Wolf Women And Phantom Ladies

Provides encyclopedic coverage of female sexuality in 1940s popular culture. 2015 CHOICE Outstanding Academic Title Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States. Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.

When she is three-years-old, Tanith is taken from a den of wolves and lives for many years as the daughter of the chief of a warlike clan, until circumstances force her to choose between wolves and men.

H. Bedford-Jones was a hugely prolific author of pulp stories and dime novels. His 'Wolf Woman' is an excellent example of his work. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.

Some fires still burn when star-crossed lovers reunite… When a dangerous mission leads him deep into the jungles of Honduras, Navy SEAL Sam Shaymore is confronted with his fiery past in the form of Kelly Denning. Once their romance had been forbidden because of class differences. Then a tragedy drove them apart. But the minute he looks into her eyes, Sam knows he's never forgotten the sultry kisses and luscious curves of the beautiful Enchanter Mage. Nor can he turn his back on helping her. Sam's unit has been charged with arresting Kelly. But if he can believe her, Kelly needs his help now to save some kidnapped Mage children and to stop a conspiracy with far-reaching implications. Threatened with being kicked off his SEAL unit if he does not follow his orders, Sam must risk everything…even his heart!

When she is three years old, Tanith is taken from a den of wolves and lives for many years as the daughter of the chief of a warlike clan, until circumstances force her to choose between wolves and men.

Lord Hugh de Bar, known as Wolf, has been cursed by a witch and shapeshifts into a wolf at night. He runs across the granddaughter of the man who he has vowed to kill, and she is alone at night in the woods with only her crossbow for protection. Lady Winifred (Red) Chaserton has defied her grandfather's orders, and left the castle in search of a secret door in the knoll she's seen in the woods. But after being stalked by a wolf, a dark lord named Hugh de Bar appears to protect her, but things aren't always as they seem. She is attracted to him, but fears him at the same time for reasons she doesn't understand. Will magical forces come between a lady and a wolf, or bring them together instead? And will the de Bar siblings find redemption from the dark magic that has cursed them and brought turmoil into their lives?