Where S Burgess

Reece Hansen is missing two things: his father and his frog. His parents are newly separated, and his dad is now living in another city, fighting forest fires. Reece struggles to get used to daily life without him. When he loses his pet frog, Burgess, Reece puts posters up around the neighborhood. But frogs are difficult to find. It takes an unusual classmate, the boy who wears a bathrobe to school, to pull Reece's attention away from Burgess. Through his new friend and a camping trip with his mom, Reece learns that friends can come in human form and families are resilient even when things change.

This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).

Danny Meadow Mouse, Jimmy Skunk, and Reddy Fox explore the Atlantic shoreline and learn about habits and habitats of many creatures — from horseshoe crabs to sea cucumbers. 48 illustrations.

"First published in 2004, is an unabridged, newly reset republication of the edition published by Little, Brown and Company, Boston, in 1920"--T.p. verso.

LOST FROG. Answers to Burgess.

What reader could fail to be enthralled by the Iliad and the Odyssey, those greatest heroic epics of antiquity? Yet the author of those immortal text remains, in the end, an enigma. The central paradox of 'Homer' is that- while recognized as producing poetry of incomparable genius- even in the ancien world nobody knew who he was. As a result, the myth-maker became the subject of myth. For the satirist Lucian (c.125-180 CE) he ws a captive Babylonian. Other traditions have Homer born in Smyrna, or on the island of Chios, or portray him as a blind and wandering minstrel. In his new and authoritative introduction, Jonathan S. Burgess addresses fundamental questions of provenance and authorship. Besides conveying why these epics have been cherished down the ages, he discusses their historical sources and the possible impact on the Iliad and Odyssey of Indo-European, Near Eastern and folktale influences. Tracing their transmission through the ancient, medieval and modern periods, the author further examines questions of theory and reception.