Women Crime Writers Four Suspense Novels Of The 1950s Loa 269

The Library of America and editor Sarah Weinman redefine the classic era of American crime fiction with a landmark collection of four brilliant novels by the female pioneers of the genre, the women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline. Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of the mid-century pioneers of the genre is largely unknown. Turning in many cases from the mean streets of the hardboiled school to explore the anxieties and terrors lurking in everyday life, these groundbreaking novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work, influential in its day and still vibrant and extraordinarily riveting today, is long overdue for rediscovery. This volume, the second of a two-volume collector’s set, gathers four classic works that together reveal the vital and unacknowledged lineage to today’s leading crime writers. From the 1950s here are Charlotte Armstrong’s Mischief, the nightmarish drama of a child entrusted to a psychotic babysitter, Patricia Highsmith’s The Blunderer, brilliantly tracking the perverse parallel lives of two men driven toward murder, Margaret Millar’s Beast in View, a relentless study in madness, and Dolores Hitchens’s Fools' Gold, a hard-edged tale of robbery and redemption. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A landmark collection of four brilliant novels by the female pioneers of crime fiction—women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline Though women crime and suspense writers dominate today’s bestseller lists, the extraordinary work of their mid-century predecessors is largely unknown. Turning from the mean streets of the hardboiled school, these groundbreaking female novelists found the roots of fear and violence in a quiet suburban neighborhood, on a college campus, or in a comfortable midtown hotel. Their work—influential in its day and still vibrant today—is long overdue for discovery. Edited by The Real Lolita author Sarah Weinman, this collection gathers four classic crime novels from the 1940s: Vera Caspary’s famous career girl mystery, Laura; Helen Eustis’s intricate academic thriller, The Horizontal Man; Dorothy B. Hughes’s terrifyingly intimate portrait of a serial killer, In a Lonely Place; and Elizabeth Sanxay Holding’s The Blank Wall, in which a wartime wife is forced to take extreme measures when her family is threatened. Together, these underappreciated works reveal the vital and unacknowledged lineage of today’s leading crime writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Author of over a dozen bestsellers, Academy Award-winning screenwriter, and creator of some of television's greatest hits, Sheldon has seen and done it all, and now in this candid memoir, he shares his story for the first time.

The epic adventures Evelyn creates over the course of a lifetime will leave every reader mesmerized. This wildly addictive journey of a reclusive Hollywood starlet and her tumultuous Tinseltown journey comes with unexpected twists and the most satisfying of drama.

Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.

Joel is growing up. He is getting interested in girls. Just look at his New Year's resolutions: 1 - to see a naked lady, 2 - to toughen himself up so that he can live to be a hundred, and 3 - to see the sea. They all look pretty impossible for a motherless boy in Northern Sweden. Especially as his sailor dad is keen to drown his sadness in drink, and all the local matrons are narrowly watching the pair of them. And then he saves old Simon from a frozen death in the woods, and Joel becomes a local hero.