William W Warren

First published in 1885 by the Minnesota Historical Society, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.--

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For the first time since its initial publication in 1885, this classic history of the Ojibwe is available with new annotations and a new introduction by Theresa Schenck. William W. Warren's History of the Ojibway People has long been recognized as a classic source on Ojibwe history and culture. Warren, the son of an Ojibwe woman, wrote his history in the hope of saving traditional stories for posterity even as he presented to the American public a sympathetic view of a people he believed were fast disappearing under the onslaught of a corrupt frontier population. He collected firsthand descriptions and stories from relatives, tribal leaders, and acquaintances and transcribed this oral history in terms that nineteenth-century whites could understand, focusing on warfare, tribal organizations, and political leaders. First published in 1885, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.

This is the first full-length biography of William W. Warren (1825-53), an Ojibwe interpreter, historian, and legislator in the Minnesota Territory. Devoted to the interests of the Ojibwe at a time of government attempts at removal, Warren lives on in his influential book History of the Ojibway , still the most widely read and cited source on the Ojibwe people. The son of a Yankee fur trader and an Ojibwe-French mother, Warren grew up in a frontier community of mixed cultures. Warren's loyalty to government Indian policies was challenged, but never his loyalty to the Ojibwe people. In his short life the issues with which he was concerned included land rights, treaties, Indian removal, mixed-blood politics, and state and federal Indian policy. Theresa M. Schenck has assembled a remarkable collection of newly discovered documents. Dozens of letters and other writings illuminate not only Warren's heart and mind but also a time of radical change in American Indian history. These documents, combined with Schenck's commentary, provide historical and contextual perspective on Warren's life, on the breadth of his activities, and on the complexity of the man himself; as such they offer a useful and long-awaited companion to Warren's History of the Ojibway .

During the early period of white settlement, William Warren-the son of a white man and an Ojibway woman-recorded the oral traditions of the Ojibway Indians of the Upper Mississippi and Lake Superior regions. His vivid descriptions include Ojibway customs, family life, totemic system, hunting methods, and relations with other tribal groups and with the whites. First published in 1885.

William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.