Who S On First

This intimate portrait of Lou Costello (1906-1959) offers a rare look at one of the most talented comedians of all time. Starting in the 1930s, Costello attained enormous fame touring the burlesque circuits with straight man Bud Abbott (1895-1974). Their live skits (including "Who's on First?"), radio programs, and films such as One Night in the Tropics, Buck Privates, Abbott and Costello Meet Frankenstein, and In the Navy made comic history. Behind the scenes, however, Costello faced numerous crises: a bout with rheumatic fever that left him bedridden for months, the drowning death of his young son, and constant haggles with Universal Studios over its reluctance to adequately finance productions of Abbott and Costello films. Lou's on First goes beyond Costello's clownish persona to explore his Pagliacci nature: the private demons behind the happy public face, the heartbreaking moments in an otherwise storybook marriage, the business ventures soured by unscrupulous managers, and the true nature of the breakup of his twenty-one-year partnership with Bud Abbott.

Offers profiles of the popular comedy team, looks at their careers in vaudeville, radio, and film, shares several of their most famous routines, and includes the reminscences of those who worked with them.

Who were the best ballplayers of all time? It's an endless question, but here's something much more fun: Who was the worst of all time? Who was the lousiest pitcher? The biggest goat? The most despicable owner? The most over-paid bum? Finally, Filip Bondy answers these questions, wielding his own brand of formidable research, advanced sabermetrics and considerable wit to provide this indispensable guide to the less glorious side of our national pastime. Each chapter is filled with rich and colorful stories about the players unfortunate enough to be chosen in each category--like "Too Fat to Bat" or "Anyone Seen My Mitt." So welcome to the Hall of Shame. It's awesome.

"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling of both performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--

Confusion abounds when a poorly spoken donkey says to a grammarian yam, "I Yam a Donkey!"

Jack Sharkey Full Length, Comedy Characters: 2 male, 2 female Interior Set Take a husband, wife, lover and friend, add a strange lamp, a gun and a rubber chicken plus a party that begins at 8 p.m., then again at 8 p.m. and then again at 8 p.m. and you have this nightmare comedy." Four people find themselves reliving one horrible hour over and over as themselves, as Japanese, as British aristocrats, as gangsters, and almost anything else you can think of. Camille is giving the party. Don shows up in a jealous funk about his wife, Alice, whom he suspects of seeing another man. When Alice and Ben have arrived, it turns out their relationship is innocent. But by the time Don realizes this he has already shot Ben, Alice and even Camille. Camille wishes that things might have turned out differently and that is what happens. All concerned find themselves back at the party's beginning again and again doomed to live that same hour over and over again until they get it right. Is it all an accident? Or is their dilemma part of someone's fiendish plan? A labyrinth of hilarity exits to a shocker of an ending.