Wilderness Rhythms

A well written work that outlines important aspects of the wilderness experience and how the addition of music can uncover a state of expanded awareness that can be reached quickly and regularly. This has enormous impact on the nature experience and on the amount of time that can be saved in 'getting into' nature sooner. The author's knowledge of traditional survival skills and lore offer much insight throughout the book. This is an important read for all nature enthusiasts!

TEXT FOR AUTHOR BIO: Like philosopher and teacher Joseph Campbell, Alla Bozarth explores life's mysteries through the power of myth and metaphor: the salmon; the great bear; the ocean; the phoenix; the chambered nautilus; the iris; the lotus. Above all is her mountain -Mt. Hood- her "Medicine Woman" -rising outside her window, always changing in mood and meaning. TEXT FOR BOOK DESCRIPTION: This remarkable work proves that a time of devastating change can result in magnificent growth and illumination. In these intensely personal and universal ponderings, Episcopal priest, author-poet, and therapist Alla Renée Bozarth relates the wrenching decisions that caused her to move from her "exile" in the Midwest back to Oregon, to her place "at the foot of the mountain." She takes us through her grief at the death of her father and of her young husband, then shares her gradual healing through the creative process of writing this book. As she finds strengths to minister to herself, she ministers to us. In introducing us to her special places and symbols, her teachers, we are moved to discover our own healing metaphors for ourselves.

Disparity and division in religion, technology and ideology have characterized relations between English-Canadian and Indian cultures through-out Canada's history. From the earliest declaration of white territorial ownership to the current debate on aboriginal rights, red man and white man have had opposing principles and perspectives. The most common 'solutions' imposed on these conflicts by white men have relegated the Indian to the fringes of white society and consciousness. This survey of English-Canadian literature is the first comprehensive examination of a tradition in which white writers turn to the Indian and his culture for standards and models by which they can measure their own values and goals; for patterns of cultural destruction, transformation, and survival; and for sources of native heroes and indigenous myths. Leslie Monkman examines images of the Indian as they appear in works raning from Robert Rogers' Ponteach, or The Savages of America (1766) to Robertson Davies' 'Pontiac and the Green Man' (1977), demonstrating how English-Canadian writers have illuminated their own world through reference to Indian culture. The Indian has been seen as an antagonist, as a superior alternative, as a member of a vanishing and lamented race, and as a hero and the source of the new myths. Although white/Indian tension often lies in apparently irreconcilable opposites, Monkman finds in the literature surveyed complementary images reflecting a common humanity. This is an important contribution to a hitherto unexplored area of Canadian literature in English which should give rise to further elaboration of this major theme.

The history of the Swiss National Park, from its creation in the years before the Great War to the present, is told for the first time in this book. Unlike Yellowstone Park, which embodied close cooperation between state-supported conservation and public recreation, the Swiss park put in place an extraordinarily strong conservation program derived from a close alliance between the state and scientific research. This deliberate reinterpretation of the American idea of the national park was innovative and radical, but its consequences were not limited to Switzerland. The Swiss park became the prime example of a "scientific national park," thereby influencing the course of national parks worldwide.

This is a comprehensive reading of Shelley's oeuvre through the lens of developments in literary and psychoanalytic theory. The author provides though-provoking readings of well-known works and also explores less familiar pieces.

Rhythm of the Heart is a compelling memoir about Kim Heacox’s 30+ year relationship with the most iconic landscape in Alaska, a sister book to his 2005 Lyons book The Only Kayak, a PEN USA Literary Award finalist now in its seventh printing. Woven throughout the personal narrative will be stories on the human and natural histories of the Denali National Park, garnished with a conservation polemic, much as Edward Abbey did with Desert Solitaire, and Rick Bass has done with any number of books (that continue to sell well). Heacox will write of Denali through an inspirational arc; to show how a place can touch a life, even save a life, quietly, profoundly, day after day, year after year, and how that saving multiplied by millions of lives over a century makes the world a better place. Heacox makes the argument, through his beautiful and impassioned prose, that we must save these places so they in turn will save us. Denali National Park is the most accessible subarctic sanctuary in the world, and has awakened millions of people to what’s authentic, priceless and true. Any serious student of spirituality and the American landscape must one day address his relationship with Alaska, and once in Alaska, he must confront Denali, the heart of the state, the state of the heart.

In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays. The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include: * installations by Mary Kelly and Dawn Dedeaux, * plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka * performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana * stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.