Witchfinders

By spring 1645, two years of civil war had exacted a dreadful toll upon England. People lived in terror as disease and poverty spread, and the nation grew ever more politically divided. In a remote corner of Essex, two obscure gentlemen, Matthew Hopkins and John Stearne, exploited the anxiety and lawlessness of the time and initiated a brutal campaign to drive out the presumed evil in their midst. Touring Suffolk and East Anglia on horseback, they detected demons and idolators everywhere. Through torture, they extracted from terrified prisoners confessions of consorting with Satan and demonic spirits. Acclaimed historian Malcolm Gaskill retells the chilling story of the most savage witch-hunt in English history. By the autumn of 1647 at least 250 people--mostly women--had been captured, interrogated, and hauled before the courts. More than a hundred were hanged, causing Hopkins to be dubbed "Witchfinder General" by critics and admirers alike. Though their campaign was never legally sanctioned, they garnered the popular support of local gentry, clergy, and villagers. While Witchfinders tells of a unique and tragic historical moment fueled by religious fervor, today it serves as a reminder of the power of fear and fanaticism to fuel ordinary people's willingness to demonize others.

‘I am an expert on witchcraft, Doctor, but I wish to learn more. Before you die, I want answers.’ The TARDIS lands in the Lancashire village of Bilehurst Cragg in the 17th century, and the Doctor, Ryan, Graham and Yaz soon become embroiled in a witch trial run by the local landowner. Fear stalks the land, and the arrival of King James I only serves to intensify the witch hunt. But the Doctor soon realises there is something more sinister than paranoia and superstition at work. Tendrils of living mud stir in the ground and the dead lurch back to horrifying life as an evil alien presence begins to revive. The Doctor and her friends must save not only the people of Bilehurst Cragg from the wakening forces, but the entire world

'The number of women my brother Matthew killed, so far as I can reckon it, is one hundred and six...' THE PAGE-TURNING RICHARD AND JUDY BOOK CLUB BESTSELLER 'A compelling debut from a gifted storyteller' Sarah Perry, author of The Essex Serpent When Alice Hopkins' husband dies in a tragic accident, she returns to the small Essex town of Manningtree, where her brother Matthew still lives. But home is no longer a place of safety. Matthew has changed, and there are rumours spreading through the town: whispers of witchcraft, and of a great book, in which he is gathering women's names. To what lengths will Matthew's obsession drive him? And what choice will Alice make, when she finds herself at the very heart of his plan? Winner of the HWA Debut Crown Award 2017, and a Spring 2018 Richard and Judy Book Club pick, this beautiful and haunting historical thriller is perfect for fans of Sarah Waters, The Miniaturist and Burial Rites. 'Vivid and terrifying' Paula Hawkins, author of The Girl on the Train 'Thumpingly good' Lucy Mangan 'A clever, pacey read that blends truth and fiction...what elevates this book above other historical thrillers are the questions that Underdown asks about the nature of power, fear and how easy it is to become complicit in terrible acts' The Times 'A chilling, creeping novel with very obvious parallels to more modern forms of witch-hints and misogyny, but is still firmly rooted in an England torn apart by civil war and gripped by religious fervour' Red 'A haunting, brooding debut' Psychologies 'At once a feminist parable and an old-fashioned, check-twice-under-the-bed thriller' Patrick Gale 'A richly told and utterly compelling tale, with shades of Hilary Mantel' Kate Hamer, author of The Girl in the Red Coat 'Anyone who liked Cecilia Ekback's Wolf Winter is going to love this' Natasha Pulley, author of The Watchmaker of Filigree Street 'Beth Underdown grips us from the outset and won't let go...at once a feminist parable and an old-fashioned, check-twice-under-the-bed thriller' Patrick Gale, author of Notes from an Exhibition 'A tense, surprising and elegantly-crafted novel' Ian McGuire, author of The North Water 'Beth Underdown cleverly creates a compelling atmosphere of dread and claustrophobia... Even from the distance of nearly four hundred years, her Matthew Hopkins is a genuinely frightening monster' Kate Riordan 'Superb: dark, terrifying and utterly compelling' Tracy Borman 'A novel for our times. Beth Underdown's The Witchfinder's Sister explores another time and another place to lay bare the visceral horror of what a witch hunt truly is' New York Times Book Review 'Entertaining and thought-provoking, with a valuable message for our own times' Washington Post

Jennet Stearne's father hangs witches for a living in Restoration England. But when she witnesses the unjust and horrifying execution of her beloved aunt Isobel, the precocious child decides to make it her life's mission to bring down the Parliamentary Witchcraft Act. Armed with little save the power of reason, and determined to see justice prevail, Jennet hurls herself into a series of picaresque adventures—traveling from King William's Britain to the fledgling American Colonies to an uncharted island in the Caribbean, braving West Indies pirates, Algonquin Indian captors, the machinations of the Salem Witch Court, and the sensuous love of a young Ben Franklin. For Jennet cannot and must not rest until she has put the last witchfinder out of business.

Scholarly reprint of the writings of the Witchfinder General and his accomplice.

Two queens, two religions, two visions for the future of the nation. Fleeing to London with a witch hunter on her trail, Alyce discovers her own dark magic and lands herself embroiled in the struggle. Alyce's mother has just been burnt at the stake for practicing witchcraft. With only a thin set of instructions and a witch's mommet for guidance, Alyce must face the world that she's been sealed off from -- a world of fear and superstition. With a witch hunter fast on her trail, she'll need the help of an innkeeper and a boy looking to discover the truth behind his own mother's past. But as her journey continues, another war rages: a hidden war of the supernatural, of the living and the dead. Good and evil are blurred, and nobody's motives can be trusted. And Alyce finds herself thrown unwillingly into the conflict. Struggling to understand her own powers, she is quickly drawn into a web of secret, lies, and dark magic that could change the fate of the world she is just coming to know.This dark, twisty, and thrillingly original debut will leave readers entranced in its suspenseful plot and rich prose.

DigiCat Publishing presents to you this special edition of "The Discovery of Witches" by Matthew Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A gripping story of a family tragedy brought about by witch-hunting in Puritan New England that combines history, anthropology, sociology, politics, theology and psychology. “The best and most enjoyable kind of history writing. Malcolm Gaskill goes to meet the past on its own terms and in its own place…Thought-provoking and absorbing." —Hilary Mantel, best-selling author of Wolf Hall In Springfield, Massachusetts in 1651, peculiar things begin to happen. Precious food spoils, livestock ails, property vanishes, and people suffer convulsions as if possessed by demons. A woman is seen wading through the swamp like a lost soul. Disturbing dreams and visions proliferate. Children sicken and die. As tensions rise, rumours spread of witches and heretics and the community becomes tangled in a web of distrust, resentment and denunciation. The finger of suspicion soon falls on a young couple with two small children: the prickly brickmaker, Hugh Parsons, and his troubled wife, Mary. Drawing on rich, previously unexplored source material, Malcolm Gaskill vividly evokes a strange past, one where lives were steeped in the divine and the diabolic, in omens, curses and enchantments. The Ruin of All Witches captures an entire society caught in agonized transition between superstition and enlightenment, tradition and innovation.