Women In Indian History

Papers presented at a Seminar on Women in Indian History : Social, Economic, Political, and Cultural Perspectives, organized by Dept. of History, Panjab University, Chandīgarh in February 1992, and sponsored by Indian Council of Historical Research.

Looks at Indian history from ancient to modern times revealing precisely why ideas of gender rights were not static across eras or regions. Integrates women's issues, roles, and achievements into the general study of the times, providing a clear presentation of the social, cultural, religious, political, and economic realities that have helped shape the identity of Indian women. With a focus on gender and female sexuality in terms of representations in male texts of the premodern era; their later use by men and women for contemporary social and political purposes; women's narratives in their social contexts; and the issues of female agency and objectification, addresses women's subordinate nature in India, but also their active resistance, avenues for self-expression, negotiations with patriarchy, and support of oppressive traditions.

Women Warriors in Indian History explores the life of ten Indian women warriors as narrated by other historical characters. While Italian traveller Marco Polo recounts the story of his contemporary Queen Rudramba, Emperor Jahangir narrates the tale of Durgavati to his future consort. Legendary Tatya Tope unfolds Avantibai's heroics to Lakshmi Bai and the eunuch General Malik Kafur regales a young sultan with Raziya Sultana's exploits. Put together chronologically, from the slave dynasty to the first war of Indian independence, these stories showcase the changing canvas of Indian history. More importantly, the narratives bring forward the exceptional qualities of these women warriors, while fighting against gender, social, religious and political odds and oppositions. They prove that women are unequivocally strong leaders who have waged and won many battles with courage and conviction down the ages. Well-researched and engagingly narrated, this book familiarizes readers with these extraordinary women, their highs and lows and provides a glimpse into their unique, yet relatively less known lives.

In this study of British middle-class feminism in the late nineteenth and early twentieth centuries, Antoinette Burton explores an important but neglected historical dimension of the relationship between feminism and imperialism. Demonstrating how feminists in the United Kingdom appropriated imperialistic ideology and rhetoric to justify their own right to equality, she reveals a variety of feminisms grounded in notions of moral and racial superiority. According to Burton, Victorian and Edwardian feminists such as Josephine Butler, Millicent Garrett Fawcett, and Mary Carpenter believed that the native women of colonial India constituted a special 'white woman's burden.' Although there were a number of prominent Indian women in Britain as well as in India working toward some of the same goals of equality, British feminists relied on images of an enslaved and primitive 'Oriental womanhood' in need of liberation at the hands of their emancipated British 'sisters.' Burton argues that this unquestioning acceptance of Britain's imperial status and of Anglo-Saxon racial superiority created a set of imperial feminist ideologies, the legacy of which must be recognized and understood by contemporary feminists.

Co-published by Routledge and Edition Synapse, this new title makes key archival source material readily available to scholars, researchers, and students of Indian imperial history. The collection will be particularly welcomed by those working in women's and gender studies, and in women's history, but also by those active in allied and related fields. Selected and introduced by an expert editor, the gathered materials are reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination. Women in Colonial India is a veritable treasure-trove; it brings together key colonial documents and other materials which are currently widely dispersed or very difficult for scholars, researchers, and students across the globe to locate and use. In five volumes, the collection draws on a wide variety of sources, including periodicals, memoirs, parliamentary, and administrative reports. It covers crucial gendered concerns and topics, such as 'the woman question'; female infanticide; widow-burning; education; health; and marriage. Each volume is supplemented by a substantial introduction, newly written by the learned editor, which contextualizes the collected works, and this vital reference and research resource also includes a detailed appendix providing data on the provenance of the gathered works.

Since the mid-1970s gender has been introduced as a fundamental category of social, cultural and historical reality, perception and study. Social history is becoming more intelligible through recent studies on women. Women are no longer invisible in history. This monograph marks a welcome recognition of the importance of situating women's history within the broader perspective of social history, and illustrates the wide variety of themes in women's history on which historians have been working over the last few decades. The essays in this monograph have been written with great insight and bear ample evidence of painstaking research.

The idea of heroism in women is not easily defined. In men the notion is often associated with physical strength and extravagant bravery. Women's heroism has tended to be of a very different nature, less easily categorized. All the women portrayed-Draupadi, Radha, Ambapali, Raziya Sultan, Meerabai, Jahanara, Laxmibai and Hazrat Mahal-share an unassailable belief in a cause, for which they are willing to fightto the death if need be. In every case this belief leads them to confrontation with a horrified patriarchy. In the book we meet lotus-eyed, dark-skinned Draupadi, dharma queen, whose story emerges almost three millennia ago; the goddess Radha who sacrificed societal respectability for a love that transgressed convention; Ambapali, a courtesan, who stepped out of the luxurious trappings of Vaishali to follow the Buddha and wrote a single, haunting poem on the evanescence of beauty and youth. Raziya, the battle-scarred warrior, who proudly claimed the title of Sultan, refusing its fragile feminine counterpart, Sultana; the courageous Meerabai who repudiated her patriarchal destiny as cloistered daughter-in-law of a Rajput clan; the gentle Mughal princess Jahanara: who claims the blessings of both Allah and the Prophet Muhammad and wishes 'never to be forgotten'; Laxmibai, widow, patriot and martyr, who rides into legend and immortality fighting for her adopted son's birthright; and Hazrat Mahal, courtesan, begum and rebel queen, resolute till the very end in defying British attempts to seize her ex-husband's kingdom.In these engrossing portraits, mythological characters from thousands of years ago walk companionably besides historical figures from more recent times. They rise to reclaim their rightful place in history. Daughters, wives, courtesans, mothers, queens, goddesses, warriors-heroines.

Citizens of Everywhere is a global history of Indian women's activism during the final decades of colonial rule, demonstrating their contributions to both the international women's movement and to the Indian independence struggle.