Without Permission

A WALL STREET JOURNAL BESTSELLER As Alexis Ohanian learned when he helped to co-found the immensely popular reddit.com, the internet is the most powerful and democratic tool for disseminating information in human history. And when that power is harnessed to create new communities, technologies, businesses or charities, the results can be absolutely stunning. In this book, Alexis will share his ideas, tips and even his own doodles about harnessing the power of the web for good, and along the way, he will share his philosophy with young entrepreneurs all over the globe. At 29, Ohanian has come to personify the dorm-room tech entrepreneur, changing the world without asking permission. Within a couple of years of graduating from the University of Virginia, Ohanian did just that, selling reddit for millions of dollars. He's gone on to start many other companies, like hipmunk and breadpig, all while representing Y Combinator and investing in over sixty other tech startups. WITHOUT THEIR PERMISSION is his personal guidebook as to how other aspiring entrepreneurs can follow in his footsteps.

A fantastical propaganda play depicting an armed revolt financed the purchase of the yacht Abril and its conversion to an “illegal” immigrant passenger ship renamed the Ben Hecht. The plan was to evade the British naval blockade and bring Holocaust survivor refugees to Palestine. Henry Mandel volunteered aboard the Ben Hecht, a converted yacht that challenged the British blockade of Jewish immigrants to pre-state Israel. Captured and detained in Acre Prison, Mandel aided the efforts of prisoners planning an escape. After release, Mandel helped set up a secret bazooka shell plant in New York, which he helped to reassemble in Israel during the 1948 Arab-Israeli War. Mandel was an Orthodox Jew whose reminiscences provide a uniquely illuminating perspective on the creation of the Jewish state. Mandel’s story is explicated in a running commentary that includes the personal narratives of other members of the Ben Hecht crew as well as historical background.

More than ever education students are required to study the social context of youth culture in order to understand and design meaningful, motivational curiculum. There is a need to bridge the gap between theory and practice and to address the critical issues which confront the education of youth today. In studying hip-hop graffiti, the author explores a crucial but neglected area in the contemporary training of youth workers and educators. The author interviewed ten hip-hop graffiti writers of various race, class, and gender by audiotape and reviewed them until patterns emerged as themes, mainly issues concerning public space and community. She continued her relationship with the participants over a five-year period to observe the diversity and transformation of individuals within graffiti culture. The study begins with a literature review from Web resources, books, and subculture magazines on graffiti in order to define The Structure of Traditional Hip-Hop Graffiti Culture. This chapter lays the basic foundation familiar to all writers and points to the main issues in order to analyze how individual writers conform to or deviate from the standard subculture. The author addresses the complex issues which are layered behind a residue of illegally painted signatures, characters, and text. There is a need for the voices of young people to be heard, especially those who have found artistic integrity, and awareness of civic and political issues on their own terms. Youth are in an ongoing struggle to construct personal identities and communities that they want to live in. Hip-hop graffiti is only one example where they have created a space, within a peer-run environment, to respect and encourage their political powers, ideas, and skills. The book asks whether an understanding of how adolescents learn outside of school can generate alternative sites for curriculum theorizing.

Frankie Grayson, the loquacious hero of Emilia M. D'Andrea Nichols'Divorce without Permission, is an ordinary twelve-year-old boy whose quiet life is suddenly shattered by his feuding parents. Struggling to deal with the palpable tension at home and the daily rigors of pre-teen angst, Frankie learns the value of self-resilience as he strives to overcome his first "grown-up problems".

As the 2011 uprisings in North Africa reverberated across the Middle East, a diverse cross section of women and girls publicly disputed gender and sexual norms in novel, unauthorized, and often shocking ways. In a series of case studies ranging from Tunisia's 14 January Revolution to the Taksim Gezi Park protests in Istanbul, the contributors to Freedom without Permission reveal the centrality of the intersections between body, gender, sexuality, and space to these groundbreaking events. Essays include discussions of the blogs written by young women in Egypt, the Women2Drive campaign in Saudi Arabia, the reintegration of women into the public sphere in Yemen, the sexualization of female protesters encamped at Bahrain's Pearl Roundabout, and the embodied, performative, and artistic spaces of Morocco's 20 February Movement. Conceiving of revolution as affective, embodied, spatialized, and aesthetic forms of upheaval and transgression, the contributors show how women activists imagined, inhabited, and deployed new spatial arrangements that undermined the public-private divisions of spaces, bodies, and social relations, continuously transforming them through symbolic and embodied transgressions. Contributors. Lamia Benyoussef, Susanne Dahlgren, Karina Eileraas, Susana Galan, Banu Gökariksel, Frances S. Hasso, Sonali Pahwa, Zakia Salime

You have probably heard, either as an expression or as a title, of 'The Big Society' Although ideas of what this means range from 'don't know' to the better informed who might say 'it depends on who you are speaking to.' Here the author sets down his memories of being involved in a project during the years of the Thatcher Administration. Reportedly the Prime Minister was quite pleased that this piece of the Big Society did achieve much that was desirable. The Thatcher Era had seen the demise of much of manufacturing industry, and this is when people seconded from industry and businesses alighted on local communities to help in the difficult economic and social circumstances. This was indeed part of The Big Society in action. So "e;WITH or Without PERMISSION"e; is about what it meant to be such a secondee at this time, and also provides some historic detail for this period of national upheaval. Seconded Managers and Executives found themselves in situations which they could not have possibly foreseen. As for example, if the author had been told that he would have to write a proposal covering the theatrical side of a major historical re-enactment, he would probably have said, 'Don't be daft.' The secondees had the nominal, but detached, support of the Prime Minister, and later HRH The Prince of Wales, but how they were to succeed, or fail, would be down to the individual. Whatever the impediments, or the opportunities to improve a situation, they would live with the consequences of their own decision making.