Wonder Book Of Travellers Tales

Exploring travellers' tales of wonder in contemporary literature, this study challenges a sensibility of disenchantment with travel. It reassesses travel writing as an aesthetically and ethically innovative form in contemporary international literature, and demonstrates the crucial role of wonder in the travel narratives of writers such as Bruce Chatwin, V.S. Naipaul, and W.G. Sebald. Their 'travellers' tales of wonder' are read as a challenge to the hubris of thinking the world too well known, and an invitation to encounter the world - including its most troubling histories - with a sense of wonder.

What is it about Japan that so beguiles foreigners? It is a small country and yet an economic powerhouse, a land of great natural beauty -- from green-cloaked mountains to glistening rice paddies -- a place of intricate arts and crafts and amazing cuisine, and home to a people whose kindness and sensitivity surprise westerners at each turn. It is no wonder that Japan simultaneously astonishes, delights, and frustrates travelers, and the diverse tales in this book reveal the nation in all its contradictions: a place of tranquil temples and high-tech toilets, exquisite ancient inns and lurid love hotels, where electric baths sit beside indoor ski slopes, and cherry blossoms fall on kindly grandmothers, cynical salarymen, wise monks, and wild lovers alike. Gathered in this collection are pieces by several notable authors, each offering anecdotes that tell of encounters to be had or avoided, each with uncommon insight to enrich the traveler's experience.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

Nineteenth-century adventure fiction relating to the British empire usually served to promote, celebrate and justify the imperial project, asserting the essential and privileging difference between 'us' and 'them', colonizing and colonized. Andrea White's study opens with an examination of popular exploration literature in relation to later adventure stories, showing how a shared view of the white man in the tropics authorized the European intrusion into other lands. She then sets the fiction of Joseph Conrad in this context, showing how Conrad in fact demythologized and disrupted the imperial subject constructed in earlier writing, by simultaneously - with the modernist's double vision - admiring man's capacity to dream but applauding the desire to condemn many of its consequences. She argues that the very complexity of Conrad's work provided an alternative, and more critical, means of evaluating the experience of empire.