Women In The Wall

An Inspiration to All Who Struggle for Religious and Gender Equality “Our souls yearn to pray, in peace, in the sacred place, to read from our holy Torah, together with other Jewish women.” —from the In Israel today, the historic Western Wall, known as the Kotel, a holy site for Jewish people, is under the religious authority of the Orthodox rabbinate. Women have only limited rights to practice Jewish ritual in its precincts. This passionate book documents the legendary grassroots and legal struggle of a determined group of Jewish women from Israel, the United States, and other parts of the world—known as the Women of the Wall—to win the right to pray out loud together as a group, according to Jewish law; wear ritual objects; and read from Torah scrolls at the Western Wall. Eyewitness accounts of physical violence and intimidation, inspiring personal stories, and interpretations of legal and classical Jewish (halakhic) texts bring to life the historic and ongoing struggle that the Women of the Wall face in their everyday fight for religious and gender equality.

'I am hungry for your presence. I hanker for the great blaze of your glance which when you turn it on me, will burn out the husk of my body and draw my soul to you.' Julia O'Faolian's second novel, first published in 1973, offers a rich, vivid portrait of the political and religious turmoil of sixth-century Gaul, wherein we find Radegunda, wife of King Clotair having been seized by him as a prize of war. Radegunda builds a convent, a refuge for the Brides of Christ, and there becomes renowned for her austerity and mysticism. Her religion, however, is fanatical, and her quest for sainthood will serve to undermine the seeming calm of the retreat she has made. 'Vibrant and strange... [a] journey into a darker, wilder moment of history.' Sarah Dunant, Guardian

Excerpt from The Women on the Wall The old password came naturally, as if he were back seventeen years. In their college crowd everybody had called everybody else Canby, for no reason except that someone, probably Mel, had begun it and everyone else had followed suit. There had been a real Canby, a sort of goof. Now he was a cpa in Denver, and the usurpers of his name were scattered from coast to coast. Well, Canby! The filtered voice said heartily. How's the boy? There was a pause. Then Mel's voice, more distorted now, beginning to be his clowning voice, said suspiciously, What was that name again? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In October of 2014, 12-year-old Sasha Lutt read from a tiny Torah scroll as a part of her bat mitzvah in the Women's section of the plaza at the Western Wall, Judaism's holiest prayer site. Surrounded by members of the multi-denominational organization, the Women of the Wall, one of whom had smuggled the scroll into the plaza, Sasha became the first woman to read from the Torah at the site. For more than twenty five years, the Women of the Wall have been waging a campaign to gain the Israeli government's permission to pray at the Western Wall. Despite widespread media coverage, this is the first comprehensive study of their struggle. Yuval Jobani and Nahshon Perez offer an in-depth analysis of the Women of the Wall's attempts to modify Jewish-orthodox mainstream religious practice from within and invest it with a new, egalitarian content. They present a comprehensive survey of the numerous legal rulings about the case and consider the broader political and social significance of the Women of the Wall's activism. In this way, Jobani and Perez are able to address broader issues of religion-state relations: How should governments manage religious plurality within their borders? How should governments respond to the requests of minorities that conflict with ostensibly mainstream interpretations of a given tradition? How should governments manage disputed sacred sites and spaces located in the public sphere? Women of the Wall: Navigating Religion in Sacred Sites offers a critical new look at theories of religion-state relations and a fresh examination of religious conflicts over sacred sites and public spaces.

And hide is what Anna does throughout the course of this amazing book. She retreats into the fabric of a big old house, building a series of passageways and secondary walls that allow her to share the life of the house unseen by her mother and sisters. As Anna says, her family is not observant. But Anna herself is a quirky and perceptive witness to the life she has chosen to escape. Then a mysterious message is thrusted through a crack in the wall, a message that gives Anna a reason to emerge.... Once again Patrice Kindl has created a magical world and an irresistible heroine.

Women at the Wall is the first ethnographic study of how the arrest, trial, imprisonment, and release of male criminals affects their families, particularly their wives. It relies on first-person accounts by prisoners' wives, providing details about the changing texture of their marital relationships and the accompanying stigmatization. From this book we learn about the effects of enforced spousal separation, and the control husbands maintain even during incarceration. We also learn that wives devise ingenious interpretations and explanations regarding their husbands' criminality, and how they attempt to establish stable, conventional lives for themselves while supporting their husbands through the various stages of the criminal justice system. These women reveal not only their hardships and losses, but also their resourcefulness in coping with their husbands' criminality, their families and friends, and the prison system itself.

Women today struggle to make difficult choices involving their children and their careers - so why do they simultaneously criticize, undermine, and point fingers at one another? Beth Brykman taps her personal experience as well as her professional marketing skills in crafting this well-researched look at the life-transforming issue that American mothers face. Having been both a full-time employed mother and a stay-at-home mom, Brykman interviewed more than one hundred mothers. She lets these women speak for themselves about the reality of their lives, their views of the "other" mother, and how they balance the pros and cons of motherhood.Separate chapters examine the factors that create the wall between women, stereotypes of mothers on both sides of the wall, the lives and attitudes of full-time employed mothers versus mothers who choose to stay at home, working part-time, the reality of daycare, how different women determined what was right for them and their families, coparenting and suggestions for modifying marriages, and letting go of the emotional baggage of success and guilt, including suggestions for broad cultural change.An appendix details her research methods, including questions she posed to each mother, and a useful bibliography that points readers to other resources.Filled with revealing quotations and stories from mothers themselves, this insightful discussion of contemporary motherhood reveals the many challenges facing women and offers creative solutions for overcoming those challenges.

Written during World War II and its immediate aftermath, the eighteen stories of The Women on the Wall move from women to war and back again, but it is the women who remain central. There are Alma, a war bride who runs a farm better than the neighbor men; Lucy, a former WAAF, working through college; Tamsen, who keeps her husband drunk so she can do as she pleases; and the women on the wall, who, with nothing to do but wait for their husbands to return from the war, find their private consolations. To these stories Wallace Stegner brings the same skill and thoughtfulness that won him the National Book Award for The Spectator Bird