Woodland Crafts In Britain

Coppicing is an ancient method of enhancing woodland biodiversity. The key to successful coppicing is to nurture the new coppice shoots. In return, a coppice will provide an endless supply of wood for a wide range of uses, and the authors present detailed instruction on how to produce many kinds of woodland products from besom brooms, firewood and charcoal to more challenging items such as hazel hurdles and coracles. Topics covered in Coppicing & Coppice Crafts include; how to find a suitable woodland and the pitfalls involved; the equipment, tools and resources that you will need, together with health and safety issues; tax issues, the law and what you can and cannot do; all aspects of coppice management including pests and diseases, and how to plant a new coppice; the flora and fauna of the coppice and how it should be managed; a wide range of coppice woods and crafts and how the products are made; wood as a fuel, including charcoal-making, the best types of wood to burn, wood-fired boilers, woodchips, pellets, kindling, logs and much more, with a useful glossary, bibliography and list of addresses.

Professor John Harper, in his recent Population Biology of Plants (1977), made a comment and asked a question which effectively states the theme of this book. Noting that 'one of the consequences of the development of the theory of vegetational climax has been to guide the observer's mind forwards', i. e. that 'vegetation is interpreted asa stage on the way to something', he commented that 'it might be more healthy and scientifically more sound to look more often backwards and search for the explanation of the present in the past, to explain systems in relation to their history rather than their goal'. He went on to contrast the 'disaster theory' of plant succession, which holds that communities are a response to the effects of past disasters, with the 'climax theory', that they are stages in the approach to a climax state, and then asked 'do we account most completely for the characteristics of a population by a knowledge of its history or of its destiny?' Had this question been put to R. S. Adamson, E. J. Salisbury, A. G. Tansley or A. S. Watt, who are amongst the giants of the first forty years of woodland ecology in Britain, their answer would surely have been that understanding lies in a knowledge of destiny. Whilst not unaware of the historical facts of British woodlands, they were preoccupied with ideas of natural succession and climax, and tended to interpret their observations in these terms.

Elegant, rich in history, and supremely useful, birches have played an extraordinary yet largely unrecognized part in shaping both our natural environment and the material culture and beliefs of millions of people around the world. Exploring birches’ many uses, the ancient beliefs and folklore we associate with them, their abiding portrayal in literature and art, and their biology, Birch presents a fascinating overview of the cultural and ecological significance of these versatile trees. For thousands of years, birches have given the people of northern temperate forests and beyond raw materials in the form of leaves, twigs, branches, bark, wood, and sap—materials used not simply to survive, but to flourish and express identity in practical and spiritual ways. Tough, waterproof, and flexible, birch bark has been used for everything from basketry and clothing to housing, transport, musical instruments, and medicines, and even to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional indigenous cultures—for example, in the form of the Native American wigwam and the birch bark canoe—they also continue to be of global economic importance today. Featuring an arbor of illustrations and rich analyses, Birch is an enlightening look into the history and possible future of these beautiful trees.

Packed with stunning color photographs, The Woodland Year is an intimate month-by-month journey through Ben Law’s yearly cycle of work, his naturally attuned lifestyle, and his deep understanding of his woods. The Woodland Year provides a fascinating insight into every aspect of sustainable woodland management, including the cycles of nature, seasonal tasks, wild food gathering, wine making, mouthwatering and useful recipes, coppice crafts, round-pole timber-frame eco-building (pioneered by Ben), nature conservation, species diversity, tree profiles, and the use of horses for woodland work. This is a profound book that is both practical and poetic. It describes a way of life that is economically and ecologically viable and sets a new standard for managing our woods in a low-impact, sustainable way. As such, it holds some of the fundamental keys to how we can achieve a lower-carbon society.

The classic text on coppicing and woodland crafts, redesigned for a new generation of woodspeople. If you're lucky enough to have access to a patch of woodland, this book contains everything you need to set up, manage and profit from a thriving coppice. But even if you don't, there's plenty of information on traditional woodland crafts here for you: learn how to work with bought coppiced wood to make all manner of products, from the archetypal besom broom and humble tent pegs to sturdy gate hurdles. Woodland crafts expert Ray Tabor guides you through a range of heritage woodland conservation methods. He introduces the best tools for each job – the time-honoured woodsman's billhook being the most important of all – and the devices you'll need. He shows how to select wood for each purpose, from ash, traditionally used for tool handles, to chestnut for making perfect fences. There's also an in-depth exploration of the essential art of riving (splitting wooden poles by hand). Full of invaluable advice, historical information, useful diagrams and evocative photography, this book will help you reconnect to nature and the environment, and gain immense pleasure from creating beautiful crafted products using heritage methods.

This study explores the science and culture of nineteenth-century British arboretums. These were fostered by a variety of factors: global trade and exploration, popularity of collecting, significance to the British economy and society, developments in science, changes in landscape gardening aesthetics and agricultural and horticultural improvement.