Women On The Verge Of A Nervous Breakthrough

As a result of a divorce and the recession, Joanie, her teenage daughter, Caroline, and her elderly mother, Ivy, try to live under the same roof without going completely crazy and learn that the past can sometimes be undone.

Joanie's ex-husband is having a baby with his new girlfriend. Joanie won't be having more babies, since she's decided never to have sex again. But she still has her teenaged daughter Caroline to care for. And thanks to the recession, her elderly mother Ivy as well. Her daughter can't seem to exist without texting, and her mother brags about "goggling,"-while Joanie, back in the workforce, is still trying to figure out her office computer. And how to fend off the advances of her coworker Bruce. Joanie, Caroline, and Ivy are stuck under the same roof, and it isn't easy. But sometimes they surprise each other-and themselves. And through their differences they learn that it is possible to undo the mistakes of the past.

Welcome to Kettle, Wisconsin, a town where everyone knows nothing bad ever happens. Enter Lorelei Taylor—notorious, glamorous, and hot off a not-guilty murder verdict that stunned the nation. To the women of Kettle, bad things seem suddenly inevitable . . . Sarah Gilchrist—A perfect house and garden can't quite make up for a marriage that's a wreck. Sarah is determined to rise above her opinion of Kettle's dreadful newcomer and give her a perfect welcome. But in the face of Lorelei's outrageous provocations, Sarah's control starts to unravel. Erin Hall—What her husband does to her behind closed doors stays hidden. But Lorelei's acquittal gives Erin hope for the first time. Convinced Lorelei did kill her abusive lover . . . and got away with it, Erin thinks she may have some power after all. Lorelei Taylor—In Lorelei's eyes, peaceful, heavenly Kettle could not look any more like hell. She vows to shake up the town—smug, priggish Sarah; mousy, downtrodden Erin; and while she's at it, her widowed neighbor, Mike. Except the harder she shakes, the more the shake-up is happening to her. Sometimes the only thing women on the edge need . . . is a push.

Jackie accepts an opportunity to host a local radio show where she creates a late-night persona, Miss Dreamsville, and launches a reading group thus sending the conservative and racially segregated town into uproar.

First published in 1999, this volume responds to the 1968 sewing worker strikes at the Ford Motor Company, asking how the worker demands made by women are to be heard and understood in workplace negotiations. At the time of original writing in the late 1990s, there remained many women workers whose needs and concerns remained hidden behind a workplace agenda dominated by male interests. Kay M. Fraser utilises some of the insights offered by post-structuralist feminist theorists to interrogate the competing debates about women workers as they were discursively constructed by the organisations, institutions and individuals interested and involved in the employment of women during the 1960s. Fraser further explores notions of sameness and difference, how these were used to formulate a view of women workers and highlights the need for women to be seen, particularly by those involved in the workplace negotiations of the future, as both the same as and different from men workers.

What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation? German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany's eventual turn towards National Socialism and the related historiographical arguments about 'modernity', this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what they were creating and which future would come. It includes varied case studies, based on cutting-edge research, which rethink the relationship of the early 20th century to the rise of Nazism and the Third Reich. A range of political, social and cultural issues, including citizenship, welfare, empire, aesthetics and sexuality, as well as the very nature of German modernity, are analyzed and placed in a global context. German Modernities From Wilhelm to Weimar is a book of vital significance to all students of modern German history seeking to further understand the complex period from 1880 to 1930.

Focusing on post-1956 British women playwrights, this book questions to what extent transformations in women's lives have impacted on theatre. Contributing to a range of discourses, including gender studies, cultural studies and theatre and performance studies, this timely volume is crucial to our understanding of women's drama in this period.

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