Women Crime Writers Four Suspense Novels Of The 1940s Loa 268

The Library of America and editor Sarah Weinman redefine the classic era of American crime fiction with a landmark collection of four brilliant novels by the female pioneers of the genre, the women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline. Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of the mid-century pioneers of the genre is largely unknown. Turning in many cases from the mean streets of the hardboiled school to explore the anxieties and terrors lurking in everyday life, these groundbreaking novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work, influential in its day and still vibrant and extraordinarily riveting today, is long overdue for rediscovery. This volume, the first of a two-volume collector’s set, gathers four classic works that together reveal the vital and unacknowledged lineage to today’s leading crime writers. From the 1940s here are Vera Caspary’s famous career girl mystery Laura, Helen Eustis’s intricate academic thriller The Horizontal Man, Dorothy B. Hughes’s In a Lonely Place, the terrifyingly intimate portrait of a serial killer, and Elizabeth Sanxay Holding’s The Blank Wall, in which a wife in wartime is forced to take extreme measures when her family is threatened. From the Hardcover edition.

The Library of America and editor Sarah Weinman redefine the classic era of American crime fiction with a landmark collection of four brilliant novels by the female pioneers of the genre, the women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline. Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of the mid-century pioneers of the genre is largely unknown. Turning in many cases from the mean streets of the hardboiled school to explore the anxieties and terrors lurking in everyday life, these groundbreaking novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work, influential in its day and still vibrant and extraordinarily riveting today, is long overdue for rediscovery. This volume, the second of a two-volume collector’s set, gathers four classic works that together reveal the vital and unacknowledged lineage to today’s leading crime writers. From the 1950s here are Charlotte Armstrong’s Mischief, the nightmarish drama of a child entrusted to a psychotic babysitter, Patricia Highsmith’s The Blunderer, brilliantly tracking the perverse parallel lives of two men driven toward murder, Margaret Millar’s Beast in View, a relentless study in madness, and Dolores Hitchens’s Fools' Gold, a hard-edged tale of robbery and redemption. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.

THE STORY: When Mark McPherson first falls in love with Laura, he knows he's in love with a phantom--for Laura is dead, and he's in charge of her murder investigation. From her portrait, her letters, her personal effects and from his contacts with the thre

Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hot house atmosphere of an English department rife with talk of Freud and Kafka. This classic novel is one of eight works included in The Library of America's two-volume edition Women Crime Writers: Eight Suspense Novels of the 1940s & 50s, edited by Sarah Weinman.

A serial killer stalks the streets of post-World War II Berlin in this international bestselling thriller. Set in a devastated Berlin one month after the close of the Second World War, Berlin has been highly acclaimed. Ben, a German boy retrieving cigarette butts to repackage and sell on the black market, discovers the body of a beautiful young woman in a subway station. Blonde and blue-eyed, she has been sexually assaulted and strangled with a chain. In the scramble to identify the body, the victim is mistaken for an American and a local investigation becomes a matter for the US Military Police. Cpt. John Ashburner and Inspector Klaus Dietrich realize quickly that to solve this apparently motiveless murder they will have to work together. When the bodies of other young women are discovered it becomes clear that this is no isolated act of violence. Pierre Frei has searched the wreckage of Berlin and emerged with an electrifying thriller in the tradition of Joseph Kanon and Alan Furst, in which the voices and stories of the victims themselves provide an intimate portrait of Germany before, during, and after the war. “The historical elements are compelling. . . . [O]nce involved in the story it is difficult to put it down.” —School Library Journal

The D. A.'s brass, a sheriff's deputy, and a rough-and-tumble bagman are unknowingly chasing a nightmare in this thrilling novel from the author of "some of the most powerful crime novels ever written" (New York Times). Los Angeles, 1950 Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Gangland intrigue and Hollywood sleaze. Three cops caught in a hellish web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff's deputy stuck with a bunch of snuffs nobody cares about; they're his chance to make his name as a cop...and to sate his darkest curiosities. Mal Considine is D.A.'s Bureau brass. He's climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks-bagman, ex-Narco goon, and pimp for Howard Hughes-is fighting communism for the money. All three men have purchased tickets to a nightmare.

“First-rate research collaborates with first-rate imagination. . . . Superb.”—The Boston Globe Paris, 1940. The civilized, upper-class life of film producer Jean Casson is derailed by the German occupation of Paris, but Casson learns that with enough money, compromise, and connections, one need not deny oneself the pleasures of Parisian life. Somewhere inside Casson, though, is a stubborn romantic streak. When he’s offered the chance to take part in an operation of the British secret service, this idealism gives him the courage to say yes. A simple mission, but it goes wrong, and Casson realizes he must gamble everything—his career, the woman he loves, life itself. Here is a brilliant re-creation of France—its spirit in the moment of defeat, its valor in the moment of rebirth. Praise for The World at Night “[The World at Night] earns a comparison with the serious entertainments of Graham Greene and John le Carré. . . . Gripping, beautifully detailed . . . an absorbing glimpse into the moral maze of espionage.”—Richard Eder, Los Angeles Times “[The World at Night] is the world of Eric Ambler, the pioneering British author of classic World War II espionage fiction. . . . The novel is full of keen dialogue and witty commentary . . . . Thrilling.”—Herbert Mitgang, Chicago Tribune “With the authority of solid research and a true fascination for his material, Mr. Furst makes idealism, heroism, and sacrifice believable and real.”—David Walton, The Dallas Morning News