Without Honour

On the morning of June 30, 2009, police in Kingston, Ontario, made a ghastly discovery: four females dead in a car submerged in a shallow canal. Sisters Zainab Shafia, 19, Sahar Shafia, 17, Geeti Shafia, 13, along with Rona Mohammad Amir, 50, floated almost serenely inside the car, seemingly the victims of a terrible accident. That morning, Mohammad Shafia, his wife Tooba and their son, Hamed, arrived at the Kingston police station to report the four missing. In a sweeping covert investigation that spanned three continents, police uncovered layers of lies in the Shafias’ story and developed a horrifying theory: Zainab, Sahar, Geeti and Rona had been the victims of a meticulously plotted family murder—Canada’s first mass honour killing. In Without Honour, award-winning journalist Rob Tripp draws on three years of exhaustive research and exclusive interviews to make sense of a senseless crime in a way no other writer could. Tripp was the first journalist on the scene as the news broke and the only reporter to attend every day of court sessions, through to the convictions of Shafia, Tooba and Hamed on four counts each of first-degree murder. The Shafias are appealing. In this gripping and compassionate account, Tripp reveals the heartbreaking and stunning truth about these crimes fuelled by what Ontario Superior Court Judge Robert Maranger called a “twisted notion of honour,” and about the desperate lives of four women who died in the pursuit of freedom.

Detailing my experiences in the Zimbabwe Republic Police in Matabeleland South in the early to mid 1980's during which time Robert Mugabe unleashed his Korean-trained Fifth Brigade on the Matabele people - twenty to thirty thousand people lost their lives in that time. Neither Mugabe nor his armed forces have been brought to book for the massacre.

PART I - The Camp David Process -- First Steps, Harsh Truths -- "A Secluded Northern Castle" -- Back to Square One -- Longing for Hizballah -- Forcing the Leaders' Hand -- A Conceivable Endgame? -- The Promise of an American Steamroller -- Inauspicious Beginnings -- Clinton: "We Have Exhausted the Beauty of this Place" -- A Gamechanger (or so it looked..) -- O Jerusalem (and its lies...) -- Saeb Erakat: "Arafat is Interested in a Crisis" -- Albright's Intermezzo; Clinton's Last Push -- Our Faintest Hour -- Arafat: "Barak Has Gone Beyond my Partner Rabin" -- Making Most of Success -- Moments of Grace on Precipice Edge -- PART II - A Savage War for Peace -- "With Our Blood and Soul We'll redeem Palestine" -- Diplomacy Under Fire -- Trapped in No-Win Conditions -- Neither Inspiring nor Intimidating -- "Take it or Leave It" - The Clinton Peace Parameters -- "A Crime Against the Palestinian People" -- Barak in a Cage of Doves -- Taba: "The Boss Doesn't Want an Agreement" -- Post Mortem -- Part III. 2001-2020: A Story of Promise and Deceit -- The Conversion of the Hawks -- The Impossible Triangle: Obama-Netanyahu-Abbas -- The Geneva Understandings as a Parable -- The Failed Zionization of Palestine -- The International Community - A Broken Reed -- The Occupation's Traits of Permanence -- PART IV. Denouements -- Ominous Unravellings -- Exit Oslo, Enter Madrid -- PART V. Defying the Logic of Conflict Resolution -- Palestine - A Comparative Perspective.

A young woman defies convention in a small Pakistani village, with devastating results for her and her family. A stunning, immense beautiful novel about courage, family and the meaning of love, when everything seems lost... 'A compelling and compassionate story' Anna Mazzola, author of The Story Keeper 'A shocking portrait of lives lived under the shadow of threat and prejudice. A brave book' Vaseem Khan, author of the Inspector Chopra series 'A bold, gifted storyteller, dealing with a gritty, thorny issue of female honour. Compulsive reading' Qaisra Shahraz MBE, author of The Holy Woman 'Beautifully written and immersive, No Honour starts with a powerful opening that propels you into the shocking themes. A must-read' Sarah Pearse, author of The Sanatorium _______________ In sixteen-year-old Abida's small Pakistani village, there are age-old rules to live by, and her family's honour to protect. And, yet, her spirit is defiant and she yearns to make a home with the man she loves. When the unthinkable happens, Abida faces the same fate as other young girls who have chosen unacceptable alliances – certain, public death. Fired by a fierce determination to resist everything she knows to be wrong about the society into which she was born, and aided by her devoted father, Jamil, who puts his own life on the line to help her, she escapes to Lahore and then disappears. Jamil goes to Lahore in search of Abida – a city where the prejudices that dominate their village take on a new and horrifying form – and father and daughter are caught in a world from which they may never escape. Moving from the depths of rural Pakistan, riddled with poverty and religious fervour, to the dangerous streets of over-populated Lahore, No Honour is a story of family, of the indomitable spirit of love in its many forms ... a story of courage and resilience, when all seems lost, and the inextinguishable fire that lights one young woman's battle for change. _______________ 'So powerful' Heat magazine 'Addictive, brave and powerful' Louise Fein 'Deeply emotional' Eastern Eye 'A stunningly written, immensely important book' A. A. Chaudhuri 'Perfectly paced story structure and eloquent dialogue ... shocking, deeply moving and hugely important' Carol Lovekin 'A truly heart-wrenching tale of the human spirit's quest for love, freedom and survival' Tim Glister 'It will shake you, anger and sadden you, but also restore hope in the power of love to triumph over evil, even in the face of seemingly insurmountable obstacles' Tony Frobisher, Daily Times 'Soul deep, mind-blowing and heart-wrenching ... you are left reeling' Faiqa Mansab 'Khan is a masterful storyteller' Aliya Ali-Afzal 'Khan writes about the dance between fathers and daughters, men and women, authority and no authority, and No Honour is a page-turner' Soniah Kamal 'Tense and gripping' Polly Crosby 'Beautifully rendered, moving and insightful' Neema Shah 'Spectacular... a joy from start to finish' Charlie Carroll 'This book is devastating, vitally important and beautifully written. Astonishing' Rob Parker 'Insightful and sympathetic to the unique experiences of women, whilst evoking the atmosphere of Lahore ... hard to put down' Alex Morrall 'A gripping, horrifying, compulsive read' Jennie Godfrey 'Compelling main characters make it memorable and the heavy subject matter in handled the way it should have been – with empathy' Mashable

