Winnipeg

The geographic boundaries of the North End, as determined by the North End Community Renewal Corporation, is north of the CPR tracks, south of Caruthers Avenue, east of McPhillips Street, and west of the Red River. [...] This 5 In his examination of fringe banking in the US, Caskey (1994, p. 84) argues that a chief reason for their rise is the increase in the number of households without bank accounts, rising from 9.5% of the US population in 1977 to 13.5% in 1989, the result of processes affecting banks (supply side) and bank clients (demand side). [...] The second focus credit risk related to high levels of debt-servicing and personal bankruptcy; the contraction in the bank and finance company supply of non-revolving, unsecured loans; the growing numbers of people with higher credit risk due to increased legal and illegal immigration to the US; the increase in gold prices; the growing awareness among entrepreneurs of the profits in fringe banking [...] Winnipeg and the 16.5% of the population of the North End, North End both have around 13.5% of comprise a smaller percentage at 11.9% their population over the age of retire- of the population of Winnipeg. [...] This is sub- the number of people contributing income stantially higher than the 35% average in to a household, the greater the likelihood the rest of Winnipeg.

At the beginning of the last century, no city on the continent was growing faster or was more aggressive than Winnipeg. No year in the city’s history epitomized this energy more that 1912, when Winnipeg was on the crest of a period of unprecedented prosperity. In just forty years, it had grown from a village on the banks of the Red River to become the third largest city in Canada. In the previous decade alone, its population had tripled to nearly 170,000 and it now dominated the economy and society of western Canada. As Canada’s most cosmopolitan and ethnically diverse centre, with most of its population under the age of forty, it was also the country’s liveliest city, full of bustle and optimism. In Winnipeg 1912 Jim Blanchard guides readers on a tour through this golden year when, as the Chicago Tribune proclaimed, “all roads lead to Winnipeg.” Beginning early New Year’s Day, as the city’s high society rang in 1912 at the Royal Alexandra Hotel, he visits the public and private side of the “Chicago of the North.” He looks into the opulent mansions of the city’s new elite and into its political backrooms, as well as into the crowded homes of Winnipeg’s immigrant North End. From the excited crowds at the summer Exhibition to the turbulent floor of the Grain Exchange, Blanchard gives us a vivid picture of daily life in this fast-paced city of new millionaires and newly arrived immigrants. Richly illustrated with more than seventy period photographs, Winnipeg 1912 captures a time and place that left a lasting impression on Canadian history and culture.

Before the First World War, Winnipeg was Canada's third-largest city and the undisputed metropolis of the West. Rapid growth had given the city material prosperity, but little of its wealth went to culture or the arts. Despite the city's fragile cultural veneer, the enthusiasm and dedication of members of the arts community and a grpup of public-spirited citizens led to the establishment of the Winnipeg Art Gallery in 1912 and the Winnipeg School of Art in 1913.This volume is a history in words and illustration of the early years of the Winnipeg School of Art, its hopes and ideals and its struggles for survival. Its story is in large part a record of art and artists in Winnipeg during the period. The growth of the School is described through the terms of its first four principals: Alexander Musgrove, Frank Johnston, Keith Gebbhardt, and L. LeMoine Fitzgerald. Biographical sketches on artists involved with the School as teachers or students from 1913 to 1934 are also included.Reproductions of over 80 selected works from the exhibition marking the seventieth anniversary of the founding of the School, eight in full colour, present the most vital and provocative arrt of the period.

Why was Winnipeg the scene of the longest and most complete general strike in North American history? Bercuson answers this question by examining the development of union labour and the impact of depression and war in the two decades preceding the strike.

`If you love movies in the very sinews of your imagination, you should experience the work of Guy Maddin.' Roger Ebert, Chicago Sun Times `Guy Maddin's "My Winnipeg" is a major advance in the academic understanding of a key film of one of Canada's most important living filmmakers.' Ernest Mathijs, Department ot Theatre and Film, University of British Columbia

During the first half of the twentieth century, Winnipeg Beach proudly marketed itself as the Coney Island of the West. Located just north of Manitoba’s bustling capital, it drew 40,000 visitors a day and served as an important intersection between classes, ethnic communities, and perhaps most importantly, between genders. In Winnipeg Beach, Dale Barbour takes us into the heart of this turn-of-the-century resort area and introduces us to some of the people who worked, played and lived in the resort. Through photographs, interviews, and newspaper clippings he presents a lively history of this resort area and its surprising role in the evolution of local courtship and dating practices, from the commoditization of the courting experience by the Canadian Pacific Railway's “Moonlight Specials,” through the development of an elaborate amusement area that encouraged public dating, and to its eventual demise amid the moral panic over sexual behaviour during the 1950s and ‘60s.