Woman In Indian Short Stories

This Study Seeks To Ascertain The Emergence Of The `New` Woman In The Marathi, Hindi, Punjabi And Indian-English Short Story By Women Writers Of The Last Fifty Years, Roughly From The Mid-1940S To The End Of 1990S.

Women's stories in India have been handed down from generation to generation, enriched and embroidered along the way. Political change and the arrival of print culture meant that storytelling was pushed into the background. But in more recent times, these voices have once again come centre-stage - confident, varied and complex. Spanning half a century, this collection covers many languages and cultures, and reflects the vast and complex cultures of the country and its diaspora. It offers a view of the changes that have taken place, both in terms of the subjects women choose to write about and their preferred way of writing about these subjects. From established names such as Mahashveta Devi to the newer generation of young authors, such as Tishani Doshi, Katha brings to the reader a vivid array of voices.

Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.It Is Hoped That The Book Will Prove Useful To Scholars Interested In Short Fiction Studies In General And Indian Women S Short Fiction In Particular.

Twenty classic short stories from master writers across the country This superb collection contains some of the best Indian short stories written in the last fifty years, both in English and in the regional languages. Some of these stories – ‘We Have Arrived in Amritsar’ by Bhisham Sahni, ‘Companions’ by Raja Rao, ‘The Sky and the Cat’ by U.R. Anantha Murthy, ‘A Devoted Son’ by Anita Desai – have been widely anthologized and are well known. Others, like Premendra Mitra’s ‘The Discovery of Telenapota’, Gangadhar Gadgil’s ‘The Dog that Ran in Circles’, Mowni’s ‘A Loss of Identity’, O.V. Vijayan’s ‘The Wart’ and Devanuru Mahadeva’s ‘Amasa’, are less familiar to readers but are nevertheless classics of the art of the short story. This new and revised edition includes three additional classics: R.K. Narayan’s ‘Another Community’, Avinash Dolas’s ‘The Victim’ and Ismat Chughtai’s ‘The Wedding Shroud’. The Penguin Book of Modern Indian Short Stories is a marvellous and entertaining introduction to the rich diversity of pleasures that the Indian short story–a form that has produced masters in over a dozen languages–can offer.

This critical edition delivers a unique and comprehensive collection of the works of Ktunaxa-Secwepemc writer and educator Vera Manuel, daughter of prominent Indigenous leaders Marceline Paul and George Manuel. A vibrant force in the burgeoning Indigenous theatre scene, Vera was at the forefront of residential school writing and did groundbreaking work as a dramatherapist and healer. Long before mainstream Canada understood and discussed the impact and devastating legacy of Canada's Indian residential schools, Vera Manuel wrote about it as part of her personal and community healing. She became a grassroots leader addressing the need to bring to light the stories of survivors, their journeys of healing, and the therapeutic value of writing and performing arts. A collaboration by four Indigenous writers and scholars steeped in values of Indigenous ethics and editing practices, the volume features Manuel's most famous play, "Strength of Indian Women"--first performed in 1992 and still one of the most important literary works to deal with the trauma of residential schools--along with an assemblage of plays, written between the late 1980s until Manuel's untimely passing in 2010, that were performed but never before published. The volume also includes three previously unpublished short stories written in 1988, poetry written over three decades in a variety of venues, and a 1987 college essay that draws on family and community interviews on the effects of residential schools.

a Normal Indian is a compilation of short stories of young men and women in India who have faced adversity and have sometimes come out strong and sometimes lost. Each story is unique and has been drawn from the lives of Indians. Some endings are full of hope and positivity, yet others are a little sad and despondent. These stories are meant to address social issues in India and also make you think about them. The young India of today is full of pride, beauty, and love, yet it is marred by social evils like female infanticide, dowry, and youth suicide. These stories revolve around these very realities. You may see a little bit of you in them, or someone close to you may be reflected in them. The aim is to highlight what went wrong and have a conversation among ourselves to make things right! I believe that true change in the social fabric of my India shall only come with these small conversations. These very conversations shall lead to a change of heart and mind#ChangeByTalking. Join me in my journey as a normal Indian, a normal Indian who is opinionated and has views on everything he/she sees and faces, a normal Indian who wants change but sometimes is shackled by that very society he/she lives in! Join me! Regards, Malavika Sharma A Normal Indian

The stories presented in this collection were written originally in Hindi, way back 20-25 years ago, and published in major Hindi journals of those times - Dharmyug, Saptahik Hindustan, Sarika, Kadambini et al. They were liked by the readers and translated into several Indian languages, too, besides being included in some of the selected works of the year. Later they were picked up by some friends for translation into English and, subsequently, found place in some major English literary journals - Indian Literature, The Statesman, National Herald, The Heritage and the like. Free from all tall talk, most of these short stories tell the tales of joys and merriments, torments and trepidations and the dreams and realities of common people.