White Girl Within

Two identities struggle to coexist in Ronnie Gladden’s body, brain, and soul. On the outside, they are Black and male. Inside, a repressed White female identity begs for release and is ready to break the status quo. Grappling with double-binary thinking, an abusive father, and childhood trauma, they imprison their inner self to stay safe from the world. But now the time has finally come to set every part of themselves free. An identity management resource and self-help memoir for teens and young adults, White Girl Within shares award-winning educator Ronnie Gladden’s powerful true story of challenging complex intersectional identity while liberating their collective self from oppressive cultural shackles. Through creative letters, stirring life experiences, enlightening social critique, and an interactive resource section, uncover how to embrace the diversity inside of you and the diversity living outside of us all. Get ready to discover How true identity transcends race, gender, and sexuality—and provides the freedom to live the life you choose. A heartfelt, honest perspective of child and adolescent trauma, relationship issues, and even the racial history that shape nuanced identities. How transgender and transracial (or “transgracial”) identities can coexist within an individual. The power of pop culture and arts immersion to buffer complex interactions involving intersectional identities. How to begin your own letter-writing campaign and foster a more authentic self-expression. You are more than a color, a gender, and an intersection. Free your repressed truth and rebirth your radical, authentic self with White Girl Within.

Until she was fourteen, Josie was pretty ordinary. Then her Mom meets Martin, ?a real ponytail Indian, ? and before long, Josie finds herself living on a reserve outside town, with a new stepfather, a new stepbrother, and a new name

Growing up in a Philadelphia suburb in the 1960s, there were instances when I was quite reluctant to point out to my classmates, who were all White, that I was indeed African American. There was an impenetrable boundary between African Americans and Whites. To be something else other than White meant to attract unwanted and unneeded attention. Sometimes I felt I harbored a secret, a mark, or stain, one that my friends and I just didn't discuss. I do not remember intentionally trying to deny who I am, but I am sure there were instances when I just didn't speak up with a loud voice. The pressure to somehow join the majority was intense and painful. Robert Moore, whose African American identity today may be questioned by some because of his very light skin color, grew up in an all-white suburb of Philadelphia in the 1960s when the push to assimilate was blatant. An examination of the life experiences of people sometimes felt to be at the perimeter serves to point out that the racial categories of White and Black in America remain strong and impenetrable. The book spans nearly fifty years beginning in the author's youth to a contemporary period when he is a sociology teacher in a university classroom. Book jacket.

A Chinese son must tell his parents that he's moved in with his white girlfriend. In a counter-narrative, the play explodes Asian stereotypes, in a B movie called "Wrath of the Yellow Claw." "The Globe and Mail" wrote, "At its heart, Marty Chan's fast-paced comedy is a blend of a couple of old stories: culture clash and generational conflict."

In this hysterical follow-up to the New York Times bestseller White Girl Problems, Babe Walker travels the globe as she tries to figure out the answer to the question foremost on everyone's mind—including hers: Who is Babe Walker? If you’re one of the hundreds of thousands who devoured Babe Walker’s New York Times bestselling novel White Girl Problems or one of the million people who read her blog or follow her on Twitter daily, then you’ve obviously been waiting with bated breath for her hilarious follow-up novel, Psychos. Fresh from a four-month stint in rehab for her “alleged” shopping addiction, Babe Walker returns home to Bel Air ten pounds lighter (thanks to a stomach virus), having made amends (she told a counselor with bad skin she was smart) and confronted her past (after meeting her birth mother for the first time—a fashion model turned farmer lesbian). Although delighted to be home and determined to maintain her hard-won inner peace, Babe now faces a host of outside forces seemingly intent on derailing her path to positive change. Not only is she being trailed by an anonymous stalker, but she’s also reunited with the love of her life, a relationship that she cannot seem to stop self-sabotaging. Babe’s newfound spirituality, coupled with her faith in the universe and its messages, leads her all over the world: shoulder dancing in Paris, tripping out in Amsterdam, and hooking up in the Mediterranean, only to land her back in New York City, forced to choose between a man who is perfect in every way (except for one small detail) and a man who could be The One if only he didn’t drive Babe to utter insanity. Unapologetic and uproarious, Psychos is the send-up of the season—already as timeless as vintage Dior.

Babe Walker, center of the universe, is a painstakingly manicured white girl with an expensive smoothie habit, a proclivity for Louboutins, a mysterious mother she's never met, and approximately 50 bajillion Twitter followers. But her "problems" have landed her in shopping rehab-that's what happens when you spend $246,893.50 in one afternoon at Barneys. Now she's decided to write her memoir, revealing the gut-wrenching hurdles she's had to overcome in order to be perfect in every way, every day. Hurdles such as: I hate my horse. Every job I've ever had is the worst job I've ever had. He's not a doctor, a lawyer, or a prince. I'll eat anything, as long as it's gluten-free, dairy-free, low-carb, low-fat, low-calorie, sugar-free, and organic. In an Adderall-induced flash of inspiration, Babe Walker has managed to create one of the most enjoyable, unforgettable memoirs in years.

A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love.Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

AN INDIE BESTSELLER Most Anticipated by ELLE • Bustle • Bloomberg • Kirkus • HipLatina • SheReads • BookPage • The Millions • The Mujerista • Ms. Magazine • and more “Unflinching” —Ms. Magazine • “Phenomenal” —BookRiot • "An essential read" —Kirkus, starred review • "Necessary" —Library Journal • "Powerful" —Joaquin Castro • "Illuminating" —Reyna Grande • "A love letter to our people" —José Olivarez • "I have been waiting for this book all my life" —Paul Ortiz Bestselling author Julissa Arce calls for a celebration of our uniqueness, our origins, our heritage, and the beauty of the differences that make us Americans in this powerful polemic against the myth that assimilation leads to happiness and belonging for immigrants. “You sound like a white girl.” These were the words spoken to Julissa by a high school crush as she struggled to find her place in America. As a brown immigrant from Mexico, assimilation had been demanded of her since the moment she set foot in San Antonio, Texas, in 1994. She’d spent so much time getting rid of her accent so no one could tell English was her second language that in that moment she felt those words—you sound like a white girl?—were a compliment. As a child, she didn’t yet understand that assimilating to “American” culture really meant imitating “white” America—that sounding like a white girl was a racist idea meant to tame her, change her, and make her small. She ran the race, completing each stage, but never quite fit in, until she stopped running altogether. In this dual polemic and manifesto, Julissa dives into and tears apart the lie that assimilation leads to belonging. She combs through history and her own story to break down this myth, arguing that assimilation is a moving finish line designed to keep Black and brown Americans and immigrants chasing racist American ideals. She talks about the Lie of Success, the Lie of Legality, the Lie of Whiteness, and the Lie of English—each promising that if you obtain these things, you will reach acceptance and won’t be an outsider anymore. Julissa deftly argues that these demands leave her and those like her in a purgatory—neither able to secure the power and belonging within whiteness nor find it in the community and cultures whiteness demands immigrants and people of color leave behind. In You Sound Like a White Girl, Julissa offers a bold new promise: Belonging only comes through celebrating yourself, your history, your culture, and everything that makes you uniquely you. Only in turning away from the white gaze can we truly make America beautiful. An America where difference is celebrated, heritage is shared and embraced, and belonging is for everyone. Through unearthing veiled history and reclaiming her own identity, Julissa shows us how to do this.