Women And Religious Life In Byzantium

After an introductory general essay on the life cycle and status of women in Byzantine society, this volume focuses on female religious life, with particular emphasis on the role of convents - as spiritual sanctuary, refuge for women in need, or provider of charitable services. Several essays compare Byzantine nunneries with male monasteries, pointing out the relatively small size and lack of intellectual and artistic activity in convents, and more rigorous rules of enclosure and stability. Such phenomena as double monasteries, the conversion of a monastery to a nunnery, and women's economic and spiritual ties with Mount Athos are also examined. Other articles investigate issues of female sanctity and sanctification, analyzing types of women saints, women during the era of iconoclasm, and the role of the family in promoting the cult of a holy woman. In addition there are studies on healing shrines in Constantinople in the middle Byzantine and Palaiologan periods, and the resurgence of hagiographical writing in the late Byzantine era, particularly the reworking of the vitae of older saints.

These ten holy women, whose vitae range from the tenth to the thirteenth centuries, represent a wide variety of Byzantine female saints. From nuns disguised as monks to desert harlots, these holy women exemplify some of the divergent paths to sanctification in Byzantium. These vitae are also notable for their details of Byzantine life, providing information on family life and household management, monastic routines, and even a smallpox epidemic. Life of St. Mary/Marinos Life of St. Matrona of Perge Life of St. Mary of Egypt Life of St. Theoktiste of Lesbos Life of St. Elisabeth the Wonderworker Life of St. Athanasia of Aegina Life of St. Theodora of Thessalonike Life of St. Mary the Younger Life of St. Thoma s of Lesbos Life of St. Theodora of Arta

Explores the exceptional roles that women played in the vibrant cultural and political life of medieval Byzantium. Drawing on a diverse range of sources, this title focuses on the importance of marriage in imperial statecraft, the tense coexistence of empresses in the imperial court, and the critical relationships of mothers and daughters.

Twenty-five articles in art history, social history, literature, epigraphy, numismatics and sigillography pay tribute to Alice-Mary Talbot in a coherent volume related to her abiding interest in the study of Byzantine religious practices in their social context.

Uncovers women's participation and impact on defining historical moments and themes of Christian traditions Women in Christian Traditions offers a concise and accessible examination of the roles women have played in the construction and practice of Christian traditions, revealing the enormous debt that this major world religion owes to its female followers. It recovers forgotten and obscured moments in church history to help us to realize a richer and fuller understanding of Christianity. This text provides an overview of the complete sweep of Christian history through the lens of feminist scholarship. Yet it also departs from some of the assumptions of that scholarship, raising questions that challenge our thinking about how women have shaped beliefs and practices during two thousand years of church history. Did the emphasis on virginity in the early church empower Christian women? Did the emphasis on marriage during the Reformations of the sixteenth century improve their status? These questions and others have important implications for women in Christianity in particular, and for women in religion in general, since they go to the heart of the human condition. This work examines themes, movements, and events in their historical contexts and locates churchwomen within the broader developments that have been pivotal in the evolution of Christianity. From the earliest disciples to the latest theologians, from the missionaries to the martyrs, women have been instrumental in keeping the faith alive. Women in Christian Traditions shows how they did so.

In the eighth and ninth centuries, three Byzantine empresses—Irene, Euphrosyne, and Theodora—changed history. Their combined efforts restored the veneration of icons, saving Byzantium from a purely symbolic and decorative art and ensuring its influence for centuries to come. In this exhilarating and highly entertaining account, one of the foremost historians of the medieval period tells the story of how these fascinating women exercised imperial sovereignty with consummate skill and sometimes ruthless tactics. Though they gained access to the all-pervasive authority of the Byzantine ruling dynasty through marriage, all three continued to wear the imperial purple and wield tremendous power as widows. From Constantinople, their own Queen City, the empresses undermined competitors and governed like men. They conducted diplomacy across the known world, negotiating with the likes of Charlemagne, Roman popes, and the great Arab caliph Harun al Rashid. Vehemently rejecting the ban on holy images instituted by their male relatives, Irene and Theodora used craft and power to reverse the official iconoclasm and restore icons to their place of adoration in the Eastern Church. In so doing, they profoundly altered the course of history. The art—and not only the art—of Byzantium, of Islam, and of the West would have been very different without them. As Judith Herrin traces the surviving evidence, she evokes the complex and deeply religious world of Constantinople in the aftermath of Arab conquest. She brings to life its monuments and palaces, its court ceremonies and rituals, the role of eunuchs (the "third sex"), bride shows, and the influence of warring monks and patriarchs. Based on new research and written for a general audience, Women in Purple reshapes our understanding of an empire that lasted a thousand years and splashes fresh light on the relationship of women to power.

This third volume in the pioneering A People's History of Christianity series focuses on the religious lives of ordinary people and introduces the religion of the Byzantine Christian laity by asking the questions: What did ordinary Christians do in church, in their homes and their workshops? How were icons used? How did the people celebrate, marry, and mourn? Where did they go on pilgrimage?

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners’ identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners’ personal devotions. Other studies in the volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. A companion volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. (CS1086).