debate. This casebook includes an introduction by the editor, a chronology of Oates's life, an authoritative text of "Where Are You Going, Where Have You Been," an essay by Oates on Smooth Talk, the original Life article about the serial killer, ten critical essays (including two about the film), and a bibliography. The contributors are Brenda O. Daly, Christina Marsden Gillis, Don Moser, Tom Quirk, B. Ruby Rich, R.J.R. Rockwood, Larry Rubin, Gretchen Schulz, Marie Mitchell Oleson Urbanski, Joyce M. Wegs, Marilyn C. Wesley, and Joan D. Winslow.

Presents a collection of stories written in the 1960s and 1970s, including "Edge of the World," "At the Seminary," "Four Summers," "By the River," and the title story.

A collection of stories of human beings struggling heroically to define personal identity in the face of incredible opposition and even death.

In dramatic, tightly focused narratives charges with tension, menace, and the shock of the unexpected, Where Is Here? examines a world in which ordinary life is electrified by the potential for sudden change. Domestic violence, fear and abandonment and betrayal, and the obsession with loss shadow the characters that inhabit these startling, intriguing stories. With the precision and intensity that are the hallmarks of her remarkable talent, Joyce Carol Oates explores the unexpected turns of events that leave people vulnerable and struggling to puzzle out the consequences of their abrupt reversals of fortune. As in the title story, in which a married couple find their controlled life irrevocably altered by a stranger's visit, the fiction in this new collection is punctuated again and again by mysterious, perhaps unanswerable, questions: "Out of what does our life arise? Out of what does our consciousness arise? Why are we here? Where is here?" Like the questions they pose, these tales -- at once elusive and direct -- unfold with the enigmatic twists of riddles and, often, the blunt shock of tragedy. Where is Here? is the work of a master practitioner of the short story.

It was Life and Time magazines that turned a local story from Tucson, Arizona, into a national abomination. Reporters came from all over, to be sure, but on March 4, 1966, Life printed an ominous photo of the desert landscape where three girls had disappeared and the story of Charles Howard Schmid, Jr., or "Smitty," became international news. He had been arrested four months earlier on November 11, just after marrying a fifteen-year-old girl whom he'd met on a blind date. The article was published even before the juries in two separate trials had decided his fate. Dubbed "The Pied Piper of Tucson," for his ability to get girls to fall for him, he stood five feet, four inches tall, but added three more inches by padding his stack-heeled cowboy boots with rags and tin cans. He also dyed his reddish-brown hair black, used pancake make-up, whitened his lips, and applied a fake mole to his left cheek-a "beauty" mark. Arrogant and narcissistic, he came from a wealthy family, so he used the niceties he could buy to impress young high school girls. He adopted the droopy-eyed look associated with Elvis, his idol, and acquired a rock musician's mystique. His tiny house on his parents' property was the scene of many parties. Tucson society was not merely shaken by the murders of three of their young women but by what the details of those murders revealed about its adolescent population-sex clubs, drinking parties, blackmail, cover-ups for murder, and even connections with the crime underworld. Parents suddenly became more strict, more aware now that their kids weren't safe and maybe weren't even behaving properly. When kids looked to someone like Charles Schmid for answers, there was something terribly wrong.

Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. “How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms,” reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. “Contemplating John Updike’s monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner—writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short story to set beside those of these distinguished American predecessors. Congratulations and heartfelt thanks are due to John Updike for having brought such pleasure and such illumination to so many readers for so many years.”