Wolf S Lady

When she is three-years-old, Tanith is taken from a den of wolves and lives for many years as the daughter of the chief of a warlike clan, until circumstances force her to choose between wolves and men.

"She is his curse, the one thing that Athea created to be Konstantin's downfall, and inside, Van holds a monster who is falling for it." Walking among humans are beings far different from their own. However, both their worlds are more intertwined than it seems. Revered as a god by his own kind, Van Volkov holds one of the four remaining Lycans, Konstantin. His golden eyes command great attention. Bound to protect the shifters for eternity, he has blocked out all forms of emotions he considered a weakness and formed a steel wall around him. That was until a group of rogue shifters attacked and killed a nearby campsite. Because of the Alpha that he is, Van has to safeguard the territory and keep the attack under wraps. But something made Konstantin ill at ease - a human child had survived. And as if by fate, he finds the key to unlocking his hidden humanity. But after he took the child under his care, something that he has never imagined, nightmarish things start to unfold, and a prophecy of long ago begins to unravel. Just when he thought that everything has been put under control, the truth is, the story has only just started. What if the prophecy is true? Finding out that the child is the reason for his demise and all the shifters he is supposed to protect, he has but one crucial decision to make... Will he choose the lady or the wolf? Prepare to be enthralled with the mysteries that bound the lady and the Lycan in this first book of the Lady and the Wolf series. Grab a copy now!

A hunky Native American wolf shifter who has never kissed a woman is hunting for a mate. A curvaceous lady of experience is looking for one special man to settle down with. Can they find a way to live happily ever after? In the year 2070, there are no cool advanced technical gadgets or weapons. In fact, most people are living like it's the American frontier all over again. Terrorists used nuclear devices to simultaneously destroy most major US cities, as well as major cities in other countries. With the huge loss of life, the infrastructure crumbled. Hospitals and rescue services were so overwhelmed that they failed. The terrorists also released a virus that later came to be known as the Woman Killer Plague. It killed both men and women but more women died, making females valuable commodities. This is the world of Sand Wolfe, a lonely bachelor of the Lakota Wolf Clan, and Miss Amanda, the woman his wolf claims as their mate. Sand goes to Omaha to work as muscle in his cousin Sky's whorehouse. There he meets his mate, Miss Amanda, who also works in Sky's House, although in a very different position. She is the only woman his wolf will allow him to have, and she's the only woman he wants. He will do anything to convince her to accept his mate claim. Can a businesswoman leave her glamorous life and settle down in a wolf den? Amanda finds Sand's methods of persuasion very persuasive. But will the men of Omaha allow her to leave? Sand figures he might have to kill a few of her clients, but it's a small price to pay to bring his mate home. Although this story takes place later than other books in the series, it is meant to stand alone.

Provides encyclopedic coverage of female sexuality in 1940s popular culture. 2015 CHOICE Outstanding Academic Title Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States. Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.

Although Renée Vivien led a life of wealth and privilege in belle epoque Paris, she often felt like an outsider because she was attracted to other women. Financially secure, she wrote books to suit her own taste rather than that of the literary market. The Woman with the Wolf (La dame à la louve), from 1904, shows her at the height of her powers. These fierce, surprising stories challenge moral hypocrisy and normative views about gender, beginning with the title work, which offers a coded representation of same-sex love in the seemingly inexplicable commitment between a woman and her canine companion. The following stories feature a reimagined fairy tale in which Prince Charming turns out to be a young woman, a western adventure whose narrator goes mad with thirst, and other unconventional narratives that range across time and space.