sions of Eternity is the companion volume to Prophets without Honour (Matador, 2011) which explored the forgotten mélodies of Charles-Marie Widor, Louis Vierne and Charles Tournemire. The present work continues that study but with regard to the largely unknown choral works and operas by these same composers: it also expands upon the mores of Parisian Musical society, 1870-1939, and discusses in greater detail than before the prevalent influences and restrictions, which might have had a bearing on a young composer. Widor’s printed and unpublished works are discussed, as are those of his pupil Louis Vierne alongside a more detailed, and possibly provocative, discussion of the latter’s life and loves, and their relevance to that composer’s compositions. His completely unknown ‘cantate lyrique’ Praxinoë is also revealed. The greater part of Visions of Eternity is given over to a discussion of the influences that affected another of Widor’s pupils, Charles Tournemire, in both temporal and theological terms. His individual musical language, discussing both his use of traditional Latin and Indian chants, quixotic character and amours are also investigated. This is a book of great musical relevance, for it deals with composers and issues which greatly influenced later French musicians, particularly Maurice Duruflé, Jean Yves Daniel-Lesur, Jean Langlais and Olivier Messiaen: these, in turn, passed their knowledge to more contemporary composers. Whilst this book has been researched in great depth, its content is delivered with a light, occasionally humorous touch. This is not a dry, academic work, but one for both the cognoscenti and enthusiast alike.

Stuart Hall’s retirement from the Open University in 1997 provided a unique opportunity to reflect on an academic career which has had the most profound impact on scholarship and teaching in many parts of the world. From his early work on the media, through his influential re-working of Gramsci for the analysis of Britain in the late 1970s, through his considered debates on Thatcherism and more recently on “race” and new ethnicities, Hall has been an inspirational figure for generations of academics. He has helped to make universities places where ideas and social commitment can exist alongside each other. This collection invites a wide range of academics who have been influenced by Stuart Hall’s writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which continues and develops the field of thinking opened up by Hall. The topics covered include identity and hybridity, history and post-colonialism, pedagogy and cultural politics, space and place, globalization and economy, modernity and difference.

Prophets Without Honour is a collective biography set in an extraordinary epoch of cultural history sometimes called “the Weimar Renaissance.” In a series of mini-portraits, Grunfeld has written a tribute to the German-speaking scientists, musicians, writers and artists who created European cultural life in the early twentieth century. All were evicted or murdered by the Nazis. Albert Einstein, Walter Benjamin, Sigmund Freud, Gustav Mahler, and Franz Kafka are the best-known of his subjects but Grunfeld includes such lesser-known figures as Else Lasker-Schüler, Ernst Toller, Gertrud Kolmar, Alfred Döblin, Erich Mühsam, Carl Sternheim, Kurt Tucholsky and Hermann Broch. Grunfeld summarizes their lives, illuminates their work, traces their interactions, and sets it all against the background of Central European political and cultural life in the first three decades of the last century. “Grunfeld’s fascinating ‘collective biography’... is a peculiar and moving achievement because it puts faces and feet on ideas... one of the odd pleasures of this book is, in its digressions, Mr. Grunfeld’s curiosity.” — John Leonard, The New York Times “He has put the whole awful, tragic, somehow ennobling story together with a quiet passion and a wealth of unexpected details.” — Alfred Kazin “This is a fascinating introduction, written with clarity, compassion, and verve. Strongly recommended.” — Library Journal “Grunfeld has brought to life a whole generation that had been buried alive... To read this book is an intellectual adventure. One partakes of the great drama of art and politics played out by Germans and Jews before the darkness fell over Europe.” —Lucy Dawidowicz

Originally published in 1910, this book contains an exhaustive study of the use of the phrase 'Son of Man' in the Old and New Testaments. Abbott illustrates how Christian writers used the mystical trope present in many books of Jewish prophecy to convey their belief in Christ as an eschatological figure foretold by Scripture. This book will be of value to anyone with an interest in Christology and the use of this enigmatic title in Jewish and Christian theology.