Women S Fiction And The Great War

The essays in this volume on women's writing of the First World War are written from an explicitly theoretical & academic feminist perspective. The book considers some of the best & less known, women writers on whose work the war left its shadow.

Stories set during World War I. They range from Joseph Conrad's The Tale, a shipwrecked sailor's reflections on courage and patriotism, to Kay Boyle's Count Lothar's Heart, on a returning German POW.

The literary memory of the Great War is dominated by the writings of Sassoon and Owen, Graves and Blunden. The voice is a male voice. This book is a study of what women wrote about militarism and world war 1

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Joyce Marlow presents a fascinating and varied collection of women's writing on the Great War drawn from diaries, newspapers, letters and memoirs from across Europe and the States. Starting with material from 1914, she outlines the pre-war campaigns for suffrage and then the demand from women eager to be counted amongst those in action. Contemporary accounts and reports describe their experience on the field and reactions to women in completely new areas, such as surgery as well as on the home front. The words of women in the UK, America, France and Germany display a side to the war rarely seen. Familiar voices such as those of Vera Brittain, Millicent Fawcett, May Sinclair, Alexandra Kollontai, the Pankhurst family and Beatrice Webb, as well as the unknown, make this anthology a truly indispensable guide to the female experience of a war after which women's lives would never be the same.

This anthology consists of ten plays from countries involved in the First World War. It explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.