Women Press And Politics During The Irish Revival

Women, Press, and Politics explores the literary and historical significance of women writing for the most influential body of nationalist journalism during the Irish revival, the advanced nationalist press. This work studies women’s writings in the Irish national tradition, focusing in particular on leading feminine voices in the cultural and political movements that helped launch the Eater Rising of 1916: Augusta Gregory, Alice Milligan, Maud Gonne, Constance Markievicz, Delia Larkin, Hanna Sheehy Skeffington, and Louie Bennett. Karen Steele argues that by examining the innovative work of these writers from the perspective of women’s artistry and women’s political investments, we can best appreciate the expansive range of their cultural productions and the influence these had on other nationalists, who went on to shape Irish politics and culture in the decades to come.

From the Revolutionary War forward, Irish immigrants have contributed significantly to the construction of the American Republic. Scholars have documented their experiences and explored their social, political, and cultural lives in countless books. Offering a fresh perspective, this volume traces the rich history of the Irish American diaspora press, uncovering the ways in which a lively print culture forged significant cultural, political, and even economic bonds between the Irish living in America and the Irish living in Ireland. As the only mass medium prior to the advent of radio, newspapers served to foster a sense of identity and a means of acculturation for those seeking to establish themselves in the land of opportunity. Irish American newspapers provided information about what was happening back home in Ireland as well as news about the events that were occurring within the local migrant community. They framed national events through Irish American eyes and explained the significance of what was happening to newly arrived immigrants who were unfamiliar with American history or culture. They also played a central role in the social life of Irish migrants and provided the comfort that came from knowing that, though they may have been far from home, they were not alone. Taking a long view through the prism of individual newspapers, editors, and journalists, the authors in this volume examine the emergence of the Irish American diaspora press and its profound contribution to the lives of Irish Americans over the course of the last two centuries.

This book is the first collection of essays to focus exclusively on Irish women’s experiences in the First World War period, 1914-18, across the island of Ireland, contextualising the wartime realities of women’s lives in a changing political landscape. The essays consider experiences ranging from the everyday realities of poverty and deprivation, to the contributions made to the war effort by women through philanthropy and by working directly with refugees. Gendered norms and assumptions about women’s behaviour are critically analysed, from the rhetoric surrounding ‘separation women’ and their use of alcohol, to the navigation of public spaces and the attempts to deter women from perceived immoral behaviour. Political life is also examined by leading scholars in the field, including accounts from women on both sides of the ‘Irish question’ and the impact the war had on their activism and ambitions. Finally, new light is shed on the experiences of women working in munitions factories around Ireland and the complexity of this work in the Irish context is explored. Throughout, it is asserted that while there were many commonalities in women’s experiences throughout the British and Irish Isles at this time, the particular political context of Ireland added a different, and in many respects an unexamined, dimension. This book was originally published as a special issue of Women’s History Review.

Handbook of the Irish Revival collects for the first time many of the essays, articles, and letters written during the Revival.

Shame and the Anti-Feminist Backlash examines how women opposed to the feminist campaign for the vote in early twentieth-century Britain, Ireland, and Australia used shame as a political tool. It demonstrates just how proficient women were in employing a diverse vocabulary of emotions – drawing on concepts like embarrassment, humiliation, honour, courage, and chivalry – in the attempt to achieve their political goals. It looks at how far nationalist contexts informed each gendered emotional community at a time when British imperial networks were under extreme duress. The book presents a unique history of gender and shame which demonstrates just how versatile and ever-present this social emotion was in the feminist politics of the British Empire in the early decades of the twentieth century. It employs a fascinating new thematic lens to histories of anti-feminist/feminist entanglements by tracing national and transnational uses of emotions by women to police their own political communities. It also challenges the common notion that shame had little place in a modernizing world by revealing how far groups of patriotic womanhood, globally, deployed shame to combat the effects of feminist activism.

Uncovering the hidden history of poetry written by women in Ireland from 1870 to 1970, this anthology includes more than 180 poems by fifteen women with diverse backgrounds, experiences, and creative aims. Challenging the assumption that women wrote little poetry of note during this period, this rich and original collection reveals the range of their achievement and the lasting value of their work. Presented alongside biographical sketches of their authors, the poems span the political and the personal. From nationalist ballads to modernist lyrics, this book is an essential resource for students and scholars of Irish literature.

This is a major new history of the experiences and activities of Irish nationalist women in the early twentieth century, from learning and buying Irish to participating in armed revolt. Using memoirs, reminiscences, letters and diaries, Senia Pašeta explores the question of what it meant to be a female nationalist in this volatile period, revealing how Irish women formed nationalist, cultural and feminist groups of their own as well as how they influenced broader political developments. She shows that women's involvement with Irish nationalism was intimately bound up with the suffrage movement as feminism offered an important framework for women's political activity. She covers the full range of women's nationalist activism from constitutional nationalism to republicanism, beginning in 1900 with the foundation of Inghinidhe na hÉireann (Daughters of Ireland) and ending in 1918 with the enfranchisement of women, the collapse of the Irish Party and the ascendancy of Sinn Fein.

At the turn of the twentieth century women played a key role in debates about the nature of the Irish nation. Examining women's participation in nationalist and rural reform groups, this book is an important contribution to our understanding of Irish identity in the prelude to revolution and how it was shaped by women.