Women Clerks In Wilhelmine Germany

A case-study of the nature and limitations of pre-First World War 'feminism'.

Bold new essays on Germany's critical Kaiserreich period.

From the emergence of department stores in the late 19th century to the financial disasters of the years following the end of World War I, the history of large-scale retailing in Germany was dominated by a pioneering generation of German-Jewish entrepreneurs who found fortune and influence only to have their livelihoods taken by Hitler and the Nazis in the 1930s. Drawing on a range of archival sources and private collections, The Kaiser, Hitler and the Jewish Department Store reveals how, contrary to Nazi claims, Jewish-owned department stores were decent employers, popular with customers, and well integrated into the economy. In fact, such institutions were so integral to German society that, when Hitler came to power in 1933, the Nazis were forced to abandon their pledge to abolish them. As this revelatory history argues, the end of the Jewish-run store cannot solely be attributed to the rise of antisemitism: it was also the consequence of financial mismanagement and the indifference of the German people. John F. Mueller reveals the German-Jewish department store as a powerful force in society and politics as well as a leader in architecture and design. His book challenges common assumptions about the relationship between consumer culture, the German-Jewish business community and the rise of Nazism, providing fresh insights into the social history of modern Germany.

The first German women's movement embraced the belief in a demographic surplus of unwed women, known as the Frauenberschu, as a central leitmotif in the campaign for reform. Proponents of the female surplus held that the advances of industry and urbanization had upset traditional marriage patterns and left too many bourgeois women without a husband. This book explores the ways in which the realms of literature, sexology, demography, socialism, and female activism addressed the perceived plight of unwed women. Case studies of reformers, including Lily Braun, Ruth Br, Elisabeth Gnauck-Khne, Helene Lange, Alice Salomon, Helene Stcker, and Clara Zetkin, demonstrate the expansive influence of the discourse surrounding a female surfeit. By combining the approaches of cultural, social, and gender history, The Surplus Woman provides the first sustained analysis of the ways in which imperial Germans conceptualized anxiety about female marital status as both a product and a reflection of changing times.

In this major textbook, leading international scholars provide clear, concise summaries of many of the most important controversies and developments in German history from 1870-1945.

During the late nineteenth century the city of Berlin developed such a reputation for lawlessness and sexual licentiousness that it came to be known as the "Whore of Babylon." Out of this reputation for debauchery grew an unusually rich discourse around prostitution. In Berlin Coquette, Jill Suzanne Smith shows how this discourse transcended the usual clichés about prostitutes and actually explored complex visions of alternative moralities or sexual countercultures including the “New Morality” articulated by feminist radicals, lesbian love, and the “New Woman.” Combining extensive archival research with close readings of a broad spectrum of texts and images from the late Wilhelmine and Weimar periods, Smith recovers a surprising array of productive discussions about extramarital sexuality, women's financial autonomy, and respectability. She highlights in particular the figure of the cocotte (Kokotte), a specific type of prostitute who capitalized on the illusion of respectable or upstanding womanhood and therefore confounded easy categorization. By exploring the semantic connections between the figure of the cocotte and the act of flirtation (of being coquette), Smith’s work presents flirtation as a type of social interaction through which both prostitutes and non-prostitutes in Imperial and Weimar Berlin could express extramarital sexual desire and agency.

The Routledge History of Women in Europe since 1700 is a landmark publication that provides the most coherent overview of woman’s role and place in western Europe, spanning the era from the beginning of the eighteenth century until the twentieth century. In this collection of essays, leading women's historians counter the notion of ‘national’ histories and provide the insight and perspective of a European approach. Important intellectual, political and economic developments have not respected national boundaries, nor has the story of women’s past, or the interplay of gender and culture. The interaction between women, ideology and female agency, the way women engaged with patriarchal and gendered structures and systems, and the way women carved out their identities and spaces within these, informs the writing in this book. For any student of women’s studies or European history, The Routledge History of Women in Europe since 1700 will prove an informative addition to their studies.

This book examines women’s activism in and beyond Central and Eastern Europe and transnationally within and across different historical periods, political regimes, and scales of activism. The authors explore the wide range of activist agendas, repertoires, and forums in which women sought to advocate for their gender and labour interests. Women were engaged in trade unions, women-only organizations, state institutions, and international and intellectual networks, and were active on the shopfloor. Rectifying geopolitical and thematic imbalances in labour and gender history, this volume is a valuable resource for scholars and students of women’s activism, social movements, political and intellectual history, and transnationalism. Contributors are: Eloisa Betti, Masha Bratishcheva, Jan A. Burek, Selin Çağatay, Daria Dyakonova, Mátyás Erdélyi, Dóra Fedeles-Czeferner, Eric Fure-Slocum, Alexandra Ghiț, Olga Gnydiuk, Maren Hachmeister, Veronika Helfert, Natalia Jarska, Marie Láníková, Ivelina Masheva, Jean-Pierre Liotard-Vogt, Denisa Nešťáková, Sophia Polek, Zhanna Popova, Büşra Satı, Masha Shpolberg, Georg Spitaler, Jelena Tešija, Eszter Varsa, Johanna Wolf and Susan Zimmermann.