Women And American Socialism 1870 1920

Socialist women faced the often thorny dilemma of fitting their concern with women's rights into their commitment to socialism. Mari Jo Buhle examines women's efforts to agitate for suffrage, sexual and economic emancipation, and other issues and the political and intellectual conflicts that arose in response. In particular, she analyzes the clash between a nativist socialism influence by ideas of individual rights and the class-based socialism championed by German American immigrants. As she shows, the two sides diverged, often greatly, in their approaches and their definitions of women's emancipation. Their differing tactics and goals undermined unity and in time cost women their independence within the larger movement.

Reconstructs the history of scientific thought by American socialists, showing how ideas about evolution shaped the national movement and its place in the international movement. Documents the enthusiasm that lured both Marxists and non-Marxists far beyond Darwin and Spencer to a vision of inevitable progress toward socialism. Paper edition (unseen), $24.95. Annotation copyright by Book News, Inc., Portland, OR

When Eve and the New Jerusalem was first published over thirty years ago, it was received as a political intervention as well as a landmark historical work. Barbara Taylor became the first woman to win the Isaac Deutscher Memorial Prize, and the book went on to become a feminist classic. As women across the globe find themselves at the sharp end of neoliberal 'austerity' programmes, discriminatory social policies and fundamentalist misogyny, Eve and the New Jerusalem is as essential as it ever was. Book jacket.

The early 1890s through the late 1920s saw an explosion in serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turn of the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers' creation of themselves as artists and raises fundamental questions about the shape of American literary history as it has been constructed in the academy.

A magisterial reconstruction and analysis of the heated debates around the 'woman question' during the French Third Republic.

The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefitted from the efforts of the pioneering suffragists. By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material. The eighty-two chosen documents, now including interpretative introductory material by the editors, give researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook. The volume contains the work of many reform agitators, among them Angelina Grimké, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper.