Winter Gods And Serpents

In a god blessed realm where greed is the faith of rulers, Snowlin's existence was perhaps the greediest act of all. Born the forbidden child of two Aura, magical beings possessing god-gifted powers, she carries a burden of title. Prized a weapon of destruction by her father and hunted as a monster of carnage by others. The odds knew no favour to the wicked or kind in Numengarth, but Snowlin turned human, powerless, and a disappointment to the creator who intended to wield her in his claim for power over the continent. After twelve years disparaged into exile, she sets to return and claim what the realm owed her: revenge on both her father and the night king who hunted to take more than her life. Take and destroy were her plans. Use and bargain were his. She returns to find the rapacity of serpents lingering in the air and at her expense once again. Snowlin, now arranged to wed her nightmare for a political agreement, begins adjusting plans. While caught in a game of crowns, what would she choose to become? Pawn to the winter king or queen to the night king?

In a god blessed realm where greed is the faith of rulers, Snowlin's existence was perhaps the greediest act of all. Born the forbidden child of two Aura, magical beings possessing god-gifted powers, she carries a burden of title. Prized a weapon of destruction by her father and hunted as a monster of carnage by others. The odds knew no favour to the wicked or kind in Numengarth, but Snowlin turned human, powerless, and a disappointment to the creator who intended to wield her in his claim for power over the continent. After twelve years disparaged into exile, she sets to return and claim what the realm owed her: revenge on both her father and the night king who hunted to take more than her life. Take and destroy were her plans. Use and bargain were his. She returns to find the rapacity of serpents lingering in the air and at her expense once again. Snowlin, now arranged to wed her nightmare for a political agreement, begins adjusting plans. While caught in a game of crowns, what would she choose to become? Pawn to the winter king or queen to the night king?

"In a god blessed realm where greed is the faith of rulers, Snowlin's existence was perhaps the greediest act of all. Born the forbidden child of two Aura, magical beings possessing god-gifted powers, she carries a burden of title. Prized a weapon of destruction by her father and hunted as a monster of carnage by others. The odds knew no favour to the wicked or kind in Numengarth, but Snowlin turned human, powerless, and a disappointment to the creator who intended to wield her in his claim for power over the continent. After twelve years disparaged into exile, she sets to return and claim what the realm owed her: revenge on both her father and the night king who hunted to take more than her life. Take and destroy were her plans. Use and bargain were his. She returns to find the rapacity of serpents lingering in the air and at her expense once again. Snowlin, now arranged to wed her nightmare for a political agreement, begins adjusting plans. While caught in a game of crowns, what would she choose to become? Pawn to the winter king or queen to the night king?" -- Amazon.com

El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city's singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín's iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations. Koontz focuses on three major architectural features—the Pyramid of the Niches/Central Plaza ensemble, the South Ballcourt, and the Mound of the Building Columns complex—and investigates the meanings of their sculpture and how these meanings would have been experienced by specific audiences. Koontz finds that the iconography of El Tajín reveals much about how motifs and elite rites growing out of the Classic period were transmitted to later Mesoamerican peoples as the cultures centered on Teotihuacan and the Maya became the myriad city-states of the Early Postclassic period. By reexamining the iconography of sculptures long in the record, as well as introducing important new monuments and contexts, Lightning Gods and Feathered Serpents clearly demonstrates El Tajín's numerous iconographic connections with other areas of Mesoamerica, while also exploring its roots in an indigenous Gulf lowlands culture whose outlines are only now emerging. At the same time, it begins to uncover a largely ignored regional artistic culture of which Tajín is the crowning achievement.

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Selene DiSilva, goddess of the hunt, squares off against a killer who threatens the very existence of the gods themselves in this stunning sequel to Jordanna Max Brodsky's The Immortals, "a lively re-imaging of classical mythology." (Deborah Harkness) Winter in New York: snow falls, lights twinkle, and a very disgruntled Selene DiSilva prowls the streets, knowing that even if she doesn't look for trouble, it always finds her. When a dead body is discovered sprawled atop Wall Street's iconic Charging Bull statue, it's up to Selene to hunt down the perpetrators. Her ancient skills make her the only one who can track a conspiracy that threatens the very existence of the gods, including Selene, who was once known as Artemis. Olympus BoundThe ImmortalsWinter of the GodsOlympus Bound The Wolf in the Whale