Winter Park Fl A Historical Review Using Postcards

"This color book contains images of original postcards from the author's personal collection. In addition, historical accounts and research is provided (if found) pertaining to the subject of the postcard. Also included are a number of old plats from Orange Co. Deeds showing Lakeview, FL or the Town of Osceola, or what we know today as - Winter Park. A detailed index is provided, including indexing of names, places and key search criteria."--Page 4 of cover

"This color book contains images of original postcards from the author's personal collection. In addition, historical accounts and research is provided (if found) pertaining to the subject of the postcard. Also if the details within the postcard image can be discerned (from high-resolution images) addition research is provided-including cropped images (to highlight these details). Orange County deed records were searched to find names and dates to add additional historical information. A detailed index is provided, including indexing of names, places and key search criteria.) -- From cover.

"The perfume of the orange blossoms . . . the beauty of every scene, combine to make me wonder whether I am not in Paradise," wrote one visitor to Winter Park, Florida, in 1918. Just five miles north of Orlando, Winter Park's oak-lined brick streets and its quiet lakes have been attracting visitors since the late 19th century, when U.S. president Chester A. Arthur declared, "This is the prettiest spot I have seen in Florida." The New Englandlike city in the heart of the subtropics was once home to the Seminole Hotel, the largest resort south of Jacksonville. In 1885, prestigious Rollins College was founded here, the first institution of higher learning in Florida.

The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.

The first history of indigenous photography in the Middle East The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.